Rappers

Sure, the rapper is still making hits—but by choosing him to lead off their annual awards extravaganza, argues GQ columnist Chris Black, they’re trying to pretend two decades of pop-cultural upheaval didn’t happen.

From “Like That” to “Not Like Us” to the Pop Out and beyond, we've got your complete guide to the rap feud that's captivated pop culture all year long.

A former petty king and punchline machine leans into honesty and introspection on his new solo album.

The We Don't Trust You team hits the stage at Barclays, and the deep cuts ring out just as loud as the hits.

When he broke out with “White Iverson” ten years ago, Post Malone was probably the last artist you’d expect to see rocking Wranglers at the Super Bowl or recording a country album with an F-150 on the cover and everyone from Chris Stapleton to Dolly Parton in the credits. But as GQ columnist Chris Black points out, this is increasingly just what pop-star evolution looks like in 2024.

“The reactions are always the same,” the rapper says of his stunt-y social media presence, “and they're exactly what I hope for them to be."

The Public Enemy hypeman and reality TV star has returned—four years sober, in his Swiftie era, and ready to take your ass to Red Lobster. His new path is paved with good vibes, nonstop selfies, and a truly bizarre AI experiment of a new single. But what’s he really going to do with the time he has left?

You wanted to hear Clipse rap about something other than cocaine? Here you go.

The Bad Boys: Ride or Die star talks about shooting pool with DMX and the importance of switching up your system.

Future and Metro's second great album in three weeks opens a new battlefront in the beef of the year.

The rapper caught up with GQ about veganism, sex as a wellness practice, and working out every weekday.

Metro drops an epic trailer on his socials, signaling that the wait is finally (almost) over.

On an album full of amazing moments, a halfway Black Hippy reunion is one of the best.

The rapper turned auteur explains how he ended up playing a character called “Vince Staples” on The Vince Staples Show.

The pugnacious Harlem rap legend now hosts the most unfiltered hour of commentary in sports with his onetime arch-rival, Mase. But even as he trolls harder than ever—yes, that’s football correspondent O.J. Simpson—Killa Cam is slowly embracing a surprising new philosophy: Love and friendship conquers all.

His music videos made him the Hype Williams of the SoundCloud era. His star-studded new compilation album All is Yellow is a time capsule of a decade in rap—and a bid to define its future.