Decimius Magnus Ausonius (ca. 310–ca. 394) was a Latin poet and teacher of rhetoric at Burdigala (Bordeaux, France). For a time he was tutor to the future emperor Gratian, who afterwards bestowed the Consulship on him. His best-known poems are Mosella, a description of the river Moselle, and Ephemeris, an account of a typical day in his life. His many other verses show his concern for his family, friends, teachers and circle of well-to-do acquaintances, and his delight in the technical handling of meter.
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Decimus Magnus Ausonius was born ca. 310 in Bordeaux, the son of Julius Ausonius, a physician of Greek ancestry[1][2], and Aemilia Aeonia, daughter of Caecilius Argicius Arborius, descended on both sides from established, land-owning Gallo-Roman families of southwestern Gaul.[2] Ausonius was given a strict upbringing by his aunt and grandmother, both named Aemilia. He received an excellent education at Bordeaux and at Toulouse, where his maternal uncle, Aemilius Magnus Arborius, was a professor. Ausonius did well in grammar and rhetoric, but professed that his progress in Greek was unsatisfactory. When his uncle was summoned to Constantinople to tutor one of the sons of emperor Constantine I, Ausonius accompanied him to the capital.
Having completed his studies, he trained for some time as an advocate, but he preferred teaching. In 334 he became a 'grammaticus' (instructor) at a school of rhetoric in Bordeaux, and afterwards a 'rhetor' or professor. His teaching attracted many pupils, some of whom became eminent in public life. His most famous pupil was the poet Paulinus, who later became a Christian and Bishop of Nola.
After thirty years of this work Ausonius was summoned by emperor Valentinian I to teach his son, Gratian, the heir-apparent. When Valentinian took Gratian on the German campaigns of 368-9, Ausonius accompanied them. In recognition of his services emperor Valentinian bestowed on Ausonius the rank of quaestor. Gratian liked and respected his tutor, and when he himself became emperor in 375 he began bestowing on Ausonius and his family the highest civil honors. That year Ausonius was made Governor of Gaul, campaigned against the Alemanni and received as part of his booty a slave-girl, Bissula (to whom he addressed a poem), while his father, though nearly ninety years old, was given the rank of Prefect of Illyricum. In 376 Ausonius's son, Hesperius, was made pro-consul of Africa. In 379 Ausonius was awarded the consulate, the highest Roman honor.
In 383 the army of Britain, led by Magnus Maximus, revolted against Gratian and assassinated him at Lyons; and when emperor Valentinian II was driven out of Italy, Ausonius retired to his estates near Burdigala (now Bordeaux) in Gaul. When Magnus Maximus was overthrown by emperor Theodosius I in 388, Ausonius did not leave his country estates. They were, he says, his nidus senectutis, the 'nest of his old age', and there he spent the rest of his days, composing poetry and writing to many eminent contemporaries, several of whom had been his pupils. His estates supposedly included the land now owned by Château Ausone, which takes its name from him. He appears to have been a late and perhaps not very enthusiastic convert to Christianity.
He died about 394.
Although admired by his contemporaries, the writings of Ausonius have not since been ranked among Latin literature's finest. His style is easy and fluent, and his Mosella is appreciated for its evocation of the life and country along the River Moselle; but he is considered derivative and unoriginal. Edward Gibbon pronounced in his Decline and Fall of the Roman Empire that "the poetical fame of Ausonius condemns the taste of his age." However, his works have several points of interest:
1. He is frequently cited by historians of winemaking, as his works give early evidence of large-scale viniculture in the now-famous wine country around his native Bordeaux.
2. His contribution to the carpe diem topic is also widely known:
Collige, virgo, rosas, dum flos novus et nova pubes et memor esto aevum sic properare tuum.—Epigrammata: «Rosae» 2:49
Gather, girl, roses while the flower is fresh and fresh is youth, remembering that your own time is hurrying on.
3. A curious poem is his Cento Nuptialis (translated as A Nuptial Cento by H.G. Evelyn-White for Loeb Classical Library), in which he extracts phrases from Virgil and re-applies them to a nuptial consummation:
His writings are also remarkable for mentioning, in passing, the working of a water mill sawing marble on a tributary of the Moselle:
....renowned is Celbis for glorious fish, and that other, as he turns his mill-stones in furious revolutions and drives the shrieking saws through smooth blocks of marble, hears from either bank a ceaseless din...
The excerpt sheds new light on the development of Roman technology in using water power for different applications. It is one of the rare references in Roman literature of water mills used to cut stone, but is a logical consequence of the application of water power to mechanical sawing of stone (and presumably wood also). Earlier references to the widespread use of mills occur in Vitruvius in his De Architectura of circa 25 BC, and the Naturalis Historia of Pliny the Elder published in 77 AD. Such applications of mills were to multiply again after the fall of the Empire through the Dark Ages into the modern era. The mills at Barbegal in southern France are famous for their application of water power to grinding grain to make flour and were built in the 1st century AD. They consisted of 16 mills in a parallel sequence on a hill near Arles.
The construction of a saw mill is even simpler than a flour or grinding mill, since no gearing is needed, and the rotary saw blade can be driven direct from the water wheel axle, as the example of Sutter's Mill in California shows. However, a different mechanism is shown by the sawmill at Hieropolis involving a frame saw operated through a crank and connecting rod.
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Political offices | ||
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Preceded by Valens, Valentinian II |
Consul of the Roman Empire 379 with Quintus Clodius Hermogenianus Olybrius |
Succeeded by Gratian, Theodosius I |
verse 1-
Baby you are mine
You're everthing to me
You're my laughter and my joy
The music to the song I sing
You're my dream. my fantasy
And for that you'll always be my candy love
Chorus-
Candy Love, your love is like
Candy Love
You bring sweetness in my life
And for that you'll always be my candy Love
Verse 2-
It took lots of time
But love came with destiny
And I know that I am the one for you
And you the one for me
Babe I can't tell you how much you mean to me
Cuz it's like heaven when I wake and before i sleep
My heart is yours, for you to keep
Chorus
Heartbreaks from the past
Is starting to make sense
This candy love of yours
Seems so sweet and intense
I love you boy
You know that's true
It's more than candy love...
I FEEL FOR U