Talk:Korean Wave

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Korea High‑importance

	This article is within the scope of WikiProject Korea, a collaborative effort to build and improve articles related to Korea. All interested editors are invited to join the project and contribute to the discussion. For instructions on how use this banner, please refer to the documentation.KoreaWikipedia:WikiProject KoreaTemplate:WikiProject KoreaKorea-related
High	This article has been rated as High-importance on the project's importance scale.
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Pop music Mid‑importance

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Mid	This article has been rated as Mid-importance on the project's importance scale.

Television Low‑importance

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International relations Mid‑importance

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On 2 March 2023, it was proposed that this article be moved from Korean wave to Korean Wave. The result of the discussion was moved.

Reference ideas for Korean Wave

The following references may be useful when improving this article in the future:

Virtual Hallyu: Korean Cinema of the Global Era (2011)
The Korean Wave: Korean Media Go Global (2013)
The Korean Wave: Korean Popular Culture in Global Context (2014)
Asian American Society: An Encyclopedia (2014)
Hallyu 2.0: The Korean Wave in the Age of Social Media (2015)
K-Pop: Popular Music, Cultural Amnesia, and Economic Innovation in South Korea (2015)
New Korean Wave: Transnational Cultural Power in the Age of Social Media (2016)
Fuhr, Michael Globalization and Popular Music in South Korea (2016)
Routledge Handbook of East Asian Popular Culture (2016)
The Korean Wave and Korean Dramas (2018)
Seoul: Memory, Reinvention, and the Korean Wave (2018)
Cultural Policy in South Korea: Making a New Patron State (2018)
Soul in Seoul: African American Popular Music and K-pop (2020)
The Soft Power of the Korean Wave: Parasite, BTS and Drama (2021)
In the Shadow of the Korean Wave: The Political Factors of the Korean Wave in China (2021)
Hegemonic Mimicry: Korean Popular Culture of the Twenty-First Century (2021)
Diasporic Hallyu: The Korean Wave in Korean Canadian Youth Culture (2022)
Korean Wave in World Englishes: The Linguistic Impact of Korea's Popular Culture (2022)
Korean Wave Tourism (2022)

Section sizes

Section size for Korean Wave (38 sections)
Section name	Byte count	Section total
(Top)	3,086	3,086
Etymology	3,339	3,339
Background	4,211	4,211
First generation	977	16,123
Television in the first generation	8,346	8,346
Film in the first generation	4,457	4,457
Music in the first generation	2,343	2,343
Second generation	6,523	23,647
Government policy	1,357	1,357
The Internet	1,419	1,419
Music in the second generation	5,003	5,003
Television in the second generation	4,005	4,005
Film in the second generation	1,406	1,406
Manhwa	3,934	3,934
Popularity and impact	194	15,988
Sociocultural	4,131	4,131
Economic	3,720	3,720
Relations with North Korea	7,943	7,943
Tourism	3,023	5,806
Impact of Hallyu on South Korean Tourism	2,783	2,783
Foreign relations	9,114	27,181
Taiwan	1,314	1,314
India	1,524	1,524
Japan	1,864	1,864
China	5,364	5,364
Middle East and North Africa	2,260	8,001
Egypt	833	833
Iran	2,816	2,816
Israel and Palestine	2,092	2,092
Criticism	2,394	12,704
Mistreatment of artists	4,571	4,571
Historical accuracy	794	794
Cultural and moral opposition	3,832	3,832
Japan	1,113	1,113
See also	925	925
Citations	34	34
References	10,127	10,127
External links	1,373	1,373
Total	124,544	124,544

Cultural appropriation/Criticism section

I've removed the additions originating from this edit, from IP user @2405:201:E021:4B8C:D988:17B5:E0B3:760C, as I don't think it's relevant for an article on the Korean Wave. These are individual controversies of individual K-pop groups or television programs and not something to do with the phenomenon itself. Bringing it up here in case anyone disagrees, and because I think these are important pieces of information to have on Wikipedia, just not this article. I previously rephrased the section, but it really needs to be moved to a more appropriate Wikipedia page. :3 F4U (they/it) 13:41, 22 March 2023 (UTC)[reply]

"Hallyu" capitalized?

As title. My guess is yes, given that we title case "Korean Wave"? toobigtokale (talk) 00:30, 19 August 2023 (UTC)[reply]

Also is it italicized as per MOS:FOREIGNITALIC? Not sure toobigtokale (talk) 00:32, 19 August 2023 (UTC)[reply]

Manhwa

Hi, I plan to add more information to the Manhwa section. I will explain a bit about the history of Manhwa, the difference between webtoons and Manhwa and then maybe explain why Manhwa has just now become more popular outside of South Korea unlike the other elements of the Korean wave. Here are some sources that I found that I am thinking of using:

Berndt, Jaqueline, and Bettina Kümmerling-Meibauer. “Manhwa in Korea (Re-)Nationalizing Comics Culture .” Manga’s Cultural Crossroads, Routledge/Taylor & Francis Group, New York, 2013.

Lent, John A.. Asian Comics, University Press of Mississippi, 2015. ProQuest Ebook Central, https://ebookcentral.proquest.com/lib/utah/detail.action?docID=3039935.

Lynn, Hyung-Gu. "Korean Webtoons: Explaining Growth." 韓国研究センター年報 16 (2016): 1-13. Web.

Parc, Jimmyn, et al. “The Lagged Development of the Korean Manhwa Industry from 1910 to The ...” Semantic Scholar , 2023, ecipe.org/wp-content/uploads/2023/07/Parc.-Park-and-Kim-2023-Manhwa-Industry.pdf. Noarod4 (talk) 21:48, 27 October 2023 (UTC)[reply]

Semi-protected edit request on 7 November 2024

This edit request has been answered. Set the |answered= or |ans= parameter to no to reactivate your request.

I have noticed that the hallyu/korean wave is only credited to BTS, but BLACKPINK, a mega group has not been mentioned alongside their name. BLACKPINK has immensely contributed to the Korean economy, and I suggest you do give credit where it is due. They have over 6 videos surpassing 1 billion views on youtube and has racked 14B streams on spotify. Please consider my request. Kiliniliba12 (talk) 03:34, 7 November 2024 (UTC)[reply]

I don't see any reliable sources proving their importance, and that makes sense given their start in 2016, which is rather late for the second hallyu. Drmies (talk) 03:38, 7 November 2024 (UTC)[reply]