Fat is one of the three main macronutrients: fat, carbohydrate, and protein. Fats, also known as triglycerides, are esters of three fatty acid chains and the alcohol glycerol.
The terms "oil", "fat", and "lipid" are often confused. "Oil" normally refers to a fat with short or unsaturated fatty acid chains that is liquid at room temperature, while "fat" may specifically refer to fats that are solids at room temperature. "Lipid" is the general term, as a lipid is not necessarily a triglyceride. Fats, like other lipids, are generally hydrophobic, and are soluble in organic solvents and insoluble in water.
Fat is an important foodstuff for many forms of life, and fats serve both structural and metabolic functions. They are necessary part of the diet of most heterotrophs (including humans). Some fatty acids that are set free by the digestion of fats are called essential because they cannot be synthesized in the body from simpler constituents. There are two essential fatty acids (EFAs) in human nutrition: alpha-linolenic acid (an omega-3 fatty acid) and linoleic acid (an omega-6 fatty acid).[2][3] Other lipids needed by the body can be synthesized from these and other fats. Fats and other lipids are broken down in the body by enzymes called lipases produced in the pancreas.
Total S.A. (French pronunciation: [tɔtal]; English /toʊˈtæl/ or /toʊˈtɑːl/) is a French multinational integrated oil and gas company and one of the six "Supermajor" oil companies in the world. Its businesses cover the entire oil and gas chain, from crude oil and natural gas exploration and production to power generation, transportation, refining, petroleum product marketing, and international crude oil and product trading. Total is also a large-scale chemicals manufacturer. The company has its head office in the Tour Total in La Défense district in Courbevoie, west of Paris. The company is a component of the Euro Stoxx 50 stock market index.
The company was founded after World War I, when the then French Prime Minister Raymond Poincaré rejected the idea of forming a partnership with Royal Dutch Shell in favour of creating an entirely French oil company. At Poincaré's behest, Col. Ernest Mercier with the support of ninety banks and companies founded Total on 28 March 1924, as the Compagnie française des pétroles (CFP), literally the "French Petroleum Company". Petroleum was seen as vital in the case of a new war with Germany. As per the agreement reached during the San Remo conference of 1920, the French state received the 25% share held by Deutsche Bank in the Turkish Petroleum Company (TPC) as part of the compensation for war damages caused by Germany during World War I. The French government's stake in TPC was transferred to CFP, and the Red Line agreement in 1928 rearranged the shareholding of CPF in TPC (later renamed the Iraq Petroleum Company in 1929) to 23.75%. The company from the start was regarded as a private sector company in view of its listing on the Paris Stock Exchange in 1929.
Total: From Joy Division to New Order is a compilation album of material from Joy Division and New Order. It was released in the United Kingdom on 6 June 2011 and is the first album to feature songs from both Joy Division and New Order in one album. It features five Joy Division tracks, including "Love Will Tear Us Apart", and thirteen New Order tracks, including a previously unreleased track, "Hellbent". An online "Deluxe version" also includes music videos.
The record label were unhappy with calling the record a "Best Of", so after brainstorming with the band the title Total was eventually chosen by Bernard Sumner.
The album cover was created by Howard Wakefield who previously served as understudy to Peter Saville. Peter was involved in art direction and told The Guardian: "I realised this was a record that would be sold in supermarkets and advertised on television. So the cover has a 'pile it high, sell it cheap' aesthetic. As you open it out, it says Total, but folded up you just see the 'O's. It says, 'From Joy Division to New Order'. I couldn't bear the words 'Best of'. It's a long way from the independent record shop to Tesco, almost 33 years. At Factory, I had a freedom that was unprecedented in communications design. We lived out an ideal, without business calling the shots. It was a phenomenon."
Total is the third studio album by Norwegian rock band Seigmen. It was released on 21 October 1994, through record label 1:70.
All lyrics written by Kim Ljung, all music composed by Klisne Seigmenn.
The album was certified gold in Norway in 2006.
"Fat" is a song by "Weird Al" Yankovic. It is a parody of "Bad" by Michael Jackson. It is Yankovic's second parody of a Jackson song, the first being "Eat It", a parody of Jackson's "Beat It". "Fat" is the first song on Yankovic's Even Worse album.
The video won a Grammy Award for Best Concept Music Video in 1988.
When performing in concert, Yankovic wears a fat suit and a mask that makes his face appear fat. Due to undergoing laser vision correction surgery, he no longer needs to wear glasses, though he wears glasses with non-prescription plastic lenses in order to help hold on the mask.
The video for "Fat" parodies various elements of the "Bad" video by Jackson; Yankovic was able to get permission from Michael Jackson to use the same subway set from "Bad" for the video. Here is a list depicting some parody elements:
The first letter indicates the diameter:
The number indicates the approximate length (for example, the length of a G7a is 7163 mm):
Next letter(s) indicates specific features regarding propulsion and control:
Fashion Architecture Taste or FAT is an art and architecture collaborative that first established itself in the 1990s in London, England. Their work falls broadly under the postmodern category with pop-culture influences.
The group has been described as "very young" and "very controversial" and have a cult following. Over recent years they have developed a large body of critically acclaimed built work in the UK and abroad. In December of 2013, the group announced a planned breakup.
The group formed in London in the 1990s and challenged the "orthodoxy of Modernist good taste", first with experimentalism in their Anti-Oedipal House (1993) that separated children and parents, and then at the 1995 Venice Biennale by distributing art from vending machines. They did a similar effort later in London's Carnaby Street on shopping bags (1999), and converted an Amsterdam church into the Kessels Kramer Advertising Office in 1998 with big playground furniture, a fort, fake diving board, and lifeguard shack.