Search Results (1,499)

The fragmented forests of the Kenya highlands, known for their exceptional species richness and endemism, are among the world’s most important biodiversity hotspots. However, detailed studies on the fauna of these ecosystems—especially specialist species that depend on moist forests, which are particularly threatened by habitat fragmentation—are still limited. In this study, we used mitochondrial genes (cytochrome b and the displacement loop) and a nuclear marker (retinol-binding protein 3) to investigate genetic and morphological diversity, phylogenetic associations, historical divergence, population dynamics, and phylogeographic patterns in two rodent species—the soft-furred mouse (Praomys jacksoni) and the African wood mouse (Hylomyscus endorobae)—across Kenya’s forest landscapes. We found a complex genetic structure, with P. jacksoni exhibiting greater genetic diversity than H. endorobae. The Mt. Kenya P. jacksoni populations are significantly genetically different from those in southwestern forests (Mau Forest, Kakamega Forest, and Loita Hills). In contrast, H. endorobae presented no observable biogeographic structuring across its range. The genetic diversity and geographic structuring patterns highlighted selectively strong effects of forest fragmentation and differing species’ ecological and evolutionary responses to these landscape changes. Our findings further underscore the need for expanded sampling across Kenya’s highland forests to better understand species’ changing diversity and distribution patterns in response to the impacts of human-mediated habitat changes. These insights are critical for informing conservation strategies to preserve biodiversity better in this globally important region. Full article

The Future Internet aims to revolutionize digital interaction by integrating advanced technologies like AI and IoT, enabling a dynamic and resilient network. It envisions emotionally intelligent systems that can interpret and respond to human feelings, creating immersive, empathy-driven learning experiences. This evolution aspires to form a responsive digital ecosystem that seamlessly connects technology and human emotion. This paper presents a computational model aimed at enhancing the emotional aspect of learning experiences within museum environments. The model is designed to represent and manage affective and emotional feedback, with a focus on how emotions can significantly impact the learning process in a museum context. The proposed model seeks to identify and quantify emotions during a visitor’s engagement with museum exhibits. To achieve this goal, we primarily explored the following: (i) methods and techniques for assessing and recognizing emotional responses in museum visitors, (ii) feedback management strategies based on the detection of visitors’ emotional states. Then, the methodology was tested on 1000 cases via specific questionnaire forms, along with the presentation of images and short videos, and the results of data analysis are reported. The findings contribute toward establishing a comprehensive methodology for the identification and quantification of the emotional state of museum visitors. Full article

As the cultural importance of universities continues to grow, university museums have become key platforms for promoting university heritage and values. However, enhancing the visitor experience in these museums remains challenging. This study examines the effectiveness of smellscape in enhancing the visitor experience in university history museums, with a focus on how various scents impact visitors’ emotions. Using the Fuzhou University History Museum as a case study, the museum was divided into three distinct zones: the Historical Evolution Zone (HEZ), the Contemporary Development Zone (CDZ), and the Thematic Exhibition Zone (TEZ). Specific scents were selected for each area to evaluate their emotional impact, and data were gathered using electroencephalography (EEG) indicators, emotional questionnaires, and scent pleasure scales. The results indicated that calming scents like sandalwood and agarwood, used in the HEZ, convey a sense of historical depth but may also evoke negative emotions, whereas sage enhances positive feelings. In the CDZ, rosemary and mint significantly improve emotional states, while lemongrass exhibits weaker pleasantness and appears less suited for this area. In the TEZ, scents such as patchouli and orange blossom align well with future-oriented themes, demonstrating high levels of pleasantness and emotional value. Smellwalk interviews further validated the experimental results, revealing notable differences in the emotional impact of smellscape across different exhibit zones. A thoughtful selection of scents can enhance the cultural expression of spaces and effectively regulate visitors’ emotional experiences, strengthening the cultural resonance of museum environments. Future designers may consider incorporating olfactory elements into landscape design. Full article

The issue of sustainability has emerged as a focal point within the museum sector. This article aims to investigate the perceptions and attitudes of Chinese general visitors towards museums and sustainability. To achieve this, we employed a visitor evaluation approach, with inhabitants of the Chinese mainland serving as the target population. We conducted a survey using an online questionnaire, yielding a total of 1260 valid samples. The study finds that most museum visitors in mainland China see a strong link between museums and sustainable development, with factors like age, gender, education, familiarity with sustainable development, and museum interaction shaping these perceptions. The results indicate that large segments of the Chinese visitors hold a favourable perception of the significance of museums in terms of environmental, social, economic, and cultural sustainability. However, the visitor generally does not wish to sacrifice their own visiting experience to enhance museums’ sustainable development capacities. The article examines the relationship between museums and sustainability and offers recommendations for museum practice and policymaking in China and beyond. Full article

The article examines the exhibition history of hand-painted ceramic objects from the “Fajans” factory in Włocławek and the politics of regional contextualization during the period of détente in the 1970s and 1980s. It extends both existing scholarship on transnational art history in socialist Europe and the notion of cultural diplomacy, approached here in the context of regional politics and economic frameworks. The paper highlights the peripheral networks and movements that developed in relation to the socialist cultural politics of working-class artistic engagement and artistic practice as labor. Questions of cooperation between Poland and other socialist states are of particular interest, as are the implications of détente for East Central Europe. The reconstruction of the transnational circulation of “Fajans” objects is based on a comparative analysis of international “Fajans” exhibitions, using documentation from the archives of the Faience Department of the Museum of the Kujawy and Dobrzyń Land, as well as from the archives of the city of Novi Sad. Based on the researched material and the conceptual framework of transnational art history, the article proposes a concept of regional cultural diplomacy. Full article

Museums are precious carriers of human civilization and history as well as important places for cultural inheritance and education. However, with the rapid development of science and technology, museums are now facing the challenge of enhancing visitors’ experiences. The use of immersive technology in museums can blur the real and virtual worlds to offer visitors a unique experience. Based on the TAM and flow theory, this study analyzes the influence of immersion technology in museums on visitors’ behavioral intention. The results of the study show that, according to the TAM, the perceived usefulness and ease of use of immersive technologies in museums affect visitors’ attitudes and satisfaction. Similarly, perceived enjoyment and concentration, as described in the flow theory, also influence these attitudes and satisfaction levels. Additionally, visitors’ attitudes and satisfaction with immersive technologies impact their behavioral intentions. The findings are instructive for museums to enhance visitor experience and promote sustainable museum development. Full article

The American Civil War has been commemorated with a great variety of monuments, memorials, and markers. These monuments were erected for a variety of reasons, beginning with memorialization of the fallen and later to honor aging veterans, commemoration of significant anniversaries associated with the conflict, memorialization of sites of conflict, and celebration of the actions of military leaders. Sources reveal that during both the Jim Crow and Civil Rights eras, many monuments were erected as part of an organized propaganda campaign to terrorize African American communities and distort the past by promoting a “Lost Cause” narrative. Through subsequent decades, to this day, complex and emotional narratives have surrounded interpretive legacies of the Civil War. Instruments of commemoration, through both physical and digital intervention approaches, can be provocative and instructive, as the country deals with a slavery legacy and the commemorated objects and spaces surrounding Confederate inheritances. Today, all of these potential factors and outcomes, with internationally relevance, are surrounded by swirls of social and political contention and controversy, including the remembering/forgetting dichotomies of cultural heritage. In this article, drawing from the testimony of scholars and artists, I address the conceptual landscape of approaches to the presentation and evolving participatory narratives of Confederate monuments that range from absolute expungement and removal to more restrained ideas such as in situ re-contextualization, removal to museums, and preservation-in-place. I stress not so much the academic debate but how the American public is informed about and reacts to the various issues related to Confederate memorialization. My main point, where my premise stands out in the literature, is that, for the sake of posterity, and our ability to connect and engage with a tangible in situ artifact, not all Confederate statues should be taken down. Some of them, or remnants of them, should be preserved as sites of conscience and reflection, with their social and political meanings ongoing and yet to be determined in the future. The modern dilemma turns on the question: In today’s new era of social justice, are these monuments primarily symbols of oppression, or can we see them, in select cases, alternatively as sites of conscience and reflection encompassing more inclusive conversations about commemoration? What we conserve and assign as the ultimate public value of these monuments rests with how we answer this question. Full article

Exhibition design in museum space is of great significance in enhancing cultural attraction, visitor experience, and heritage conservation. With the growth of spiritual and cultural needs, the construction of museums has increased, but the quality of exhibitions has been improved to a limited extent. In order to explore visitors’ perceptual experience in terms of display forms, this paper combines eye-tracking technology and subjective evaluation to select three display forms, namely, stand-alone display form, combined picture and object form, and combined 3D object and physical form, for the research. Combining field research, eye-tracking experiments, and subjective questionnaire evaluations, this study explores the relationship between visual perception and emotional experience in different display formats. The results showed that (1) the effects of different display formats differed between visual perception and emotional experience, and (2) there is some correlation between visual perception and emotional experience. Specifically, the number of fixations sessions was negatively correlated with fun, richness, comfort, and attractiveness and positively correlated with authenticity, while the average fixation time was positively correlated with the former and negatively correlated with authenticity. Combining the two dimensions, the study concluded that visitors’ experience satisfaction and preference are high in response to the form combining 3D objects and physical objects; the exhibition form of combining pictures and physical objects produces a higher degree of cognition in a short period of time; and the stand-alone display form has the lowest degree of preference, with poor information retention among visitors. It is hoped that this study will provide some reference for the use of exhibition forms in historical museums. Full article

In 2018, before I retired, I speculated on how I might continue to publish as a former academic, identifying five key behaviours for me to pursue. Now, four years after I retired, I confirm that these activities have been successful. I have no affiliation with any institution, museum or university, and am thriving in my independence. My production is maintained, even flourishing. Some papers have been published under a new iteration of my name, S. Kenneth Donovan, which I trust confuses unwanted software. I publish more in the journals that I read and less in those that, formerly, were favoured by management. I am now a more efficient reviewer of research papers, identifying them as a priority rather than a nuisance. Full article

This paper argues that Jews–Muslims–Europe is a fateful triangle, in which identities and identifications both inform and form one another. It draws on interview-based research at the Jewish Museum Berlin to showcase how Jewish and Muslim positionalities have become entwined in the context of contemporary Berlin, Germany, and Europe. At the same time, it showcases how the positionality of strangerhood can provide a critical perspective for understanding and articulating Europe as a place of pluralism, both present and past. What emerges is a sociocultural terrain in which Muslims, Jews, and Europe are made by and with one another, rather than simply against one another. Full article

Adaptive thermal comfort models are increasingly utilized to condition thermal environments by considering occupants’ adaptability. The most widely recognized models internationally are the ASHRAE 55-2020 and UNE-EN 16798-1:2020 standards, primarily applied in residential and office buildings. However, their use in heritage buildings such as museums has been very limited. These environments present unique challenges that complicate the implementation of conventional energy-saving methodologies due to restrictions on interventions in the buildings to safeguard their historical value. Therefore, it is essential to develop research that evaluates the applicability of these standards as an alternative strategy to the specific conditions of museums in heritage buildings in Spain. This study aims to explore the application of the international adaptive thermal comfort models of the ASHRAE 55-2020 and UNE-EN 16798-1:2020 standards in parallel with the preventive conservation conditions of the collections established by the UNE-EN 15757:2011 standard. The aim is to evaluate new strategies for environmental reconditioning to improve visitor comfort while ensuring the conservation of the collections in the exhibition spaces of the Museum of Popular Arts and Customs, housed in a 1914 building known as the Mudejar Pavilion in Seville. Field monitoring was conducted to assess the thermal environment and visitor comfort. The results revealed that the monitored environmental conditions of the exhibition spaces of the Mudejar Pavilion, in accordance with ASHRAE 55-2020 standards, showed high effectiveness in ensuring thermal comfort for visitors, achieving comfort 99% of the time annually, with an acceptability of 80%. High suitability for the conservation of collections was also observed, with optimal conditions achieved 87% of the time. However, under the standards of UNE-EN 15757:2011 for a Category III expectation level, comfort was only achieved 70% of the year, while stability of conservation conditions was achieved 88% of the time. Finally, the implementation of specific correction guidelines is proposed to achieve the acceptability limits of greater energy efficiency. Full article

The optimization of a contact-less magnetoelastic sensing setup designed to detect substances/agents accumulating in its environment is presented. The setup is intended as a custom-built, low-cost yet effective magnetoelastic sensor for pest/bug detection in constrained places (small museums, labs, etc.). It involves a short, thin, and flexible polymer slab in a cantilever arrangement, with a short Metglas^® 2826 MB magnetoelastic ribbon attached on part of its surface. A mobile phone both supports and supplies low-amplitude vibration to the slab’s free end. When vibrating, the magnetoelastic ribbon generates variable magnetic flux, thus inducing voltage in a contact-less manner into a pick-up coil suspended above the ribbon. This voltage carries specific characteristic frequencies of the slab’s vibration. If substances/agents accumulate on parts of the (suitably coated) slab surface, its mass distribution and, hence, characteristic frequencies change. Then, simply monitoring shifts of such frequencies in the recorded voltage enables the detection of accumulating substances/agents. The current work uses extensive testing via various vibration profiles and load positions on the slab, for statistically evaluating the sensitivity of the mass detection of the setup. It is shown that, although this custom-built substance/agent detector involves limited (low-cost) hardware and a simplified design, it achieves promising results with respect to its cost. Full article

What does it mean to decolonize or undiscipline the anthropology museum? What happens when the museum is confronted by Indigenous and descendant communities who demand an ethic of care rooted in relational ontologies and epistemologies? This article features Indigenous creativity as it has disrupted ‘business as usual’ in anthropology museums. This is primarily evidenced by Fork Peck Tribes who confronted the University of Montana to enact a long-overdue repatriation. Additional examples from The Metropolitan Museum of Art and Peabody Museum of Archaeology and Ethnology at Harvard demonstrate diverse expressions of relationality among Indigenous and descendant communities. These interventions are analyzed through Critical Indigenous Theory to specify the ways in which Indigenous religious traditions refuse the narratives and norms of settler colonial knowledge production and undermine the imperial museological practices of preservation. Instead, relationality is prioritized in the caretaking of and connection with more-than-human entities and materials in the museum. This article emphasizes relationality and repatriation as religious acts that challenge assumptions embedded in imperial and settler colonial approaches to history and science. From various social locations and through multiple strategies, we see the active undisciplining of the museum by Indigenous and descendant communities. Full article

Our article AI, cultural heritage, and bias examines the challenges and potential solutions for using machine learning to interpret and classify human memory and cultural heritage artifacts. We argue that bias is inherent in cultural heritage collections (CHCs) and their digital versions and that AI pipelines may amplify this bias. We hypothesise that effective AI methods require vast, well-annotated datasets with structured metadata, which CHCs often lack due to diverse digitisation practices and limited interconnectivity. This paper discusses the definition of bias in CHCs and other datasets, exploring how it stems from training data and insufficient humanities expertise in generative platforms. We conclude that scholarship, guidelines, and policies on AI and CHCs should address bias as both inherent and augmented by AI technologies. We recommend implementing bias mitigation techniques throughout the process, from collection to curation, to support meaningful curation, embrace diversity, and cater to future heritage audiences. Full article

Much of the fascination surrounding Egyptian civilization is linked to the practice of mummification. In fact, to ensure the preservation of the body, the ancient Egyptians mummified both human and animal subjects. However, mummified animal remains are less well studied, although they represent a significant part of the material culture and history of ancient Egypt. The introduction of non-invasive imaging methods has allowed researchers to study the material hidden within the wrappings of mummies. In this article, the cat mummy currently exhibited at the Museo Etnologico Missionario di San Francesco di Fiesole (Florence, Italy), originating from Luxor and legally acquired during an expedition in the 20th century, was analyzed using computed tomography (CT). The CT enabled the identification of the casing content, showing the presence of an entire cat skeleton. The cat had several fractures, some of which were identified in the cervical region, possibly related to the cause of death. Furthermore, the zooarcheological analysis allowed the identification of the age at death of the cat, providing further information about the story of the mummy. This research provides a further contribution to the analysis of mummies, with a case study of a cat mummy that emphasizes the importance of CT scans in humanistic studies and museum environments. Full article