User:Hyacinth/Accidentals
Appearance
Name | Letter | Nowiki | Ratio | Prime factors | Cents | Audio | Prime limit |
---|---|---|---|---|---|---|---|
Perfect unison | C | 1 : 1 | 1 : 1 | 0 | 2 | ||
Difference between 5:3 (A) and 53:32 (A![]() |
C![]() |
{{music|U53}} | 160 : 159 | 25·5 : 3·53 | 10.85 | 53 | |
Difference between 9/5 (Bb) and 29/16 (B![]() |
C![]() |
{{music|29}} | 145 : 144 | 5·29 : 24·32 | 11.98 | 29 | |
Difference between 4/3 (F) and 43/32 (F![]() |
C![]() |
{{music|43}} | 129 : 128 | 3·43 : 27 | 13.47 | 43 | |
Difference between 19/16 (E![]() |
C![]() |
{{music|U19}} | 96 : 95 | 25·3 : 5·19 | 18.13 | 19 | |
Difference between 5/3 (A) and 27/16 (A+), syntonic comma |
C+ | {{music|plus}} | 81 : 80 | 34 : 24·5 | 21.51 | 5 | |
Difference between 37/32 (D37#) and 75/64 (D#) | C![]() |
{{music|37U}} | 75 : 74 | 3·52 : 2·37 | 23.24 | 37 | |
Difference between 8/5 (A♭) and 13/8 (A![]() 65th harmonic |
C![]() |
{{music|13}} | 65 : 64 | 5·13 : 26 | 26.84 | 13 | |
Difference between 17/16 (C![]() |
C![]() |
{{music|17}} | 51 : 50 | 3·17 : 2·52 | 34.28 | 17 | |
Difference between 3/2 (G) and 47/32 (G![]() |
C![]() |
{{music|U47}} | 48 : 47 | 24·3 : 47 | 36.45 | 47 | |
Difference between 45/32 (F♯+) and 23/16 (F![]() |
C![]() |
{{music|23}} | 46 : 45 | 2·23 : 32·5 | 38.05 | 23 | |
Difference between 5/4 (E) and 41/32 (E![]() |
C![]() |
{{music|41}} | 41 : 40 | 41 : 23·5 | 42.75 | 41 | |
Difference between 7/4 (B7b) and 9/5 (Bb), septimal quarter tone |
C![]() |
{{music|L}} | 36 : 35 | 22·32 : 5·7 | 48.77 | 7 | |
Difference between 4/3 (F) and 11/8 (F↑), thirty-third harmonic |
C↑ | {{music|up}} | 33 : 32 | 3·11 : 25 | 53.27 | 11 | |
Difference between 31/16 (B![]() |
C![]() |
{{music|31}} | 31 : 30 | 31 : 2·3·5 | 56.77 | 31 | |
Difference between 3/2 (G) and 25/16 (G#), just chromatic semitone |
C♯ | {{music|#}} | 25 : 24 | 52 : 23·3 | 70.67 | 5 |
- PRIME #S: 2, 3, 5, 7, 11, 13, 17, 19, 23, 29, 31, 37, 41, 43, 47, 53, 59, 61, 67, 71, ...
- All ratios appear to be superparticular intervals which are the difference between a harmonic and a just interval (the difference between B
♭ and B♭, 36:35).