Beethoven
Musical Events
The Most Vital Conductor of Beethoven Is Ninety-four
Herbert Blomstedt’s readings deftly combine vigor and lyricism.
By Alex Ross
Podcast Dept.
The Musicological Zest of “Switched On Pop”
The show’s hosts deliver charmingly rigorous dissections of Taylor Swift and Weeknd songs, slipping in a fair amount of music history and theory.
By Alex Ross
The Front Row
“Beethoven for One” Boldly Imagines a New Kind of Concert
A recent series of chamber-music performances, for audiences of one or just a few people at a time, could point a way forward for classical music after the pandemic.
By Richard Brody
Video Dept.
Yo-Yo Ma and Emanuel Ax on the Role of Music in Dark Times
At the New Yorker Festival, the musicians talked with Alex Ross about how performance has changed during the pandemic and music that Beethoven composed “amid tears and sorrow.”
By Madelyne Xiao
Cultural Comment
The Disquieting Power of Wilhelm Furtwängler, Hitler’s Court Conductor
There has long been a nimbus of greatness and moral quandary around Furtwängler, but listening to his wartime work in chronological order is a demythologizing experience.
By Alex Ross
Rabbit Holes
Sleepless Nights with András Schiff and Beethoven’s Sonatas
A series of online lecture-recitals suffuse a well-worn repertoire with new warmth and nuance.
By Gal Koplewitz
Profiles
Yuja Wang and the Art of Performance
The piano prodigy is known for the brilliance of her playing and for her dramatic outfits.
By Janet Malcolm