| Titel: | Ad vivum? |
|---|
| Titelzusatz: | visual materials and the vocabulary of life-likeness in Europe before 1800 |
|---|
| Mitwirkende: | Balfe, Thomas [HerausgeberIn]  |
|---|
| | Woodall, Joanna [HerausgeberIn] |
|---|
| | Zittel, Claus [HerausgeberIn] |
|---|
| Verf.angabe: | edited by Thomas Balfe, Joanna Woodall, Claus Zittel |
|---|
| Verlagsort: | Leiden ; Boston |
|---|
| Verlag: | Brill |
|---|
| E-Jahr: | 2019 |
|---|
| Jahr: | [2019] |
|---|
| Umfang: | XVII, 359 Seiten |
|---|
| Illustrationen: | Illustrationen |
|---|
| Gesamttitel/Reihe: | Intersections : interdisciplinary studies in early modern culture ; volume 61 |
|---|
| Fussnoten: | Literaturangaben |
|---|
| ISBN: | 978-90-04-32994-2 |
|---|
| Abstract: | The term ad vivum and its cognates al vivo, au vif, nach dem Leben and naer het leven have been applied since the thirteenth century to depictions designated as from, to or after (the) life. This book explores the issues raised by this vocabulary and related terminology with reference to visual materials produced and used in Europe before 1800, including portraiture, botanical, zoological, medical and topographical images, images of novel and newly discovered phenomena, and likenesses created through direct contact with the object being depicted. The designation ad vivum was not restricted to depictions made directly after the living model, and was often used to advertise the claim of an image to be a faithful likeness or a bearer of reliable information. Viewed as an assertion of accuracy or truth, ad vivum raises a number of fundamental questions in the area of early modern epistemology - questions about the value and prestige of visual and/or physical contiguity between image and original, about the kinds of information which were thought important and dependably transmissible in material form, and about the roles of the artist in that transmission. The recent interest of historians of early modern art in how value and meaning are produced and reproduced by visual materials which do not conform to the definition of art as unique invention, and of historians of science and of art in the visualisation of knowledge, has placed the questions surrounding ad vivum at the centre of their common concerns. |
|---|
| URL: | Inhaltsverzeichnis: https://swbplus.bsz-bw.de/bsz1664715975inh.htm |
|---|
| Schlagwörter: | (s)Naturalismus / (s)Realismus / (s)Mimesis / (s)Kunst / (z)Geschichte 1500-1800 |
|---|
| | (s)Naturbeobachtung / (s)Naturgeschichte <Fach> / (s)Terminologie / (z)Geschichte 1500-1800 |
|---|
| Dokumenttyp: | Aufsatzsammlung |
|---|
| Sprache: | eng |
|---|
| Bibliogr. Hinweis: | Erscheint auch als : Online-Ausgabe: Ad vivum?. - Leiden : Brill, 2019. - 1 Online-Ressource (XVIII, 360 Seiten) |
|---|
| | Rezensiert in: Fransen, Sietske: [Rezension von: Thomas Balfe, Joanna Woodall, Claus Zittel (eds.), Ad vivum?, visual materials and the vocabulary of life-likeness in Europe before 1800] |
|---|
| K10plus-PPN: | 1664715975 |
|---|
| Verknüpfungen: | → Übergeordnete Aufnahme |
|---|
Andere Auflagen/Ausgaben
Zurück zur Trefferübersicht und Suche
HEDD