a community already strongly imbued with pantheistic notions; yet, at best, that creed could only appeal to the sympathies of a comparatively limited portion of the people. Indeed, the sacerdotal class themselves had made its universal acceptance an impossibility, seeing that their laws, by which the relations of the classes were to be regulated, aimed at permanently excluding the entire body of aboriginal tribes from the religious life of their Aryan masters. They were to be left for all time coming to their own traditional idolatrous notions and practices. However, the two races could not, in the nature of things, be permanently kept separate from each other. Indeed, even prior to the definite establishment of the caste-system, the mingling of the lower race with the upper classes, especially with the aristocratic landowners and still more so with the yeomanry, had probably been going on to such an extent as to have resulted in two fairly well-defined intermediate types of colour between the priestly order and the servile race and to have facilitated the ultimate division into four “colours” (varna). In course of time the process of intermingling, as we have seen, assumed such proportions that the priestly class, in their pride of blood, felt naturally tempted to recognize, as of old, only two “colours,” the Aryan Brahman and the non-Aryan Sudra. Under these conditions the religious practices of the lower race could hardly have failed in the long run to tell seriously upon the spiritual life of the lay body of the Brahmanical community. To what extent this may have been the case, our limited knowledge of the early phases of the sectarian worship of the people does not enable us to determine. But, on the other hand, the same process of racial intermixture also tended to gradually draw the lower race more or less under the influence of the Brahmanical forms of worship, and thus contributed towards the shaping of the religious system of modern Hinduism. The grossly idolatrous practices, however, still so largely prevalent in the Dravidian South, show how superficial, after all, that influence has been in those parts of India where the admixture of Aryan blood has been so slight as to have practically had no effect on the racial characteristics of the people. These present-day practices, and the attitude of the Brahman towards them, help at all events to explain the aversion with which the strange rites of the subjected tribes were looked upon by the worshippers of the Vedic pantheon. At the same time, in judging the apparently inhuman way in which the Sudras were treated in the caste rules, one has always to bear in mind the fact that the belief in metempsychosis was already universal at the time, and seemed to afford the only rational explanation of the apparent injustice involved in the unequal distribution of the good things in this world; and that, if the Sudra was strictly excluded from the religious rites and beliefs of the superior classes, this exclusion in no way involved the question of his ultimate emancipation and his union with the Infinite Spirit, which were as certain in his case as in that of any other sentient being. What it did make impossible for him was to attain that union immediately on the cessation of his present life, as he would first have to pass through higher and purer stages of mundane existence before reaching that goal; but in this respect he only shared the lot of all but a very few of the saintliest in the higher spheres of life, since the ordinary twice-born would be liable to sink, after his present life, to grades yet lower than that of the Sudra.
To what extent the changes, which the religious belief of the Aryan classes underwent in post-Vedic times, may have been due to aboriginal influences is a question not easily answered, though the later creeds offer only too many features in which one might feel inclined to suspect influences of that kind. The literary documents, both in Sanskrit and Pali, dating from about the time of Buddha onwards—particularly the two epic poems, the Mahabharata and Ramayana—still show us in the main the personnel of the old pantheon; but the character of the gods has changed; they have become anthropomorphized and almost purely mythological figures. A number of the chief gods, sometimes four, but generally eight of them, now appear as lokapalas or world-guardians, having definite quarters or intermediate quarters of the compass assigned to them as their special domains. One of them, Kubera, the god of wealth, is a new figure; whilst another, Varuna, the most spiritual and ethical of Vedic deities—the king of the gods and the universe; the nightly, star-spangled firmament—has become the Indian Neptune, the god of waters. Indra, their chief, is virtually a kind of superior raja, residing in svarga, and as such is on visiting terms with earthly kings, driving about in mid-air with his charioteer Matali. As might happen to any earth-lord, Indra is actually defeated in battle by the son of the demon-king of Lanka (Ceylon), and kept there a prisoner till ransomed by Brahma and the gods conferring immortality on his conqueror. A quaint figure in the pantheon of the heroic age is Hanuman, the deified chief of monkeys—probably meant to represent the aboriginal tribes of southern India—whose wonderful exploits as Rama’s ally on the expedition to Lanka Indian audiences will never weary of hearing recounted. The Gandharvas figure already in the Veda, either as a single divinity, or as a class of genii, conceived of as the body-guard of Soma and as connected with the moon. In the later Vedic times they are represented as being fond of, and dangerous to, women; the Apsaras, apparently originally water-nymphs, being closely associated with them. In the heroic age the Gandharvas have become the heavenly minstrels plying their art at Indra’s court, with the Apsaras as their wives or mistresses. These fair damsels play, however, yet another part, and one far from complimentary to the dignity of the gods. In the epics considerable merit is attached to a life of seclusion and ascetic practices by means of which man is considered capable of acquiring supernatural powers equal or even superior to those of the gods—a notion perhaps not unnaturally springing from the pantheistic conception. Now, in cases of danger being threatened to their own ascendancy by such practices, the gods as a rule proceed to employ the usually successful expedient of despatching some lovely nymph to lure the saintly men back to worldly pleasures. Seeing that the epic poems, as repeated by professional reciters, either in their original Sanskrit text, or in their vernacular versions, as well as dramatic compositions based on them, form to this day the chief source of intellectual enjoyment for most Hindus, the legendary matter contained in these heroic poems, however marvellous and incredible it may appear, still enters largely into the religious convictions of the people. “These popular recitals from the Ramayan are done into Gujarati in easy, flowing narrative verse . . . by Premanand, the sweetest of our bards. They are read out by an intelligent Brahman to a mixed audience of all classes and both sexes. It has a perceptible influence on the Hindu character. I believe the remarkable freedom from infidelity which is to be seen in most Hindu families, in spite of their strange gregarious habits, can be traced to that influence; and little wonder” (B. M. Malabari, Gujarat and the Gujaratis). Hence also the universal reverence paid to serpents (naga) since those early days; though whether it simply arose from the superstitious dread inspired by the insidious reptile so fatal to man in India, or whether the verbal coincidence with the name of the once-powerful non-Aryan tribe of Nagas had something to do with it must remain doubtful. Indian myth represents them as a race of demons sprung from Kadru, the wife of the sage Kasyapa, with a jewel in their heads which gives them their sparkling look; and inhabiting one of the seven beautiful worlds below the earth (and above the hells), where they are ruled over by three chiefs or kings, Sesha, Vasuki and Takshaka; their fair daughters often entering into matrimonial alliances with men, like the mermaids of western legend.
In addition to such essentially mythological conceptions, we meet in the religious life of this period with an element of more serious aspect in the two gods, on one or other of whom the religious fervour of the large majority of Hindus has ever since concentrated itself, viz. Vishnu and Siva. Both these divine figures have grown out of Vedic conceptions—the genial Vishnu mainly out of a not very prominent solar deity of the same name; whilst the stern Siva, i.e. the kind or gracious one—doubtless a euphemistic name—has his prototype in the old fierce
