Cinema Design Criterion
Cinema Design Criterion
Cinema Design Criterion
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specific set of requirements which are unique to each area. The inside design conditions like temperature & RH, noise level, ventilation or fresh air level and flexibility in operation play a vital role in selecting the high and low side equipment. The different areas in a Multiplex can be broadly classified from the design point of view into critical, semi-critical and non-critical areas as shown in Table 1.
Table 1 : Classification of areas in a Multiplex
Critical Areas (22 2C) Theatres & Projector Rooms Semi-Critical Areas (24 2C) Food Court, Restaurants, Entertainment and Shopping Areas Non-Critical Areas (26 2C) Atrium, Lobbies and Passages
Theatres
Theatres generally have large volumes and ventilation air requirements, resulting in large cooling loads with a high latent heat load and large air quantities along with a very critical noise level to be maintained (25 db). Requirements also vary, depending on the popularity of the movie running in the theatre, its show time and the holiday season. One has to keep in mind, not to exceed air velocities in ducts above 1000 FPM and also the location of supply air and return air outlets. Generally, it is recommended that supply air be introduced from the top through diffusers and return air be collected from the bottom, below the seats to maintain the desired air flow pattern.
Planning for return air is very critical and should be coordinated with the architects and structural consultants at a very early stage of design. It is also advisable, to install doubleskin AHUs with a VFD drive and chilled water control (3-way or 2-way valves) for economical operation of the plant. Automation including CO2 sensors to modulate the fresh air quantity, should also be planned to reduce operating costs. Sheet metal air ducts should not be located near sound boxes (behind the screens) to avoid noise interference. The location of AHU rooms is also important and should be planned at an early stage of building design. Ideally the location should be at a substantial distance from the auditorium, preferably with ducted supply air and return air. In case AHU rooms are very close to the
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auditoriums, sound attenuators should be provided to reduce noise transfer from the AHU room. Vibration isolators should be used below the AHU and at fan outlets to avoid transfer of vibrations to the duct feeding the auditorium or theatre. It is further recommended that flexible connections be used between the main ducts and supply air diffusers to eliminate transfer of any vibration or noise. [top]
Click to view clear picture This is the heart of any theatre and besides maintaining proper temperature, relative humidity and noise level, it is essential to design an excellent air distribution system due to the high heat generated by the projector lamps. A 100 per cent stand-by ventilation unit is recommended for the projection area. Capacity of the ventilation unit should depend on the specification of the projector manufacturer and may vary from manufacture to manufacturer. Automation of projector ventilation system is a must and it should start 15 20 minutes before the projector starts and stop 15 20 minutes after projection stops, ensuring removal of all heat from the machine. Condensation of any kind on the Xenon bulbs of a projection machine can lead to damage of bulbs, which are very expensive. It is important that the HVAC design engineer interacts with the projection machine supplier, prior to finalization of the system design for this area. Many projection machines
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require chilled water cooling in the form of a plate-type secondary heat exchanger. Normally, they require water at 13C to 15C with the cooling load not exceeding 3 ton. A dedicated water cooler could also be considered in case auditoriums are being cooled by a DX type system or there are constraints for running chilled water lines to the area. However, the noise of such a cooler may cause serious problems so it requires planning at an early stage. The side walls of the projector room which are common for 3 to 5 theatres is not available for running air conditioning ducts or exhaust ducts or chilled water lines as they will have rollers and movie film space and therefore this area becomes critical. It is always recommended to plan for dedicated AHUs / exhaust units for each projector room so that transfer of sound from one theatre to another is avoided. The exhaust from the projection system can be connected to the main duct through flexible ducts to isolate vibrations. Precision air conditioners can be considered for this critical room as the equipment costs several crores to the owners.
Food court
This is another area of a Multiplex with large occupancies. Food courts are generally, not separated physically from the public areas. Here, it is important to maintain the right airflow direction to avoid food odours leaking to atriums and subsequently to all the other areas of the building. Also, proper ventilation air quantity should be planned so as to provide for air exhaust from the kitchen. The cooking areas should always be maintained at negative pressures. An efficient kitchen ventilation system must be planned along with a suitable hood and
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filters to collect the contaminated, oily, exhaust air from the kitchen. Normally food courts are on the ground or first floor level of the building and hence the layout of fresh air and exhaust ducts leading to the terraces should be well coordinated with the building structure. Also the exhaust from the food court should be located, keeping in mind the wind direction to avoid its direct entry to the fresh air inlet of theatre AHUs.
Proper planning of fumes coming out of the popcorn machine should be ensured. The soda-fountain machines control room also requires a dedicated air conditioning system and must be designed with proper space planning.
Recreation Area
This another popular part of any Multiplex building with high sensible loads resulting in large air quantities. The critical point here is the noise contamination which can be avoided by planning a separate air distribution system for the area. The location of supply air outlets should depend on the equipment loads and occupied areas to ensure comfortable and consistent inside conditions.
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coordinated with the architects and structural consultants and interior designer at the planning stage, with clear understanding of the supply and return air paths. Also very careful thought should be given to isolation of vibration generated by all the mechanical equipment such as chillers, pumps, AHUs etc. by using vibration isolation mountings below the equipment and flexible connections at the inlet and outlet of equipment to avoid transmission of vibration to the pipes and ducts. A Multiplex could have more than 3000 occupants on a busy day and therefore the air distribution system should be well designed and separated in a modular way to avoid transfer of fire from one system to another, in case of any emergency. Integration of the fire detection and fire fighting with the HVAC system is very important in a Multiplex building. Use of fire dampers and tripping of AHUs with a detection system should also be planned properly. Many theatres are provided with VESDA type fire detection system and the HVAC designer must ensure its installation with capillary tubes in the return air path for early detection of fire in auditoriums. (VESDA is the name of a company that manufactures a very sensitive fire detector installed in the return air path thus eliminating sensors normally located inside the auditorium)
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