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The book series is dedicated to the study of the multifaceted dynamics of wordplay as an interface phenomenon. The contributions aim to bring together approaches from various disciplines and present case studies on different communicative settings, inluding everyday language and literary communication, and thus offer fresh perspectives on wordplay in the context of linguistic innovation, language contact, and speaker-hearer-interaction.
La collection vise à analyser la diversité de la dynamique du jeu de mots en tant que phénomène d’interface. Les contributions réunissent les approches de différentes disciplines et présentent des études de cas de situations de communication variées, incluant tant le langage quotidien que la communication littéraire. Ainsi, elles offrent de nouvelles perspectives sur le jeu de mots dans le contexte de l’innovation linguistique, du contact linguistique, et de l’interaction locuteur-interlocuteur.
Editorial Board: Salvatore Attardo (Texas A&M University Commerce, USA), Dirk Delabastita (Université de Namur, Belgium), Dirk Geeraerts (Katholieke Universiteit Leuven, Belgium), Raymond W. Gibbs (University of California, Santa Cruz, USA), Alain Rabatel (Université de Lyon 1 /ICAR, UMR 5191, CNRS, Université Lumière-Lyon 2, ENS-Lyon, France), Monika Schmitz-Emans (Ruhr-Universität Bochum, Germany), Deirdre Wilson (University College London, UK)
Esme Winter-Froemel, Trier University, Germany.
What does wordplay teach us about the function of language and communication? What creative open spaces are used in wordplay, and what are the rules and limits that govern the game? The volume presents ideas of masters of wordplay from literature, film, cabaret, and poetry slams along with brief scientific analyses. The dialogue between theory and practice reveals the diverse complexity of language play.
This volume is dedicated to the analysis of wordplay in a variety of texts and contexts. It explores the evolution of wordplay and its appreciation over time, as well as the intermediate stages between wordplay and related phenomena. Together with DWP 6, DWP 7 gathers selected papers from the interdisciplinary symposium The Dynamics of Wordplay / La dynamique du jeu de mots (Trier, 2016).
This volume focuses on realisations of wordplay in different cultures and social and historical contexts, and brings together various research traditions of approaching wordplay. Together with the volume DWP 7, it assembles selected papers presented at the interdisciplinary conference The Dynamics of Wordplay / La dynamique du jeu de mots (Trier, 2016) and stresses the inherent dynamicity of wordplay and wordplay research.
This volume seeks to shed light on the interdependencies between wordplay and language creativity. Contributions explore the most diverse genres and discourses throughout History —anagrams, medieval fatrasies, the works of Rabelais, children books, slam, riddles, and contemporary constrained writing—, trying to understand their theoretical, didactic and historical impact.
Wordplay involving several linguistic codes represents an important modality of ludic language. It is attested in different epochs, communicative situations, genres, and contexts of use. The translation of wordplay, which is generally seen as a challenging enterprise, illustrates another dimension of crossing linguistic borders in wordplay.
The third volume of the series The Dynamics of Wordplay unites contributions from different disciplines which study the creative and playful use of elements from different languages and the transfer of ludic language into other linguistic systems. It sheds light on the multi-dimensionality, special linguistic make-up, and specific interactive potential of wordplay at the interface of different languages and cultures.
The individual studies collected in this volume will be of interest to scholars from different scientific fields, such as linguistics and literary studies as well as cultural and media studies.
In conjunction with the first volume of the series, this collection of essays analyzes techniques and basic traditions of wordplay in various communicative situations and offers new perspectives on the dynamics of wordplay as an interface phenomenon.
Conjointement avec le premier volume de la série, les contributions de ce volume analysent des techniques et des traditions fondamentales du jeu de mots dans des situations de communication variées et offrent ainsi de nouvelles perspectives sur la dynamique du jeu de mots dans toutes ses facettes.
Wordplay can be seen as a genuine interface phenomenon. It can be found both in everyday communication and in literary texts, and it can fulfil a range of functions – it may be entertaining and comical, it may be used to conceal taboo, and it may influence the way in which the speaker’s character is perceived. Moreover, wordplay also reflects on language and communication: it reveals surprising alternative readings, and emphasizes the phonetic similarity of linguistic signs that also points towards relations on the level of content. Wordplay unravels characteristics of literary language in everyday communication and opens up the possibility to analyze literary texts from a linguistic perspective. The first two volumes of the series The Dynamics of Wordplay therefore aim at bringing together contributions from linguistics and literary studies, focusing on theoretical issues such as basic techniques of wordplay, and its relationship to genres and discourse traditions. These issues are complemented by a series of case studies on the use of wordplay in individual authors and specific historical contexts. The contributions offer a fresh look on the multifaceted dynamics of wordplay in different communicative settings.