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Feminism

April 2024

  • Gallery assistants pose with a participatory installation entitled Add Colour (Refugee Boat) during the press preview of Yoko Ono: Music of the Mind exhibition at Tate Modern in London on 13 February 2024.

    Let’s tell the story of art without men

  • A lone walker on the South West Coast Path between Tintagel and Boscastle in Cornwall.

    Do women feel safe walking alone in the countryside?

  • Phoebe Stuckes … women authors are ‘increasingly infantilised’.

    Sad girl novels: the dubious branding of women’s emotive fiction

  • Choriza May appears on RuPaul's Drag Race: UK Vs the World in February 2024.

    Drag Race is essential educational viewing

  • For 30 years I saw my kidnapping as character-building – until I finally faced what happened to me

    Anna Broinowski
  • Debunking the myth that women prefer sweeter drinks

  • Stickers, soap and legal help: the rise of Mexico City’s ‘feminist markets’

  • Drag: a sexist caricature, or a fabulous art form?

  • ‘Shagging and shoes’: why Gen Z has fallen in love with Sex and the City

  • ‘My sons hated it’ … Shakira says Barbie film is ‘emasculating’

March 2024

  • A protester raises her fist during a demonstration against violence against women

    The Guardian view on global women’s rights: Saudi Arabia isn’t the only problem

  • Mother working from home with daughter sitting on her lap

    Motherhood is a motherload of work. That’s the reality

  • Beatrice Loayza

    Is Poor Things a feminist film? Is Barbie? These have become meaningless questions

    Beatrice Loayza
  • Person kissing a crucifix

    Brief letters
    Treasures in heaven and worldly goods

  • The Women’s prize for fiction is a success – now it has a nonfiction sister

    Kate Mosse
  • I’ve travelled the world researching patriarchy – and found it is far from inevitable

    Angela Saini
  • How a Conservative budget failed to help women (again)

  • The inspiration behind ‘bread and roses’

  • Sex, drink, football: the legacy of lads’ mags – by the women who (mostly) loved working for them

  • From the Observer archive
    Looking back over previous generations of revolutionary feminists, 1976

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