The way they made this film was very original, and good originality is very valuable and worth watching. I love stop-motion, in this is an excellent stop-motion, because of everything in the film impressed me. The characters are very original, even the name that the main character has is amazing. The screenplay embraces so many genuine topics, as love and the different ways it can be shown; it has humor but it also wants to make you cry and fall in love with each character. The production is incredible, amazing, out of this world; and I couldn't ask for more, it made me want to cry because of this simple but outstanding production! This motion picture is really worth watching, is very touching; and if I could only watch one movie for the rest of my life it will be this one.
77 Reviews
touching characters
SnoopyStyle28 September 2017
Icare or as he prefers, Zucchini, lives with his drunken single mother. He accidentally kills his mom and is sent to a children's home. Police officer Raymond befriends him. Simon bullies him but becomes a good friend. New girl Camille arrives and he falls for her.
This is an European stop-motion animated film. It has an unusual intriguing look. The character designs have a beautiful ugliness. My only drawback is its shorter running time. There is something odd about this inbetween length and leaves me missing something. I do like Simon's turn especially. Initially, he is a full-on bully but he turns into one of the most compelling character in the movie. The story has some real heart. This is an Oscar nominated animation.
This is an European stop-motion animated film. It has an unusual intriguing look. The character designs have a beautiful ugliness. My only drawback is its shorter running time. There is something odd about this inbetween length and leaves me missing something. I do like Simon's turn especially. Initially, he is a full-on bully but he turns into one of the most compelling character in the movie. The story has some real heart. This is an Oscar nominated animation.
Deeply touching, funny, human and quirky stop motion animated film from France.
runamokprods30 December 2016
Warning: Spoilers
Deeply touching, funny, human and quirky stop motion animated film from France.
While theoretically for kids, any film that opens with a depressed 9 year old accidentally killing his verbally abusive alcoholic mother (and treating it as sad black comedy) is not exactly aimed at 7 year olds.
There's a lovely emotional complexity to this brief feature (66 minutes), where life at an orphanage full of kids from circumstances as damaging and horrible as 'Zucchini's actually has a kind of odd sweetness. Characters evolve and show new sides, and are wonderfully voiced very naturally in part by real kids. Plus the adults at the orphanage, as well as the policeman who bring's Zucchini there really try to provide love, support and fun for their charges as best they can (and when have we ever seen THAT in a film or even book? 'Orphanage' and 'cop' are usually other words for 'evil'). That humanity makes the limbo where these deeply wounded but wonderfully resilient kids live rich and real – and often very funny.
I really appreciated how often I had no idea how things ( a plot twist or a relationship) would turn out. I liked the film from the start, but it just grew and grew on me as I watched it, topped off by a wonderfully odd 'outtake' after the film ends. Creative, alive and terrific.
NB: I had just finished writing this review when I learned that the film is being re-voiced by some (admittedly excellent) US actors for release here. That may work out great, but all the performances in the original are so lovely and perfect, that I would suggest seeing the subtitled version if at all possible.
While theoretically for kids, any film that opens with a depressed 9 year old accidentally killing his verbally abusive alcoholic mother (and treating it as sad black comedy) is not exactly aimed at 7 year olds.
There's a lovely emotional complexity to this brief feature (66 minutes), where life at an orphanage full of kids from circumstances as damaging and horrible as 'Zucchini's actually has a kind of odd sweetness. Characters evolve and show new sides, and are wonderfully voiced very naturally in part by real kids. Plus the adults at the orphanage, as well as the policeman who bring's Zucchini there really try to provide love, support and fun for their charges as best they can (and when have we ever seen THAT in a film or even book? 'Orphanage' and 'cop' are usually other words for 'evil'). That humanity makes the limbo where these deeply wounded but wonderfully resilient kids live rich and real – and often very funny.
I really appreciated how often I had no idea how things ( a plot twist or a relationship) would turn out. I liked the film from the start, but it just grew and grew on me as I watched it, topped off by a wonderfully odd 'outtake' after the film ends. Creative, alive and terrific.
NB: I had just finished writing this review when I learned that the film is being re-voiced by some (admittedly excellent) US actors for release here. That may work out great, but all the performances in the original are so lovely and perfect, that I would suggest seeing the subtitled version if at all possible.
Incredibly heartfelt
Red_Identity26 May 2017
It's easy to dismiss an animated film like this that deals with the themes that this does. The film's quality, however, goes a long way towards making us realize that running time doesn't dictate how good something is. This film is short, but it packs a punch. One of its biggest strengths is that it doesn't try to fill up the running time or try to do many other turns in the storyline. It's very, very simply but as a result its themes are clearer than many other animated films' themes. It's handled with delicacy and subtlety. It's an incredibly strong film that I recommend.
Mature take on youth that still keeps a child-like tone
kayan-1546024 July 2017
My Life as a Zucchini was nominated for Best Feature Film at the 89th Academy Awards. And for a 70 minute feature, that says a lot. This French-Swiss stop-motion animation film takes on a mature content but never fails to keep its child-like tone and to an extent, its innocence.
It follows the story of Icare (but prefers to be called Zucchini), who lives with his alcoholic mother. After an accident, Zucchini has been sent to an orphanage by a policeman named Raymond. Zucchini's start at the orphanage is rough—thanks to the Simon, the bully. From there on, we are immersed into Zucchini's adventures as he learns of friendship, of family and of love.
This animated film ravel with its wonderful visuals that reminds us of the days when its was toys over tablets. In a way, this serves as a nostalgic treat for teenagers. Almost every scene carries a powerful meaning. But its greatest feat is looking at the lives of these children through a different lens—they are all abandoned, damaged or broken. One has her mom deported, the other has his father jailed— these are all mature themes but nevertheless, real.
But despite all that, Zucchini and his crew are all still children. They play, they dance, they sing. The film never stops to carry this child-like tone. The colorful aesthetics are impactful and an array of vibrancy spreads across the screen. It is a brave film that looks at life at an emotional depth. It's an eye-opening experience.
It follows the story of Icare (but prefers to be called Zucchini), who lives with his alcoholic mother. After an accident, Zucchini has been sent to an orphanage by a policeman named Raymond. Zucchini's start at the orphanage is rough—thanks to the Simon, the bully. From there on, we are immersed into Zucchini's adventures as he learns of friendship, of family and of love.
This animated film ravel with its wonderful visuals that reminds us of the days when its was toys over tablets. In a way, this serves as a nostalgic treat for teenagers. Almost every scene carries a powerful meaning. But its greatest feat is looking at the lives of these children through a different lens—they are all abandoned, damaged or broken. One has her mom deported, the other has his father jailed— these are all mature themes but nevertheless, real.
But despite all that, Zucchini and his crew are all still children. They play, they dance, they sing. The film never stops to carry this child-like tone. The colorful aesthetics are impactful and an array of vibrancy spreads across the screen. It is a brave film that looks at life at an emotional depth. It's an eye-opening experience.
friendship in the unpleasant circumstances
lee_eisenberg23 April 2018
Warning: Spoilers
One of the many reminders that animation doesn't have to be "cute" is Claude Barras's Academy Award-nominated "Ma vie de Courgette" ("My Life as a Zucchini" in English). The subject is a boy sent to an orphanage after his mother dies. After some initial trouble adjusting, he befriends a girl, and then starts developing good relations with the other children. But there are more challenges to arise.
The stop-motion animation allows for all sorts of perceptive facial expressions, especially as we learn the backgrounds of the children. This is the sort of movie of which I would like to see more. Certainly more interesting than many of the animated features that we see.
The stop-motion animation allows for all sorts of perceptive facial expressions, especially as we learn the backgrounds of the children. This is the sort of movie of which I would like to see more. Certainly more interesting than many of the animated features that we see.
"There's no one left to love us...."
planktonrules16 June 2017
"My Life as a Zucchini" was nominated for Best Animated Feature for the 2017 Academy Awards but lost to "Zootopia". It's a shame, as 2017 offered three very deserving films (I would also include "Kubo") and only one could take home the award. Perhaps my love for "My Life as a Zucchini" is influenced by my work as a social worker and therapist, as the story is a hopeful tale about children who have been shamefully abused by their parents...a common problem I had to deal with on the job.
The story begins with a child stuck in the attic of a horrible home while his mother is downstairs getting drunk and violent. When she tries to enter the attic to beat the boy, he panics and slams down the trap door...and the mother falls to her death. Soon the child is being talked to be a very kind police officer, Raymond, and he's surprised to hear that the boy's mother just called him 'Zucchini' and that's the only name he knows. Fortunately for poor little Zucchini, the man is touched by this case and regularly visits him in the children's home where he is sent to live.
As for the children's home, seven children reside in the place and they are given kindness and love. It's actually a pretty nice place, but your heart goes out to the children and the hell they've had to go through during their short lives. Most of the story is about Zucchini and how he adjusts to the place as well as his falling for a girl who arrives soon after him, Camille. And, fortunately, the picture, while VERY moving and sad, has a nice happy ending.
This is a very, very special stop-motion film. While it's very artistic and well done it is something more...it's very sweet and has a depth to it you really don't expect in animation. The Swiss film is available in both the original French language version and an English dub (which is very good) on the same DVD. Perhaps other versions are also available, but on the DVD I saw these were the two language choices. Well worth seeing...but have a Kleenex or two handy just in case.
The story begins with a child stuck in the attic of a horrible home while his mother is downstairs getting drunk and violent. When she tries to enter the attic to beat the boy, he panics and slams down the trap door...and the mother falls to her death. Soon the child is being talked to be a very kind police officer, Raymond, and he's surprised to hear that the boy's mother just called him 'Zucchini' and that's the only name he knows. Fortunately for poor little Zucchini, the man is touched by this case and regularly visits him in the children's home where he is sent to live.
As for the children's home, seven children reside in the place and they are given kindness and love. It's actually a pretty nice place, but your heart goes out to the children and the hell they've had to go through during their short lives. Most of the story is about Zucchini and how he adjusts to the place as well as his falling for a girl who arrives soon after him, Camille. And, fortunately, the picture, while VERY moving and sad, has a nice happy ending.
This is a very, very special stop-motion film. While it's very artistic and well done it is something more...it's very sweet and has a depth to it you really don't expect in animation. The Swiss film is available in both the original French language version and an English dub (which is very good) on the same DVD. Perhaps other versions are also available, but on the DVD I saw these were the two language choices. Well worth seeing...but have a Kleenex or two handy just in case.
Bold, colourful, charming and heartfelt
TheLittleSongbird8 October 2017
'My Life as a Courgette' was the last of the five 2016/7 Best Animated Feature Oscar nominees viewed by me, and that it is (to me) the weakest of the nominees and still manages to be a very good film is testament to how great the other four films ('The Red Turtle', 'Kubo', 'Moana' and the winner 'Zootropolis', so very stiff competition) were.
There is not a whole lot wrong with 'My Life as a Courgette'. At just over an hour it is a little too short and it did have a story that was deserving of a longer length, and the depiction of orphanages (usually a dark and unhappy environment that people can't wait to leave) is rather rose-tinted. Otherwise, it is a beautifully done film that has much more to it than the quirky if silly title, the cute-looking characters and bright colourful visuals make out. Not classing these attributes as bad things in any way, but it is so easy hearing and seeing it advertised to get the wrong idea about 'My Life as a Courgette', thinking it will be a quirky film with children as its primary target audience, bright colours and witty humour when actually there is much to the film than that.
It is a beautifully animated film certainly. It is very vibrantly bright and colourful, with parts of truly haunting atmosphere, a vividly immersive world and meticulously detailed backgrounds and overall visuals from the little things to the bigger effects. Just as good are the eye-catching character designs that are modelled smoothly and even with the oddball looks look and behave very authentically, for characters they are very unique and charmingly unusual (what other title character has blue hair and a red nose?).
Furthermore, the music score is appropriately atmospheric and whimsical, while the writing has quirks and poignancy. The story could have benefited from a longer length but still charms, amuses and moves, with a surprisingly sober tone, while not being afraid to take risks and brave more difficult subjects with sensitivity and never heavy-handedness. This is including one of the boldest opening sequences in any animated film (perhaps the boldest since that for Disney's 'The Hunchback of Notre Dame'). Everything is paced beautifully too.
Characters are very easy to warm to and have engaging, distinct personalities. Voice acting in both the American and particularly French versions is very emotive.
On the whole, beautiful film and has much more to it than one would think. 8/10 Bethany Cox
There is not a whole lot wrong with 'My Life as a Courgette'. At just over an hour it is a little too short and it did have a story that was deserving of a longer length, and the depiction of orphanages (usually a dark and unhappy environment that people can't wait to leave) is rather rose-tinted. Otherwise, it is a beautifully done film that has much more to it than the quirky if silly title, the cute-looking characters and bright colourful visuals make out. Not classing these attributes as bad things in any way, but it is so easy hearing and seeing it advertised to get the wrong idea about 'My Life as a Courgette', thinking it will be a quirky film with children as its primary target audience, bright colours and witty humour when actually there is much to the film than that.
It is a beautifully animated film certainly. It is very vibrantly bright and colourful, with parts of truly haunting atmosphere, a vividly immersive world and meticulously detailed backgrounds and overall visuals from the little things to the bigger effects. Just as good are the eye-catching character designs that are modelled smoothly and even with the oddball looks look and behave very authentically, for characters they are very unique and charmingly unusual (what other title character has blue hair and a red nose?).
Furthermore, the music score is appropriately atmospheric and whimsical, while the writing has quirks and poignancy. The story could have benefited from a longer length but still charms, amuses and moves, with a surprisingly sober tone, while not being afraid to take risks and brave more difficult subjects with sensitivity and never heavy-handedness. This is including one of the boldest opening sequences in any animated film (perhaps the boldest since that for Disney's 'The Hunchback of Notre Dame'). Everything is paced beautifully too.
Characters are very easy to warm to and have engaging, distinct personalities. Voice acting in both the American and particularly French versions is very emotive.
On the whole, beautiful film and has much more to it than one would think. 8/10 Bethany Cox
Seeking a second chance for the normal life.
Reno-Rangan24 April 2017
Whenever I review a Stop-motion animated film, I always start with by saying it is a dying art form that needs a bigger lift from us. It gave a new life for filmmaking when there were no technology like computers hundred years ago for the creation of giant creatures to all the fantasy and magical world. I am glad that every year someone coming forward to show the world how beautiful these are.
I think there's a quota for it and 2D animation for the Oscars. Otherwise, these formats would die sooner than we expected, so that recognition in the big stage. Every year at least one film from these two categories makes out. This year it was a double jackpot for Stop-motion animation. Including this, 'Kubo and the Two Strings' was the other one to shine in the world's biggest film awards ceremony. But winning the trophy is almost impossible in this 3D animated film world. Anyway, I'm happy for this, that I enjoyed watching it.
It was a short film, that ran for just one hour. First, we have to understand filmmaking in this form is a most challenging one than any other. It is a manual work. I mean people get in there and frame by frame do all the work. So for this one hour film, they had done the great hard work and it paid off well by got nominated for the Oscars. It was also Switzerland's official submission for the Best Foreign Language Film, but failed to make progress in that race.
The screenplay was based on the book. A simple story with a strong message. This is the tale of a boy with full of dreams and after his alcoholic mother died, he is taken to the orphanage. That is the last place he wanted to be where he meets a mean boy and soon becomes his close friend. Being young kids, they tend to play some pranks with officials, visitors and themselves. That's one of the ways to cope with for where they have ended. So the remaining is to tell us would they get a second chance in their lives.
❝I don't know why I'm crying. Sometimes people cry because they're happy.❞
When some take up a project like this, they are not offered to make mistakes in choosing a weak screenplay. Because there are thousands of films in production around the world and in those, a handful of animated films, but probably he's only one up for a Stop-motion animated feature. Which means everyone with the knowledge of his commitment will be looking forward to it. So the filmmakers have opted to adapt a novel, which is always a best option in filmmaking.
The next is the characters. Making them come alive, particularly initial stage, the creation of models. Yep, they have done that job as well so well. Gooding looking ones, especially among the kids for having similarity with their vision. The frame rate was good. Very smoother for viewing. So technically it was a flawless for the normal watch. An impressive storyline, which might serve as a tearjerker for a few.
There's a little romance, but from the children's perspective of having a crush. Since the girl character was introduced, the narration takes a fresh look. The following event becomes even more adventurous and fun filled till the end. The voice-over was excellent. From the dialogues to the film scenes very impressive. It marks the directional debut for a short filmmaker. An appreciable work and I hope he makes more like them with new technics than migrating to computer animations.
One of the advantages is it is a short and sweet film, but those who love such films might feel it is too short. Most importantly, there're not clichés like what we've seen films that takes place in the orphanages. The opening was shocking. If it was a real life, the boy would have ended in a different place. Still the emotional parts were less explored, yet very convincing for not leaning too much on that facet.
The film is one of the best in its kind, but I agree it's not a masterpiece. Not if you have seen plenty of Stop-motion animations in your life. Yet it can't be neglected that easily and surely it is for everyone. I know there are folks who thinks this format of films are for little ones, but the truth is they are still in the pre 90s mindset. This is good, give it a try and you might love it. Anyway, for its rareness itself highly recommended, then you decided how do you liked it or not.
7/10
I think there's a quota for it and 2D animation for the Oscars. Otherwise, these formats would die sooner than we expected, so that recognition in the big stage. Every year at least one film from these two categories makes out. This year it was a double jackpot for Stop-motion animation. Including this, 'Kubo and the Two Strings' was the other one to shine in the world's biggest film awards ceremony. But winning the trophy is almost impossible in this 3D animated film world. Anyway, I'm happy for this, that I enjoyed watching it.
It was a short film, that ran for just one hour. First, we have to understand filmmaking in this form is a most challenging one than any other. It is a manual work. I mean people get in there and frame by frame do all the work. So for this one hour film, they had done the great hard work and it paid off well by got nominated for the Oscars. It was also Switzerland's official submission for the Best Foreign Language Film, but failed to make progress in that race.
The screenplay was based on the book. A simple story with a strong message. This is the tale of a boy with full of dreams and after his alcoholic mother died, he is taken to the orphanage. That is the last place he wanted to be where he meets a mean boy and soon becomes his close friend. Being young kids, they tend to play some pranks with officials, visitors and themselves. That's one of the ways to cope with for where they have ended. So the remaining is to tell us would they get a second chance in their lives.
❝I don't know why I'm crying. Sometimes people cry because they're happy.❞
When some take up a project like this, they are not offered to make mistakes in choosing a weak screenplay. Because there are thousands of films in production around the world and in those, a handful of animated films, but probably he's only one up for a Stop-motion animated feature. Which means everyone with the knowledge of his commitment will be looking forward to it. So the filmmakers have opted to adapt a novel, which is always a best option in filmmaking.
The next is the characters. Making them come alive, particularly initial stage, the creation of models. Yep, they have done that job as well so well. Gooding looking ones, especially among the kids for having similarity with their vision. The frame rate was good. Very smoother for viewing. So technically it was a flawless for the normal watch. An impressive storyline, which might serve as a tearjerker for a few.
There's a little romance, but from the children's perspective of having a crush. Since the girl character was introduced, the narration takes a fresh look. The following event becomes even more adventurous and fun filled till the end. The voice-over was excellent. From the dialogues to the film scenes very impressive. It marks the directional debut for a short filmmaker. An appreciable work and I hope he makes more like them with new technics than migrating to computer animations.
One of the advantages is it is a short and sweet film, but those who love such films might feel it is too short. Most importantly, there're not clichés like what we've seen films that takes place in the orphanages. The opening was shocking. If it was a real life, the boy would have ended in a different place. Still the emotional parts were less explored, yet very convincing for not leaning too much on that facet.
The film is one of the best in its kind, but I agree it's not a masterpiece. Not if you have seen plenty of Stop-motion animations in your life. Yet it can't be neglected that easily and surely it is for everyone. I know there are folks who thinks this format of films are for little ones, but the truth is they are still in the pre 90s mindset. This is good, give it a try and you might love it. Anyway, for its rareness itself highly recommended, then you decided how do you liked it or not.
7/10
A tender, affecting little film
Deathstryke5 June 2017
"My Life as a Courgette" is such a simple story and simplicity really is the film's greatest strength. There is no flamboyant animation, no huge narrative arc, no gargantuan obstacles to somersault over, no chaotic chase sequences, no loud, yappy dialogue...basically nothing like what you might expect if this same story was told by an American studio.
At 66 mins, it's short and to the point, quiet, contemplative and starkly sad, yet filled with uplifting moments of hope and tenderness, which it conveys without ever feeling contrived or overly- sentimental.
The young French voice cast are terrific (I do hope anyone reading this review watches the French version and not the American dub). They do well to convey the vulnerability behind the broken characters. That, and I think some of the lines just sound so much better in French - the way the brattish Simon spits out the word "potet" was particularly amusing to me.
The animation is rather basic and the character's faces are not hugely expressive, but enough emotion is conveyed through body posing, vocal performance and composition that you would need a heart of stone not to feel for the young gang of misfits.
By the time the bitter-sweet end credits song kicked in, I was noticing a little moisture in the corner of my eye. Not sure the kids in the audience enjoyed it as much as I did though....which is an important point really. This film is NOT intended for young children. It deals with adult themes like death, neglect and abuse, in a very delicate way mind, but still, it's not something that's going to entertain the 'fidget spinner' generation.
At 66 mins, it's short and to the point, quiet, contemplative and starkly sad, yet filled with uplifting moments of hope and tenderness, which it conveys without ever feeling contrived or overly- sentimental.
The young French voice cast are terrific (I do hope anyone reading this review watches the French version and not the American dub). They do well to convey the vulnerability behind the broken characters. That, and I think some of the lines just sound so much better in French - the way the brattish Simon spits out the word "potet" was particularly amusing to me.
The animation is rather basic and the character's faces are not hugely expressive, but enough emotion is conveyed through body posing, vocal performance and composition that you would need a heart of stone not to feel for the young gang of misfits.
By the time the bitter-sweet end credits song kicked in, I was noticing a little moisture in the corner of my eye. Not sure the kids in the audience enjoyed it as much as I did though....which is an important point really. This film is NOT intended for young children. It deals with adult themes like death, neglect and abuse, in a very delicate way mind, but still, it's not something that's going to entertain the 'fidget spinner' generation.
Many of the most original animated films in recent years have been made in France
Harhaluulo542 March 2017
Warning: Spoilers
Ernest & Celestine, A Town Called Panic, The Little Prince, April and the Extraordinary World, Long Way North, Mune: Guardian of the Moon, The Day of the Crows, Song of the Sea, The Secret of Kells, and now My Life as a Courgette.
I have been following animated titles closely for the past years. Japan repeats its own tropes. Other Asian countries try new things such as live action puppets / cgi hybrids which have good comedic value, but tends to get old soon. American studio's often have their main focus on agenda rather than content. Russian seems to be so unknown that no one knows about Snow Queen and how Frozen (despite me loving that film) is basically a rip off of it. Other countries have mainly been dropping single titles which end up being disappointing.
France is by no means ahead of USA and Japan, but they have confirmed their place as good 3rd. Their main problem being how little animation films they make, despite them having the biggest rate on creating good movies. My Life as a Courgette is once again a worthy title.
The movie does an impressive job by being a serious work about life and its problems. While the movie follows young people and their daily life, it is not aimed for young audience - yet is completely suitable for children as well. The movie is rather substance heavy with dramatic concepts which not just any youngster nor even viewer could understand. The impressive part being how much depth the characters have on their personas -despite their young age- and how much realism they deliver.
The style is original in the French style. Subdued and minimalist, yet every part is clearly put together with care and lot of planning. I will use the word "fitting" to describe the character design, just because I couldn't imagine them looking any other way. Each character is also made with a lot of care and planning. The opposite from Japanese movies where you can tell the main character from rest of the folks by just looking the hair color. In this movie, none of the characters are a filler.
"The night out shot in snowy forest" scene gave me chills. The OST and bgm managed to surprise me as well. I would go as far and say that French animation movies have made me appreciate the French language which I have always found ugly sounding. It wouldn't be the same movie without the French voice actors.
This is really a quality animation film from every aspect. It isn't the best thing ever, but surely an amazing animation title when comparing to general standard. I can not but recommend this to every who enjoys mature content and animation movies. I hope a lot of parents show this movie to their children as well because it has so much to offer.
I have been following animated titles closely for the past years. Japan repeats its own tropes. Other Asian countries try new things such as live action puppets / cgi hybrids which have good comedic value, but tends to get old soon. American studio's often have their main focus on agenda rather than content. Russian seems to be so unknown that no one knows about Snow Queen and how Frozen (despite me loving that film) is basically a rip off of it. Other countries have mainly been dropping single titles which end up being disappointing.
France is by no means ahead of USA and Japan, but they have confirmed their place as good 3rd. Their main problem being how little animation films they make, despite them having the biggest rate on creating good movies. My Life as a Courgette is once again a worthy title.
The movie does an impressive job by being a serious work about life and its problems. While the movie follows young people and their daily life, it is not aimed for young audience - yet is completely suitable for children as well. The movie is rather substance heavy with dramatic concepts which not just any youngster nor even viewer could understand. The impressive part being how much depth the characters have on their personas -despite their young age- and how much realism they deliver.
The style is original in the French style. Subdued and minimalist, yet every part is clearly put together with care and lot of planning. I will use the word "fitting" to describe the character design, just because I couldn't imagine them looking any other way. Each character is also made with a lot of care and planning. The opposite from Japanese movies where you can tell the main character from rest of the folks by just looking the hair color. In this movie, none of the characters are a filler.
"The night out shot in snowy forest" scene gave me chills. The OST and bgm managed to surprise me as well. I would go as far and say that French animation movies have made me appreciate the French language which I have always found ugly sounding. It wouldn't be the same movie without the French voice actors.
This is really a quality animation film from every aspect. It isn't the best thing ever, but surely an amazing animation title when comparing to general standard. I can not but recommend this to every who enjoys mature content and animation movies. I hope a lot of parents show this movie to their children as well because it has so much to offer.
A tale of joy
waterboulders3 July 2017
Great movie. Awesome. I thought this movie would be sad, but it's not sad. The only sad part is the beginning. The movie has a lot of heart without being tragic or sad. You just get to see the main character interact with the other characters and grow into a better life. The only flaw is the film has a rosy depiction of orphanages, when orphanages are not nice places in any way.
Deserving of the accolades
Horst_In_Translation17 February 2017
Warning: Spoilers
"Ma vie de Courgette" or "My Life as a Zucchini" is a Swiss-French co-production from 2016 that resulted in a French-language movie. This is one of the most successful animated films of the years for sure and the recent Oscar nomination (even if it has no shot at winning probably) proves how much everybody ended up liking it. It is a relatively short full feature film, runs for roughly an hour only, not including credits and thus is not too far away from the short film category. The title (Veggie Tales anyone?) and the animation and the main character may have some people think that this is really only a film directed at very young audiences, but this is definitely a wrong statement. The film offers great characters and a truly interesting story. I personally think that the main reason why so many people like this one is the mix of emotion and realism. In the viewing I was in, there was not a single child seeing it, but several grown-ups. I am not saying at all that it is not suitable for teenagers, but that it is suitable for every age. Speaking about emotion, this is a factor that is there from start to finish as the film takes place at an orphanage for the entire time basically. We follow the lives of the characters, especially the one of Zucchini, and how they interact with each other. The kids are all somewhat tortured souls because of how they lost their parents and it's visible all the times through their actions and interactions.
As we find out very early, there is another kid that seems like a bit of an antagonist, but the longer the film goes, the more we realize he is another friendly character that maybe just hides his vulnerability behind mannerisms that were supposed to be cool. It's interesting how he starts opening up and respecting Zucchini after he beats him in a fight. It's also interesting how the girl beats him with words on her very first day. This also shows that this cool kid is no antagonist as he still helps the girl in a crucial situation eventually. I quite liked her (Zucchini's love interest) and the scene with the other girl and the hair was as witty and touching as was the comparison between weather and emotional states of the kids. Of course there are grown-up characters too, some good one, some bad ones, but all credible and realistic. This animated film is a prime example of a movie that would also have worked with actors and live action. There are no fantasy elements in here, no talking animals or so, but it is a depiction of real life. The film was really written very well and it is without a doubt one of the most authentic films of 2016. I am definitely closer in giving it a ****/***** than a **/*****. Maybe I will if I re-watch it at some point, which is not unlikely. Until then, I am really glad it has received this much attention. Actually I think the ending is also pretty nice for a possible sequel and who knows with all the success here, it is certainly a possibility. I'd definitely watch it if it ever happens. Please do yourself a favor and check this one out if you have a chance.
As we find out very early, there is another kid that seems like a bit of an antagonist, but the longer the film goes, the more we realize he is another friendly character that maybe just hides his vulnerability behind mannerisms that were supposed to be cool. It's interesting how he starts opening up and respecting Zucchini after he beats him in a fight. It's also interesting how the girl beats him with words on her very first day. This also shows that this cool kid is no antagonist as he still helps the girl in a crucial situation eventually. I quite liked her (Zucchini's love interest) and the scene with the other girl and the hair was as witty and touching as was the comparison between weather and emotional states of the kids. Of course there are grown-up characters too, some good one, some bad ones, but all credible and realistic. This animated film is a prime example of a movie that would also have worked with actors and live action. There are no fantasy elements in here, no talking animals or so, but it is a depiction of real life. The film was really written very well and it is without a doubt one of the most authentic films of 2016. I am definitely closer in giving it a ****/***** than a **/*****. Maybe I will if I re-watch it at some point, which is not unlikely. Until then, I am really glad it has received this much attention. Actually I think the ending is also pretty nice for a possible sequel and who knows with all the success here, it is certainly a possibility. I'd definitely watch it if it ever happens. Please do yourself a favor and check this one out if you have a chance.
Wacky Claymation
kz917-14 June 2017
My Life as Zucchini is a quirky story about kids in foster care that have a myriad of emotional problems. Somehow they form bonds and become a family. At times the emotional heft of the film is unexpected and the problems some of characters face are nothing that a child should have to deal with. I don't know who'd I recommend this to though..
A story of caring and sentiment without being sentimental.
JohnDeSando13 March 2017
"Many people, for many reasons, feel rootless - but orphans and abandoned or abused children have particular cause." Christina Baker Kline
Stories about orphans such as Dickens' Oliver Twist have a special place--they remind us of what a gift family is. Having loving parents and siblings provides safe haven from hunger of the stomach and the heart. Claude Barras' moving stop- motion animation, My Life as a Zucchini, explores the plight of seven young orphans with emphasis on Zucchini, a name given to him by his drunken mother.
As he goes off to an orphanage, he discovers more challenges than being with his mom, whose memory he keeps by carrying around one of her discarded beer cans. The usual bully (Simon) is in residence along with some meek kids and with Camille, a saucy ten year old ready to take on Simon's cynicism and Zucchini's love.
As you can tell by the entrance of Camille, all is not lost at this homeless haven, much less the emerging sense of cooperation and compassion. The film gently approaches each major crisis with equanimity, relying not on easy solutions or catastrophes but on the emerging sense of cooperation and sincere love.
It's difficult to determine what makes this animation so human with its characters and their eccentricities; all I know is that I felt deeply about each orphan right down to the wicked aunt. It's not sentimental, mind you, just powerfully humane and deserving its Oscar nomination for best animation.
Could it be the Keane-like big eyes, so expressively alive with emotion? Possibly so. At any rate, this animation will appeal to all ages and answer some age-old questions about the depth of loneliness and the salvation adoption can bring.
"Orphanages are the only places that ever left me feeling empty and full at the same time." John M. Simmons
Stories about orphans such as Dickens' Oliver Twist have a special place--they remind us of what a gift family is. Having loving parents and siblings provides safe haven from hunger of the stomach and the heart. Claude Barras' moving stop- motion animation, My Life as a Zucchini, explores the plight of seven young orphans with emphasis on Zucchini, a name given to him by his drunken mother.
As he goes off to an orphanage, he discovers more challenges than being with his mom, whose memory he keeps by carrying around one of her discarded beer cans. The usual bully (Simon) is in residence along with some meek kids and with Camille, a saucy ten year old ready to take on Simon's cynicism and Zucchini's love.
As you can tell by the entrance of Camille, all is not lost at this homeless haven, much less the emerging sense of cooperation and compassion. The film gently approaches each major crisis with equanimity, relying not on easy solutions or catastrophes but on the emerging sense of cooperation and sincere love.
It's difficult to determine what makes this animation so human with its characters and their eccentricities; all I know is that I felt deeply about each orphan right down to the wicked aunt. It's not sentimental, mind you, just powerfully humane and deserving its Oscar nomination for best animation.
Could it be the Keane-like big eyes, so expressively alive with emotion? Possibly so. At any rate, this animation will appeal to all ages and answer some age-old questions about the depth of loneliness and the salvation adoption can bring.
"Orphanages are the only places that ever left me feeling empty and full at the same time." John M. Simmons
Delightful Swiss stop-motion animated movie almost ruined by being dubbed in English
paul-allaer11 March 2017
"My Life As a Zucchini" (2016 release from Switzerland; 70 min.; original title "Ma vie de Courgette") brings the story of a 9 yr. old boy nicknamed Zucchini by his mom. As the movie opens, we see the boy playing in his attic room, as his mom drinks beer after beer while watching TV. After an unfortunate incident during which the boy accidentally causes his mom to fall off of the attic stairs, the boy is taken away to a country-side orphanage, where he has trouble fitting in with the other 5 kids. Then some time later, a new kid enters the orphanage, a girl named Camille. At this point we are maybe 10 min. into the movie, but to tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: this is a stop-motion animated film. I admit not being familiar with Swiss director Claude Barras, but regardless, Barras here brings a tale (based on the book "Autobiographie d'une Courgette") that cuts close to the heart about the need for love and understanding. The boy, missing his father (whom he has painted on his kite) AND his alcoholic mother (it's not clear what became of her, other that "she went away), is desperate for love and companionship as he makes his new life at the orphanage. The main characters are fully developed, with lost of nuance, and while there is quite a bit of humor in the film, the overall feeling is more bittersweet than anything. This movie is rated PG-13 for a reason and I would not recommend this for any kids younger than 9 or 10. BEWARE: the US theater release which I saw brings the movie in a dubbed version, sadly. It takes away from the charm of the movie, not to mention the originality (it's like watching the Simpsons dubbed in French if you get my drift). That point is only driven home even more so since we get , after the movie's end credits, a fake take-out of the boy being auditioned for the role, which is shown in French with subtitles, and you can immediately feel the difference in the voice characters. Shame on the US distributor for "dumbing down" the US release. Last but certainly not least, there is a delight soundtrack to this movie, courtesy of Swiss singer-songwriter Sophie Hunger (check out the heartbreaking tune that plays over the end credits). "My Life As a Zucchini" got an Oscar nomination for Best Animated Feature at the recent Oscars. The fact that it didn't win is besides the point, this is a top-notch quality movie, period. My only other complaint, other than the US theater release being dubbed, is that I wasn't ready to bid farewell to this film after just over an hour... (The screening was rounded out by another Swiss stop-motion animated shortie, the 8 min. delightful "The Genie In the Box of Raviolis".)
"My Life As a Zucchini" opened this weekend at my local art-house theater here in Cincinnati and I couldn't wait to see it. The Friday evening screening where I saw this at was attended poorly (only 6 people, including myself), so I imagine this will not play more than a week in the theater. If you have a chance to catch this later on Amazon Instant Video or eventually on DVD/Blu-ray, I strongly recommend you do so, you won't regret it. "My Life As a Zucchini" is HIGHLY RECOMMENDED!
Couple of comments: this is a stop-motion animated film. I admit not being familiar with Swiss director Claude Barras, but regardless, Barras here brings a tale (based on the book "Autobiographie d'une Courgette") that cuts close to the heart about the need for love and understanding. The boy, missing his father (whom he has painted on his kite) AND his alcoholic mother (it's not clear what became of her, other that "she went away), is desperate for love and companionship as he makes his new life at the orphanage. The main characters are fully developed, with lost of nuance, and while there is quite a bit of humor in the film, the overall feeling is more bittersweet than anything. This movie is rated PG-13 for a reason and I would not recommend this for any kids younger than 9 or 10. BEWARE: the US theater release which I saw brings the movie in a dubbed version, sadly. It takes away from the charm of the movie, not to mention the originality (it's like watching the Simpsons dubbed in French if you get my drift). That point is only driven home even more so since we get , after the movie's end credits, a fake take-out of the boy being auditioned for the role, which is shown in French with subtitles, and you can immediately feel the difference in the voice characters. Shame on the US distributor for "dumbing down" the US release. Last but certainly not least, there is a delight soundtrack to this movie, courtesy of Swiss singer-songwriter Sophie Hunger (check out the heartbreaking tune that plays over the end credits). "My Life As a Zucchini" got an Oscar nomination for Best Animated Feature at the recent Oscars. The fact that it didn't win is besides the point, this is a top-notch quality movie, period. My only other complaint, other than the US theater release being dubbed, is that I wasn't ready to bid farewell to this film after just over an hour... (The screening was rounded out by another Swiss stop-motion animated shortie, the 8 min. delightful "The Genie In the Box of Raviolis".)
"My Life As a Zucchini" opened this weekend at my local art-house theater here in Cincinnati and I couldn't wait to see it. The Friday evening screening where I saw this at was attended poorly (only 6 people, including myself), so I imagine this will not play more than a week in the theater. If you have a chance to catch this later on Amazon Instant Video or eventually on DVD/Blu-ray, I strongly recommend you do so, you won't regret it. "My Life As a Zucchini" is HIGHLY RECOMMENDED!
One of the best love and friendship stories out there
si91625930 May 2017
If there was ever a way to tell a story of a 9 year old boy who mistakenly killed his mother and had to stay at a foster home with other children, who were either depressed or had autism/behavior problems, it is told in My life as a Zucchini.
Now don't run away yet thinking it's a sad movie. That's not it at all. This is a movie that takes a very heavy hearted story and turns it into a light hearted tale through humor and joys of the youth. But nonetheless, I wouldn't recommend seeing this with the kids.
There is a certain feeling that us as people sometimes get when a story sheds some light on the darkest parts of the universe and you can definitely expect that from this film. Love is it's own language and we first learn it, just like with most things, from our parents. This movie shows how love could be understood on its own if we are lucky, but it takes a lot more strength.
If you think you've seen it all, you'll be surprised by this very short 66 minute film and I would recommend this to anyone who is wants to see a movie that challenges their hearts.
Now don't run away yet thinking it's a sad movie. That's not it at all. This is a movie that takes a very heavy hearted story and turns it into a light hearted tale through humor and joys of the youth. But nonetheless, I wouldn't recommend seeing this with the kids.
There is a certain feeling that us as people sometimes get when a story sheds some light on the darkest parts of the universe and you can definitely expect that from this film. Love is it's own language and we first learn it, just like with most things, from our parents. This movie shows how love could be understood on its own if we are lucky, but it takes a lot more strength.
If you think you've seen it all, you'll be surprised by this very short 66 minute film and I would recommend this to anyone who is wants to see a movie that challenges their hearts.
L'amour inconditionnel
nibelungen-79-16085528 May 2017
Warning: Spoilers
What a felicitous oeuvre! Not the shiny kind of beauty, the other kind, the one that transcends.
The story telling, the animation, the backgrounds, everything seems a bit minimalist but the intensity of this 60 minute movie I found was overwhelming.
The central theme of the movie: unconditional love. In some scenes it becomes more explicit, in other less. But I discovered several expressions of it, all cunningly portrayed. Some gorgeous, some hide in the shadows before revealing themselves and others seem even darkly romantic. The most touching, that I will remember for some time to come; When Simon tells Courgette to take his chance - after all Simon just did to reunite the gang, wanting to have all is friends back together and as happy as possible. Sting sang; "if you love somebody, set them free" - here is what that might look like.
Funny that this topic turns out so well, when the story revolves around kids. Food for though; about where pure love might come from and how adults need to cultivate it.
This is a nice change among all the tit for tat stories and the Hollywood saga of the outsider rising to a hero that get rehashed time and time again.
The voice acting by Nick Offerman was also deserves a special mention here.
The story telling, the animation, the backgrounds, everything seems a bit minimalist but the intensity of this 60 minute movie I found was overwhelming.
The central theme of the movie: unconditional love. In some scenes it becomes more explicit, in other less. But I discovered several expressions of it, all cunningly portrayed. Some gorgeous, some hide in the shadows before revealing themselves and others seem even darkly romantic. The most touching, that I will remember for some time to come; When Simon tells Courgette to take his chance - after all Simon just did to reunite the gang, wanting to have all is friends back together and as happy as possible. Sting sang; "if you love somebody, set them free" - here is what that might look like.
Funny that this topic turns out so well, when the story revolves around kids. Food for though; about where pure love might come from and how adults need to cultivate it.
This is a nice change among all the tit for tat stories and the Hollywood saga of the outsider rising to a hero that get rehashed time and time again.
The voice acting by Nick Offerman was also deserves a special mention here.
"Even if..."
Quinoa198419 March 2020
Turns out, the filmmaker behind Portrait of a Lady on Fire once up on a time wrote the script for a totally delightful, unsentimental but truly heartwarming and at its core tough family animated movie that starts with a little boy accidentally killing his drunk louse of a mom and being sent to an orphanage... Where the message is, basically, if you can connect with others around you - even the presumptive bully (I mean he has red hair, after all) - you'll be alright in life.
Adorably and impeccably crafted, warm, deeply felt, basically like finding a great kid's book that doesn't talk down for a second to kids (the mentions about sex seem just about right and work for amusing wonders for a French import, but notice how it treats abuse of different kids, it says enough without needing to say it all for what some of the kids have gone through), and the more I think about it the more good it makes me feel.
I only wish I'd seen this sooner; I'd put it right there in what Truffaut and Malle did with child characters in their best films, and it may reach a wider audience if parents are smart enough to turn their kids on to it (or adults watch it themselves regardless).
Adorably and impeccably crafted, warm, deeply felt, basically like finding a great kid's book that doesn't talk down for a second to kids (the mentions about sex seem just about right and work for amusing wonders for a French import, but notice how it treats abuse of different kids, it says enough without needing to say it all for what some of the kids have gone through), and the more I think about it the more good it makes me feel.
I only wish I'd seen this sooner; I'd put it right there in what Truffaut and Malle did with child characters in their best films, and it may reach a wider audience if parents are smart enough to turn their kids on to it (or adults watch it themselves regardless).
Animation that Doesn't Hide Behind the Label "Kid's Movie"
truemythmedia29 May 2019
"My Life As a Zucchini" is a movie that resists any effort I undertake to categorize it alongside other films. It's animation is top notch along side films like "Kubo and the Two Strings" but it is no way the adventure that Kubo is. It's a dark film, but not like "Nightmare Before Christmas" or "Coraline." It's a movie for kid but not like "Coco" or "Moana."
I want to say that it is a great kid's stop motion film, but I'm afraid people would be surprised by how serious the film is, but I also don't want to give the impression that it is too serious for kids. It isn't.
What is unique about this film is that it seems to be genuinely from a child's perspective. I don't just mean that the protagonist is a kid. There are lots of movies which have child protagonists but they don't necessarily read as from a child's perspective.
Take "Coco" or "Moana" for instance. These are films which feature a child doing incredible things, but the kids don't act like kids and they don't think like children. Their sense of logic and understanding is similar to an adults. The adults in the films never try to hide life's harder side from them, don't really talk down to them, and one gets the feeling that either one would be pretty self sufficient if push came to shove.
What is unique about this film is that it seems to be genuinely from a child's perspective. I don't just mean that the protagonist is a kid. There are lots of movies which have child protagonists but they don't necessarily read as from a child's perspective.
Take "Coco" or "Moana" for instance. These are films which feature a child doing incredible things, but the kids don't act like kids and they don't think like children. Their sense of logic and understanding is similar to an adults. The adults in the films never try to hide life's harder side from them, don't really talk down to them, and one gets the feeling that either one would be pretty self sufficient if push came to shove.
There's meat in this zucchini
gizmomogwai28 December 2017
Warning: Spoilers
Odd as it may sound, films with vegetables in their titles often turn me off; I heard of My Life as a Courgette (more commonly called a zucchini where I live in Canada) and saw Netflix marked it for ages 8-10, but had some time to kill and it was only 67 minutes on, so gave it a shot. Well, Netflix was a bit off on the 8-10. Adults will find a lot to admire in this little zucchini.
Like this year's It by Andy Muschietti (yes, I will make the insane comparison), it is refreshing to see films are still being made where kids still talk like real kids; they're under 18 but they talk about sex (or draw a nude picture as we see here), whereas most modern Puritanical Hollywood movies will treat that as heresy. My Life as a Courgette also confronts the roughest subject matter fearlessly, and manages to pull at the heartstrings in the process. It may seem too easy to do that with a story about orphans, two getting adopted at the end, but it takes something special to make it feel unique- a great deal of maturity and thought went into crafting the emotions and getting them out in a genuine way. (Moonrise Kingdom also ended with adoption-by-cop following an orphan in love- its merits were also strong, though different). The animation goes with stop motion over the now-expected computer 3D, and also develops its own winning charm.
Like this year's It by Andy Muschietti (yes, I will make the insane comparison), it is refreshing to see films are still being made where kids still talk like real kids; they're under 18 but they talk about sex (or draw a nude picture as we see here), whereas most modern Puritanical Hollywood movies will treat that as heresy. My Life as a Courgette also confronts the roughest subject matter fearlessly, and manages to pull at the heartstrings in the process. It may seem too easy to do that with a story about orphans, two getting adopted at the end, but it takes something special to make it feel unique- a great deal of maturity and thought went into crafting the emotions and getting them out in a genuine way. (Moonrise Kingdom also ended with adoption-by-cop following an orphan in love- its merits were also strong, though different). The animation goes with stop motion over the now-expected computer 3D, and also develops its own winning charm.
Undercooked Zucchini
mik_mik_9031 January 2018
I don't know, maybe I'm not the target audience of this film. The reason why I watch this is because I am interested with the art in it and I think it was refreshing to watch this kind of animation in a world full Pixar. Also, the fact that it is an awards contender made me more interested in this film.
But story wise, I think that it didn't got me there. I thought it was predictable and I thought it was okay. Maybe I am just expecting too much on a movie made for kids? or is this just the effect of watching too much Pixar (in terms of story)?
But story wise, I think that it didn't got me there. I thought it was predictable and I thought it was okay. Maybe I am just expecting too much on a movie made for kids? or is this just the effect of watching too much Pixar (in terms of story)?
awesome movie
kmt-8813211 March 2018
Warning: Spoilers
The movie im reccomending is called My Life as a Zucchini or Ma vie de Courgette thgat was a 2016 Swiss-French production directed by Claude Barras. It was an adult stop motion animation that was nominated for Best Animated Feature Film at the 89th academy awards, but lost to Zootopia. It was an adaptation of Gilles Paris' 2002 novel Autobiographie d'une Courgette. On rotten tomatoes my life as a zucchini has a rating of 98%. The site's critical consensus reads, "My Life as a Zucchini's silly title and adorable characters belie a sober story whose colorful visuals delight the senses even as it braves dark emotional depths."
plot SPOILERS : Icare, the main character, lives with his mother who has become a irritable and sometimes violent alcoholic since her husband (Icare's father) left / dissapeared. Icare is seen flying a kite decorated with a crayon drawing of his father in a stormy sky- making believe that his absent father is a super hero. Later his mother apporaches him in a druken rage when he accidentally knocks some emty beer can down the stairs. Icare accidentally closes the stair hatch in fear on his mother and loud crash, implying his mother's death is heard. Icare is then pictured in a police station ansering the gentle questions of a police officer named Raymond. He tells officer Raymond he wants to go by his mother's nickname for him: Courgette (translates to zucchini). Raymond takes courgette to a orphanage that is neither miserable nor joyous. One of orphans, a ginger named Simon bullies Courgette. Courgette comes to learn the various situations of each of his fellow orphans and eventually reveals his own situation. A new girl named Camille arrives at the orpahnage shortly there after and Courgette is immediately infatuated with her and they grow to become close friends quickly. However Camille's spitful aunt repeated tries to for Camille to come live with her so she can collect government benifits. However, when court day to review the custody case arrives, Simon redeems himself by playing a recording of how Camille's aunt talks to her, causing her aunt to have an outburst in court and lose the case. ect. ect.
You should watch My life as a zucchini not only because it one of the few highquality stop motion animations made every year and its careful visual design, but for its simple and quiet, yet well developed and excellently excuted story. It's a welcome change in pace from the flambouyant action, flat charcter trophes, meaningless slap-stick dialogue, and massive, world-changing narrative archs that make up the majority of animated films. There is plenty of comedy, but it never detracts from/contradicts the scenes mood or distracts from the ongoing story. The focused and contemplative quietness of this film and the intense attention to the nuanced emotions its characters experience build both starkly sad and tenderly uplifiting moments with out betraying reality. It is only 66 minutes long and makes full use of every second. Also the ending credits song is fire - Le Vent nous portera, covery by Sophie Hunger. The (French) voice actors, particularly Gaspard Schlatter and Sixtine Murat who play the two main leads Courgette and Camille did an excellent job of bring to life a child's perspective. I haven't watched the English dubbed version, but I've heard it doesn't measure up to the orginal voice acting in French, so I'd reccomend watching the French version if you can.
One review called "My Life as a Zucchini" undercooked? Its main complaint was that the "emotional heft of the film is unexpected and the problems some of characters face are nothing that a child should have to deal with" and they "don't know who'd I recommend this film to". While their observation that the cast of characters face disproportionately heavy problems despite their young age is true, it doesn't detract from the overall movie because the film's target audience was not necissarily elementary age children even though its main characters are. In fact, I don't think this movie is well suited to a very young audience (I think some parts are proabably too mature for kids under 12/13-ish). I think the main aim of the movie was not to provide high-energy entertainment aimed at children, but to explore the emotional complexities the characters face as result of their situation. These themes are presented in layered and often nuanced ways that only an adult/adolescent would be likely to pick up on or find interesting. Another criticism of My Life as a Zucchini is that its story, which starts as a tragic orphanage situation is too cliche. While this criticism is fair in that the story does have a cliche set up, the way in which the characters navigate and cope with their situation and their emotional complexities is thoroughly explored, well executed, and ultimately very heartfelt.
plot SPOILERS : Icare, the main character, lives with his mother who has become a irritable and sometimes violent alcoholic since her husband (Icare's father) left / dissapeared. Icare is seen flying a kite decorated with a crayon drawing of his father in a stormy sky- making believe that his absent father is a super hero. Later his mother apporaches him in a druken rage when he accidentally knocks some emty beer can down the stairs. Icare accidentally closes the stair hatch in fear on his mother and loud crash, implying his mother's death is heard. Icare is then pictured in a police station ansering the gentle questions of a police officer named Raymond. He tells officer Raymond he wants to go by his mother's nickname for him: Courgette (translates to zucchini). Raymond takes courgette to a orphanage that is neither miserable nor joyous. One of orphans, a ginger named Simon bullies Courgette. Courgette comes to learn the various situations of each of his fellow orphans and eventually reveals his own situation. A new girl named Camille arrives at the orpahnage shortly there after and Courgette is immediately infatuated with her and they grow to become close friends quickly. However Camille's spitful aunt repeated tries to for Camille to come live with her so she can collect government benifits. However, when court day to review the custody case arrives, Simon redeems himself by playing a recording of how Camille's aunt talks to her, causing her aunt to have an outburst in court and lose the case. ect. ect.
You should watch My life as a zucchini not only because it one of the few highquality stop motion animations made every year and its careful visual design, but for its simple and quiet, yet well developed and excellently excuted story. It's a welcome change in pace from the flambouyant action, flat charcter trophes, meaningless slap-stick dialogue, and massive, world-changing narrative archs that make up the majority of animated films. There is plenty of comedy, but it never detracts from/contradicts the scenes mood or distracts from the ongoing story. The focused and contemplative quietness of this film and the intense attention to the nuanced emotions its characters experience build both starkly sad and tenderly uplifiting moments with out betraying reality. It is only 66 minutes long and makes full use of every second. Also the ending credits song is fire - Le Vent nous portera, covery by Sophie Hunger. The (French) voice actors, particularly Gaspard Schlatter and Sixtine Murat who play the two main leads Courgette and Camille did an excellent job of bring to life a child's perspective. I haven't watched the English dubbed version, but I've heard it doesn't measure up to the orginal voice acting in French, so I'd reccomend watching the French version if you can.
One review called "My Life as a Zucchini" undercooked? Its main complaint was that the "emotional heft of the film is unexpected and the problems some of characters face are nothing that a child should have to deal with" and they "don't know who'd I recommend this film to". While their observation that the cast of characters face disproportionately heavy problems despite their young age is true, it doesn't detract from the overall movie because the film's target audience was not necissarily elementary age children even though its main characters are. In fact, I don't think this movie is well suited to a very young audience (I think some parts are proabably too mature for kids under 12/13-ish). I think the main aim of the movie was not to provide high-energy entertainment aimed at children, but to explore the emotional complexities the characters face as result of their situation. These themes are presented in layered and often nuanced ways that only an adult/adolescent would be likely to pick up on or find interesting. Another criticism of My Life as a Zucchini is that its story, which starts as a tragic orphanage situation is too cliche. While this criticism is fair in that the story does have a cliche set up, the way in which the characters navigate and cope with their situation and their emotional complexities is thoroughly explored, well executed, and ultimately very heartfelt.
Very touching movie
AbsoluteRaushan29 April 2017
I would say that this is very good movie .Nice animated dramatic movie to be accurate. I enjoyed it . But this movie is emotional. I mean you get listen horrible stories of children which they have encountered. And if you are a such a victim then this movie may make you remember those incidents to you. But don't worry all these are small part of movie and movie is not about horrible incidents. Instead the movie is kind of love story of two kids and how they get together with other orphan kids. Which is super awesome & cute and that's the good part. And the nice thing is the movie is short like an hour and has a good ending. I would also like to add that the background music is really good ; especially when the movie is finished.
My Life as a Courgette
jboothmillard14 September 2018
Warning: Spoilers
I remember seeing images and clips for this Swiss-French cartoon during its cinema release on film review programmes, it was rated average by critics, but I know it got attention during Awards Season, so I was hoping for something worth my time. Basically Icare, who prefers to be called "Courgette" (or "Zucchini" in America) (Erick Abbate), lives with his mother (Susanne Blakeslee), who has become a violent alcoholic, due to Icare's father abandoning the family. In a drunken rage, his mother comes after him, as she comes up to the attic, he slams the door on her head, accidentally causing her to fall down the stairs to her death. Courgette is taken in by Police Officer Raymond (Nick Offerman), he keeps one of his mother's cans and a kite he made with a drawing of his father as a superhero as mementos. Raymond brings Courgette to an orphanage, there he is initially picked on by Simon (Romy Beckman), one of the kids, who tries to force him to say what happened to his parents. One day Courgette and Simon fight over the kite, after which Simon warms to him, he explains that he knows about the backgrounds of all the children in the orphanage. Simon tells the backstories of all the other kids, whose parents are either deceased or, in his own case, in trouble with the law, Courgette then tells him what happened to his own mother. One day, new girl Camille (Ness Krell) arrives at the orphanage, on first fight of her Courgette develops a crush. Simon and Courgette sneak into the office to see Camille's files, they find out that she witnessed her father murder her mother for cheating on him, and then killed himself. Camille does have a living relaive, her Aunt Ida (Amy Sedaris), but she is a spiteful woman who only wants custody of Camille for the money she will get. Whilst on a class outing to a snow resort, Courgette and Camille start to bond, he refashions his mother's beer can into a toy boat for her. Courgette grows close to Officer Raymond as he regularly sends letters and drawings to him. Raymond plans to spend a holiday with Courgette, on the same weekend that Camille is supposed to spend with her aunt, but Camille instead stows away in Raymond's car. Raymond reluctantly agrees to bring both kids to the outing, the three of them enjoy themselves at an amusement park. They return to Raymond's house, where Raymond reveals that he has a son that never talks to him. Aunt Ida suddenly appears and angrily takes Camille away. A few weeks later there is a custody meeting for a judge to determine if Aunt Ida will take Camille in. There, Camille plays an MP3 recording of her aunt's voice, where she insulted her mother and yelled at her, Aunt Ida loses her temper right in front of the judge, destroying her bid for custody. Raymond finally decides to take both Courgette and Camille in as foster children. Simon is initially angry, but he ultimately accepts that a reluctant Courgette should go with Raymond. Before leaving with Courgette and Camille, Raymond takes some group photos of the kids outside of the orphanage. While living with Raymond, Courgette continues to write letters to the kids at the orphanage, maintain that he, Camille and Raymond still love them all. Courgette now keeps a group photo of the kids on his kite. Also starring Will Forte as Mr. Paul, Ellen Page as Rosy, Susanne Blakeslee as Ms. Paterson. At first glance, you'd assume this is a brightly coloured children's film, in reality it is something of a sad one, it has a heartfelt approach dealing with difficult subjects, such as loss and abuse. The character designs are bold and unusual (Courgette being blue-haired with a red nose), and the characters themselves are well-thought out, especially the children who are impressively authentic, talking like real kids would about certain subjects, it is an odd length, being just over an hour, but it doesn't need to be any longer, an interesting alternative stop-motion animated drama. It was nominated the Oscar for Best Animated Feature Film of the Year, it was nominated the BAFTA for Best Animated Feature Film, and it was nominated the Golden Globe for Best Motion Picture - Animated. Worth watching!
See also
Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews