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Guitar

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Guitar

Album de Frank Zappa
Sortie Avril 1988
Enregistré 31 mars 1979 au 18 décembre 1984
Durée 131 min 38 s
Genre Rock
Producteur Frank Zappa
Label Barking Pumpkin
Critique

Albums de Frank Zappa

Guitar est un album rock de Frank Zappa sorti en 1988. Il s'agit de solos de guitare enregistrés pendant ses concerts entre 1979 et 1984.

Originellement, Frank Zappa voulait réaliser un album de trois disques (vinyles). Finalement, il décida de sortir directement l’album sur CD. Il est donc paru avec une version complète de deux CD avec trente-deux morceaux et une version vinyle de deux disques avec seulement dix-neuf morceaux.

Liste des titres

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Tous les titres sont de Frank Zappa, sauf mention contraire

Premier CD

  1. Sexual Harassment in the Workplace – 3 min 42 s
  2. Which One Is It? – 3 min 04 s
  3. Republicans – 5 min 07 s
  4. Do Not Pass Go – 3 min 36 s
  5. Chalk Pie – 4 min 51 s
  6. In-A-Gadda-Stravinsky – 2 min 50 s
  7. That's Not Really Reggae – 3 min 17 s
  8. When No One Was No One – 4 min 48 s
  9. Once Again, without the Net – 3 min 43 s
  10. Outside Now (Original Solo) – 5 min 28 s
  11. Jim & Tammy's Upper Room – 3 min 11 s
  12. Were We Ever Really Safe in San Antonio? – 2 min 49 s
  13. That Ol' G Minor Thing Again – 5 min 02 s
  14. Hotel Atlanta Incidentals – 2 min 44 s
  15. That's Not Really a Shuffle – 4 min 23 s
  16. Move It or Park It – 5 min 43 s
  17. Sunrise Redeemer – 3 min 58 s

Second CD

  1. Variations on Sinister #3 – 5 min 15 s
  2. Orrin Hatch on Skis – 2 min 12 s
  3. But Who Was Fulcanelli? – 2 min 48 s
  4. For Duane – 3 min 24 s
  5. GOA – 4 min 51 s
  6. Winos Do Not March – 3 min 14 s
  7. Swans? What Swans? – 4 min 23 s
  8. Too Ugly for Show Business – 4 min 20 s
  9. Systems of Edges – 5 min 32 s
  10. Do Not Try This at Home – 3 min 46 s
  11. Things That Look Like Meat – 6 min 57 s
  12. Watermelon in Easter Hay – 4 min 02 s
  13. Canadian Customs – 3 min 34 s
  14. Is That All There Is? – 4 min 09 s
  15. It Ain't Necessarily the Saint James Infirmary (George Gershwin, Ira Gershwin, DuBose Heyward / Joe Primrose) – 5 min 15 s

Version vinyle

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Première face

  1. Sexual Harassment in the Workplace – 3 min 42 s
  2. Republicans – 5 min 08 s
  3. Do Not Pass Go – 3 min 37 s
  4. That's Not Really Reggae – 3 min 17 s
  5. When No One Was No One – 4 min 41 s

Seconde face

  1. Once Again, without the Net – 3 min 58 s
  2. Outside Now (Original Solo) – 5 min 29 s
  3. Jim & Tammy's Upper Room – 3 min 11 s
  4. Were We Ever Really Safe in San Antonio? – 2 min 50 s
  5. That Ol' G Minor Thing Again – 4 min 39 s

Troisième face

  1. Move It or Park It – 5 min 43 s
  2. Sunrise Redeemer – 3 min 53 s
  3. But Who Was Fulcanelli? – 2 min 58 s
  4. For Duane – 3 min 25 s
  5. GOA – 4 min 46 s

Quatrième face

  1. Winos Do Not March – 3 min 14 s
  2. Systems of Edges – 5 min 32 s
  3. Things That Look Like Meat – 6 min 55 s
  4. Watermelon in Easter Hay – 4 min 00 s

Information

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Tableau regroupant les informations données sur la date, le lieu, la guitare utilisée et le morceau d'improvisation.

Titre Date Lieu Guitare utilisée Morceau d'improvisation
Sexual Harassment In The Workplace Fox Theater, San Diego, Californie Hendrix Strat Stinkfoot
Which One Is It? Olympiahalle, Munich, Allemagne Custom Strat The Black Page
Republicans Tower Theater, Upper Darby Custom Strat Let's Move To Cleveland
Do Not Pass Go Hammersmith Odeon, Londres Custom Strat Drowning Witch
Chalk Pie Terrace Ballroom, Salt Lake City, Utah Hendrix Strat Zoot Allures
In-A-Gadda-Stravinsky Civic Center, Atlanta, Georgie Custom Strat Let's Move To Cleveland
That's Not Really Reggae Hammersmith Odeon, Londres Custom Strat Whipping Post
When No One Was No One Sporthalle, Cologne, Allemagne Custom Strat Zoot Allures
Once Again, Without The Net Arlene Schnitzer Concert Hall, Porland, Oregon Custom Strat Let's Move To Cleveland
Outside Now (Original Solo) Rudi-Sedlmeyer Sporthalle, Munich, Allemagne Custom SG City Of Tiny Lights
Jim & Tammy's Upper Room La Patinoire, Bordeaux, France Les Paul Custom Advance Romance
Were We Ever Really Safe In San Antonio? Majestic Performing Arts Center, San Antonio, Texas Custom Strat Drowning Witch
That Ol'G Minor Thing Again Hallenstadion, Zurich, Suisse Custom Strat City Of Tiny Lights
Hotel Atlanta Incidentals Civic Center, Atlanta, Georgie Custom Strat Hot-Plate Heaven At The Green Hotel
That's Not Really A Shuffle Brondbyhallen, Copenhague, Danemark Les Paul Custom King Kong
Move It Or Park It Alte Oper, Frankfort, Allemagne Custom Strat The Black Page
Sunrise Redeemer Sunrise Musical Theatre, Sunrise, Floride Custom Strat Let's Move To Cleveland
Variations On Sinister #3 Oscar Mayer Theatre, Madison, Wisconsin Custom Strat Easy Meat
Orrin Hatch On Skis Sunrise Musical theater, Sunrise, Floride Custom Strat Ride My Face To Chicago
But Who Was Fulcanelli? Sporthalle, Cologne, Allemagne Custom Strat Drowning Witch
For Duane Civic Center, Atlanta, Georgie Custom Strat Whipping Post
GOA Bismarck Theater, Chicago, Illinois Custom Strat Let's Move To Cleveland
Winos Do Not March Orpheum Theater, Memphis, Tennessee Custom Strat Sharleena
Swans? What Swans? Fox Theater, San Diego, Californie Hendrix Strat Pound For A Brown
Too Ugly For Show Business Berkeley Community Theater Les Paul Custom King Kong
Systems Of Edges Rhein-Main-Halle, Wiesbaden, Allemagne Custom SG Inca Roads
Do Not Try This At Home Parco Redecesio, Milan, Italie Custom Strat The Black Page
Things That Look Like Meat Terrace Ballroom, Salt Lake CIty, Utah Les Paul Custom City Of TIny Lights
Watermelon In Easter Hay Jones Beach Theatre, Wantagh Custom Strat
Canadian Customs Queen Elizabeth Theater, Vancouver, Canada Custom Strat Let's Move To Cleveland
Is That All These Is? Philipshalle, Düsseldorf, Allemagne Custom Strat Let's Move To Cleveland
It Ain't Necessarily The Saint James Infirmary Stadio Communale, Pistoia, Italie Custom Strat Pound For A Brown
  • Production : Frank Zappa
  • Ingénierie : Mark Pinske, Klaus Wiedemann, Bob Stone
  • Direction musicale : Frank Zappa
  • Photos : Sergio Albonico
  • Graphismes : Jeff Fey