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1921 (1988 film)

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1921
Directed byI. V. Sasi
Written byT. Damodaran
Screenplay byT. Damodaran
Story byT. Damodaran
Produced byMuhammed Mannil
StarringMammootty
Madhu
Suresh Gopi
T. G. Ravi
Seema
Urvashi
CinematographyV. Jayaram
Edited byK. Narayanan
Music byShyam
Production
company
Mannil Films
Distributed byMannil Films
Release date
  • 19 August 1988 (1988-08-19)
Running time
170 minutes
CountryIndia
LanguageMalayalam
Budget₹1.2 crore[1]
Box officeest. ₹2 crore[1]

1921 (read as Ayirathi Thollayirathi Irupathi Onnu) is a 1988 Indian Malayalam-language war film written by T. Damodaran and directed by I. V. Sasi. The film has an ensemble cast including Mammootty, Madhu, Suresh Gopi, T. G. Ravi, Seema, Urvashi and Mukesh.[2][3] Set during the 1921–22 Mappila Uprising in Madras Presidency, it tells the fictional story of Khader, a World War I veteran, who joins with the Mappila rebels during the Uprising.[4]

Made with a budget of Rs. 12.0 million, 1921 was then, the most expensive film in Malayalam.[5][1] The film was released in Kerala on 19 August 1988 during Onam festival.[6][7] The film won Kerala State Film Award for Best Film with Popular Appeal and Aesthetic Value.[8][9]

Plot

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The film focuses on Mappila bullock cart driver Khader, a retired corporal and World War 1 veteran, and Unni Krishnan, a hardline nationalist revolutionary from a family of upper-caste Hindu Nair landlords. Both men join the brigade of Variyan Kunnathu Kunjahammed Haji, one of the prominent leaders of the 1921 Malabar rebellion.

The plot gradually introduces a variety of characters, representing the South Malabar society of the 1920s. The film also touches various social dilemmas which led to the 1921 Uprising, the atrocities committed by the British Indian army and the rebels during the events and the eventual collapse of the rebel unity and organization.

Cast

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Production

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Director I. V. Sasi

Development

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The screenplay was written by physical education teacher-turned-scriptwriter T. Damodaran. Damodaran had particular focus on writing political dramas, and had collaborated with Sasi in several successful films previously.[10] The film was produced by Muhammed Mannil. Peter Narakkal was the Production Executive. The film's budget was ₹12 million (US$140,000).[11][1] T. Damodaran called the film his "dream project".[6] Ranjini was approached by Sasi for a role, but due to date clashes she could not sign the film.[12] T. Damodaran in an interview with India Today in 1988 said that: "A few years back history could have been told as it was in Malayalam cinema but today I have to weave an actual incident in masala form with a larger than life character for the sake of Mammootty."[1]

Crew

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Anil worked as the associate director for the film. Jomon, M. A. Venugopal and Shajoon Kariyal were the assistant directors while M. Sankar oversaw "Action", K. Narayanan was the editor, V. Jayaram was the cinematographer. Sasi "T. V." Mohan was the Production Designer while I. V. Satheesh Babu was the Art director. The set was done by B. R. Rangan and Narayanan. M. O. Devasia did the Makeup, M. M. Kumar was the costumer. Recording and re-recording were carried out by Selvaraj. G. Rajan.[11]

Release

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The film was publicised by "Gayathri" and was distributed by Mannil Films.[11]

Critical response

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"The top dream merchants of the industry see to it that the characters are created according to the diktats of these superstars [Mammootty and Mohanlal]...even history has been tinged with an overdose of fantasy to suit the image of Mammootty [in the film 1921]," film critic Sreedhar Pillai wrote in India Today.[1]

"1921 was shot on a wide canvas with hundreds of actors and required to be dealt with sensitively considering the communal passions that the event evinces in Malabar", wrote the Times of India in 2017.[13] In a 2017 The Times of India article, it was written that 1921 "perhaps, remain his [Sasi's] best cinematic work".[13]

"It [the film] deals with a contentious chapter of our [Indian] Independence struggle, but does it in grand style and high drama. It is also one film that does justice to history. Its representation of the region [South Malabar], the milieu and the historic incident [1921 Uprising] became all the more politically relevant and socially resonant in the next decades [1990s and 2000s] when the [Malayalam] movie images of minorities [Muslims] became biased and parochial.", wrote C. S. Venkiteswaran in The Hindu in 2017.[14]

Box office

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The film was a commercial success[15][16][17] and collected over ₹ 2 crore from the box office and emerged one of the top grossers of the year.[18][19] However, the film was not very profitable for the producers of the film due to its high production costs.[1][20]

Accolades

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The film won:

Soundtrack

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The soundtrack was composed by Shyam. The lyrics of the songs in the film were adapted from folklore Malayalam poems by poets such as Moyinkutty Vaidyar (19th century). Independent India's "national song" Vande Mataram, written by Bengali poet Bankim Chandra Chatterjee (1838–1894), is also featured in the film with vocals by K. S. Chithra. Other "playback singers" are Naushad and Vilayil Faseela.

Song Playback singer Lyrics
"Manathu Maaran" Noushad Moyinkutty Vaidyar
"Dheerasameere Yamunatheere" K. S. Chithra traditional poem
"Muthunava Rathnamukham" Noushad Moyinkutty Vaidyar
"Firdausil Adukkumpol" Noushad and Vilayil Fazila P. Abdul Khader
"Vande Mataram" (Sanskrit) K. S. Chithra Bankim Chandra Chatterjee

References

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  1. ^ a b c d e f g Pillai, Sridhar (31 December 1988). "Celluloid Sultans of Kerala". India Today. Archived from the original on 22 June 2020.
  2. ^ "1921 (1988)". Malayala Chalachithram. malayalachalachithram.com. Archived from the original on 22 June 2020. Retrieved 24 October 2014.
  3. ^ "Nineteen Twenty One". Spicy Onion. Archived from the original on 24 October 2014. Retrieved 24 October 2014.
  4. ^ "1921 (1988)". Malayala Sangeetham. Archived from the original on 22 June 2020. Retrieved 24 October 2014.
  5. ^ "Scriptwriter T Damodaran passes away". Mathrubhumi. 28 March 2012. Archived from the original on 30 March 2012. Retrieved 26 August 2018.
  6. ^ a b "T Damodaran cremated with state honours". Mathrubhumi. Kozhikode. 28 March 2012. Archived from the original on 28 January 2013.
  7. ^ "Mammootty – IV Sasi – Damodaran together again". The New Indian Express. 23 April 2010. Archived from the original on 13 October 2018.
  8. ^ a b "List of Malayalam Films (1988)". Public Relations Department, Government of Kerala. Archived from the original on 2 October 2008. Retrieved 27 July 2009.
  9. ^ "Movie project on 1921 Malabar rebellion hero sparks row". outlookindia.com/.
  10. ^ P. K. Ajith Kumar. "Malayalam scriptwriter Damodaran dead". [1] The Hindu 28 March 2012 [2]
  11. ^ a b c 1921. Directed by I. V. Sasi, Mannil Films, 1988. YouTube, uploaded by Saina Movies, 28 March 2018, https://www.youtube.com/watch?v=ZnrHrjp01bA.
  12. ^ "Remembering the legend". Deccan Chronicle. 25 October 2017. Archived from the original on 13 October 2018.
  13. ^ a b Kattakayam, Jiby J. (25 October 2017). "How Kerala will remember IV Sasi's films". Times of India. Archived from the original on 22 June 2020. Retrieved 13 October 2018.
  14. ^ Venkiteswaran, C. S. (26 October 2017). "The End of an Epoch". The Hindu. Archived from the original on 13 October 2018.
  15. ^ "Scriptwriter T Damodaran passes away". Mathrubhumi. 28 March 2012. Archived from the original on 30 March 2012. Retrieved 26 August 2018.
  16. ^ "Mammootty - IV Sasi - Damodaran together again". The New Indian Express. 23 April 2010. Archived from the original on 7 December 2017.
  17. ^ C S Venkiteswaran (8 November 2017). "Trendsetting titan". The Hindu.
  18. ^ "Aashiq-Prithvi team's 'Variamkunnan' caught in 'historic' muddle". The New Indian Express. 22 June 2020.
  19. ^ CV Aravind (28 October 2017). "IV Sasi: Remembering the director who gave us superstars Mammootty and Mohanlal". The News Minute.
  20. ^ "1921 Malabar rebellion once again set to stir Malayalam cinema". Mathrubhumi. 23 June 2020.
  21. ^ "Vidura". 1989.
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