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David studied Spanish and Portuguese literature, [[linguistics]] and [[art history]] at the [[Sorbonne University|Université de la Sorbonne]] and the [[École du Louvre]] in Paris. From 1981 to 1990 she was a curator at the National Museum of Modern Art (Musée National d’Art Moderne), Centre Pompidou, Paris.<ref>{{cite web|url=http://universes-in-universe.de/doc/e_david.htm | title=Catherine David-biographical data, Universe-in-Universe | publisher= universes-in-universe.de | accessdate=2014-09-04}}</ref> From 1990 to 1994 she moved to the National Gallery of the Jeu de Paume ([[Galerie Nationale du Jeu de Paume]]), also in Paris, where she organized several solo and group exhibitions including: "Reinhard Mucha, Passages de l’image"; "[[Stan Douglas]]: Monodramas and Television Spots"; "[[Marcel Broodthaers]]"; "[[Hélio Oiticica]]"; "[[Eva Hesse]]"; "[[Jeff Wall]] and [[Chantal Ackerman]]: D’Est", among others.<ref>{{cite web|url=http://www.nytimes.com/1991/07/02/arts/a-paris-museum-reopens-in-a-new-guise.html | title= Kimmelman, Michael, 'A Paris Museum Reopens in a New Guise' New York Times, July 2, 1991 | publisher=nytimes.com | accessdate=2014-09-04}}</ref>
David studied Spanish and Portuguese literature, [[linguistics]] and [[art history]] at the [[Sorbonne University|Université de la Sorbonne]] and the [[École du Louvre]] in Paris. From 1981 to 1990 she was a curator at the National Museum of Modern Art (Musée National d’Art Moderne), Centre Pompidou, Paris.<ref>{{cite web|url=http://universes-in-universe.de/doc/e_david.htm | title=Catherine David-biographical data, Universe-in-Universe | publisher= universes-in-universe.de | accessdate=2014-09-04}}</ref> From 1990 to 1994 she moved to the National Gallery of the Jeu de Paume ([[Galerie Nationale du Jeu de Paume]]), also in Paris, where she organized several solo and group exhibitions including: "Reinhard Mucha, Passages de l’image"; "[[Stan Douglas]]: Monodramas and Television Spots"; "[[Marcel Broodthaers]]"; "[[Hélio Oiticica]]"; "[[Eva Hesse]]"; "[[Jeff Wall]] and [[Chantal Ackerman]]: D’Est", among others.<ref>{{cite web|url=http://www.nytimes.com/1991/07/02/arts/a-paris-museum-reopens-in-a-new-guise.html | title= Kimmelman, Michael, 'A Paris Museum Reopens in a New Guise' New York Times, July 2, 1991 | publisher=nytimes.com | accessdate=2014-09-04}}</ref>


In 1994 David was appointed artistic director of documenta X in Kassel, staged in the summer of 1997.<ref>{{cite web|url=http://www.nytimes.com/1994/03/17/arts/2-top-art-shows-select-french-directors.html | title=Smith, Roberta, '2 Top Art Shows Select French Directors,' New York Times, March 17, 1994 | publisher=nytimes.com | accessdate=2014-09-04}}</ref> She made headlines in the international art world with her original approach to documenta, where she brought her cross-sector discipline to the exhibition, inviting writers, sociologists and architects, as well as artists, to speak over the 100 day exhibition.<ref>{{cite web|url=http://www.nytimes.com/1997/03/16/travel/a-taste-of-the-zeitgeist.html | title=Cotter, Holland, 'A Taste of The Zeitgeist,' New York Times, March 16, 1997 | publisher= nytimes.com | accessdate=2014-09-04}}</ref> In 1999 she went on to curate the film and video program of the XXIV Biennial of São Paulo. The following year she organized "The State of Things" for the KW Institute for Contemporary Art, [[Berlin]]. In 2002 she took over as Director of the [[Witte de With]] Center for Contemporary Art in [[Rotterdam]] where she remained until 2004.<ref>{{cite web|url=http://artdaily.com/news/12068/Curator-Catherine-David-Leaves-Witte-de-With#.VAf7Hkhifww | title='Curator Catherine David leaves Witte de With,' Artdaily | publisher= artdaily.com | accessdate=2014-09-04}}</ref> Over several years David was chief curator of the Musées de France (French Museum Board). She was also artistic director of the 2009 Lyon Biennale.<ref>{{cite web|url=http://www.flashartonline.com/interno.php?pagina=news_det&id=245&det=ok&title=Catherine-David-to-curate-Lyon-2009 | title='Catherine David to curate Lyon 2009,' Flash Art | publisher=flashartonline.com | accessdate=2014-09-04}}</ref><ref>{{cite web|url=http://www.e-flux.com/announcements/catherine-david-as-curator-for-2009/ | title='Catherine David as Curator for 2009,' e-flux, October 1, 2009 | publisher= e-flux.com | accessdate=2014-09-04}}</ref>
In 1994 David was appointed artistic director of documenta X in Kassel, staged in the summer of 1997.<ref>{{cite web|url=http://www.nytimes.com/1994/03/17/arts/2-top-art-shows-select-french-directors.html | title=Smith, Roberta, '2 Top Art Shows Select French Directors,' New York Times, March 17, 1994 | publisher=nytimes.com | accessdate=2014-09-04}}</ref> She made headlines in the international art world with her original approach to documenta, where she brought her cross-sector discipline to the exhibition, inviting writers, sociologists and architects, as well as artists, to speak over the 100 day exhibition.<ref>{{cite web|url=http://www.nytimes.com/1997/03/16/travel/a-taste-of-the-zeitgeist.html | title=Cotter, Holland, 'A Taste of The Zeitgeist,' New York Times, March 16, 1997 | publisher= nytimes.com | accessdate=2014-09-04}}</ref>. For the first time a website was conceived as a part of the exhibition, curate by the artist and swiss curator [[Simon Lamunière]]. In 1999 she went on to curate the film and video program of the XXIV Biennial of São Paulo. The following year she organized "The State of Things" for the KW Institute for Contemporary Art, [[Berlin]]. In 2002 she took over as Director of the [[Witte de With]] Center for Contemporary Art in [[Rotterdam]] where she remained until 2004.<ref>{{cite web|url=http://artdaily.com/news/12068/Curator-Catherine-David-Leaves-Witte-de-With#.VAf7Hkhifww | title='Curator Catherine David leaves Witte de With,' Artdaily | publisher= artdaily.com | accessdate=2014-09-04}}</ref> Over several years David was chief curator of the Musées de France (French Museum Board). She was also artistic director of the 2009 Lyon Biennale.<ref>{{cite web|url=http://www.flashartonline.com/interno.php?pagina=news_det&id=245&det=ok&title=Catherine-David-to-curate-Lyon-2009 | title='Catherine David to curate Lyon 2009,' Flash Art | publisher=flashartonline.com | accessdate=2014-09-04}}</ref><ref>{{cite web|url=http://www.e-flux.com/announcements/catherine-david-as-curator-for-2009/ | title='Catherine David as Curator for 2009,' e-flux, October 1, 2009 | publisher= e-flux.com | accessdate=2014-09-04}}</ref>


Turning her focus to the Middle East, David became Director of the long-term project "Contemporary Arab Representations" (Représentations Arabes Contemporains ) in 1998, an initiative presenting contemporary Middle East and Arab artists, first shown at the [[Fundació Antoni Tàpies]] in [[Barcelona]].<ref>{{cite web|url=http://www.e-flux.com/announcements/contemporary-arab-representations-the-iraqui-equation/ | title='Contemporary Arab Representations. The Iraqui Equation,' Fundació Antoni Tàpies, April 25,2006 | publisher= e-flux.com | accessdate=2014-09-04}}</ref><ref>{{cite web|url=http://www.theguardian.com/artanddesign/2003/jun/17/artsfeatures | title=Searle, Adrian, 'Stop the racket,' The Guardian, June 17, 2003 | publisher= theguardian.com | accessdate=2014-09-04}}</ref> In 2006, she staged the exhibition "The Iraqi Equation" in Berlin and Barcelona.<ref>{{cite web|url=http://www.kw-berlin.de/en/exhibitions/contemporary_arab_representations_the_iraqi_equation_108 | title='Contemporary Arab Representations. The Arab Equation.' KW Berlin | publisher= kw-berlin.de | accessdate=2014-09-04}}</ref> In December 2007, she curated "DI / VISIONS. Culture and politics in the Middle East" at the [[Haus der Kulturen der Welt]] in Berlin, which aimed to break down the Western stereotype of Arab culture. In 2009 she organized a retrospective in honor of the Iranian photographer [[Bahman Jalali]], again at the Fundació Antoni Tàpies, Barcelona<ref>{{cite web|url=http://www.fundaciotapies.org/site/IMG/pdf/ddp_ang-2.pdf | title= 'Bahman Jalali,' 28 September-9 December, 2007, Fundació Antoni Tàpies | publisher= fundaciotapies.org | accessdate=2014-09-04}}</ref> and was artistic director of the first national presentation of the [[ADACH]] (Abu Dhabi Authority for Culture and Heritage) at the [[Venice Biennale]].<ref>{{cite web|url=http://www.theguardian.com/artanddesign/2009/jun/04/venice-biennale-united-arab-emirates | title=Higgins, Charlotte, 'United Arab Emerites confronts stereotypes in Venice Biennale debut,' The Guardian, June 4, 2009 | publisher= theguardian.com | accessdate=2014-09-04}}</ref> In March 2011 she organized [[Hassan Sharif]]'s exhibition "Experiments & Objects 1979-2011" at the ADACH Exhibition hall in [[Abu Dhabi]] and launched the first monographic publication of the artist in Venice Biennale 2011.<ref>{{cite web|url= http://universes-in-universe.org/eng/nafas/articles/2011/hassan_sharif_abu_dhabi | title='Hassan Sharif, Experiments & Objects 1979-2011,' April 2011 | publisher= universes-in-universe.org | accessdate=2014-09-04}}</ref>
Turning her focus to the Middle East, David became Director of the long-term project "Contemporary Arab Representations" (Représentations Arabes Contemporains ) in 1998, an initiative presenting contemporary Middle East and Arab artists, first shown at the [[Fundació Antoni Tàpies]] in [[Barcelona]].<ref>{{cite web|url=http://www.e-flux.com/announcements/contemporary-arab-representations-the-iraqui-equation/ | title='Contemporary Arab Representations. The Iraqui Equation,' Fundació Antoni Tàpies, April 25,2006 | publisher= e-flux.com | accessdate=2014-09-04}}</ref><ref>{{cite web|url=http://www.theguardian.com/artanddesign/2003/jun/17/artsfeatures | title=Searle, Adrian, 'Stop the racket,' The Guardian, June 17, 2003 | publisher= theguardian.com | accessdate=2014-09-04}}</ref> In 2006, she staged the exhibition "The Iraqi Equation" in Berlin and Barcelona.<ref>{{cite web|url=http://www.kw-berlin.de/en/exhibitions/contemporary_arab_representations_the_iraqi_equation_108 | title='Contemporary Arab Representations. The Arab Equation.' KW Berlin | publisher= kw-berlin.de | accessdate=2014-09-04}}</ref> In December 2007, she curated "DI / VISIONS. Culture and politics in the Middle East" at the [[Haus der Kulturen der Welt]] in Berlin, which aimed to break down the Western stereotype of Arab culture. In 2009 she organized a retrospective in honor of the Iranian photographer [[Bahman Jalali]], again at the Fundació Antoni Tàpies, Barcelona<ref>{{cite web|url=http://www.fundaciotapies.org/site/IMG/pdf/ddp_ang-2.pdf | title= 'Bahman Jalali,' 28 September-9 December, 2007, Fundació Antoni Tàpies | publisher= fundaciotapies.org | accessdate=2014-09-04}}</ref> and was artistic director of the first national presentation of the [[ADACH]] (Abu Dhabi Authority for Culture and Heritage) at the [[Venice Biennale]].<ref>{{cite web|url=http://www.theguardian.com/artanddesign/2009/jun/04/venice-biennale-united-arab-emirates | title=Higgins, Charlotte, 'United Arab Emerites confronts stereotypes in Venice Biennale debut,' The Guardian, June 4, 2009 | publisher= theguardian.com | accessdate=2014-09-04}}</ref> In March 2011 she organized [[Hassan Sharif]]'s exhibition "Experiments & Objects 1979-2011" at the ADACH Exhibition hall in [[Abu Dhabi]] and launched the first monographic publication of the artist in Venice Biennale 2011.<ref>{{cite web|url= http://universes-in-universe.org/eng/nafas/articles/2011/hassan_sharif_abu_dhabi | title='Hassan Sharif, Experiments & Objects 1979-2011,' April 2011 | publisher= universes-in-universe.org | accessdate=2014-09-04}}</ref>

Revision as of 15:19, 5 March 2015

Catherine David
Born1954
Paris
NationalityFrench
Alma materUniversité de la Sorbonne, École du Louvre
Occupation(s)curator, art historian, museum director

Catherine David (born 1954) is a French art historian, curator and museum director. David was the first woman and the first non-German speaker to curate documenta X in Kassel, Germany (June 21 – September 28, 1997).[1] David is currently deputy director of the National Museum of Modern Art (Musée National d'Art Moderne) at the Centre Georges Pompidou.[2] She was born and lives in Paris.

Education and work

David studied Spanish and Portuguese literature, linguistics and art history at the Université de la Sorbonne and the École du Louvre in Paris. From 1981 to 1990 she was a curator at the National Museum of Modern Art (Musée National d’Art Moderne), Centre Pompidou, Paris.[3] From 1990 to 1994 she moved to the National Gallery of the Jeu de Paume (Galerie Nationale du Jeu de Paume), also in Paris, where she organized several solo and group exhibitions including: "Reinhard Mucha, Passages de l’image"; "Stan Douglas: Monodramas and Television Spots"; "Marcel Broodthaers"; "Hélio Oiticica"; "Eva Hesse"; "Jeff Wall and Chantal Ackerman: D’Est", among others.[4]

In 1994 David was appointed artistic director of documenta X in Kassel, staged in the summer of 1997.[5] She made headlines in the international art world with her original approach to documenta, where she brought her cross-sector discipline to the exhibition, inviting writers, sociologists and architects, as well as artists, to speak over the 100 day exhibition.[6]. For the first time a website was conceived as a part of the exhibition, curate by the artist and swiss curator Simon Lamunière. In 1999 she went on to curate the film and video program of the XXIV Biennial of São Paulo. The following year she organized "The State of Things" for the KW Institute for Contemporary Art, Berlin. In 2002 she took over as Director of the Witte de With Center for Contemporary Art in Rotterdam where she remained until 2004.[7] Over several years David was chief curator of the Musées de France (French Museum Board). She was also artistic director of the 2009 Lyon Biennale.[8][9]

Turning her focus to the Middle East, David became Director of the long-term project "Contemporary Arab Representations" (Représentations Arabes Contemporains ) in 1998, an initiative presenting contemporary Middle East and Arab artists, first shown at the Fundació Antoni Tàpies in Barcelona.[10][11] In 2006, she staged the exhibition "The Iraqi Equation" in Berlin and Barcelona.[12] In December 2007, she curated "DI / VISIONS. Culture and politics in the Middle East" at the Haus der Kulturen der Welt in Berlin, which aimed to break down the Western stereotype of Arab culture. In 2009 she organized a retrospective in honor of the Iranian photographer Bahman Jalali, again at the Fundació Antoni Tàpies, Barcelona[13] and was artistic director of the first national presentation of the ADACH (Abu Dhabi Authority for Culture and Heritage) at the Venice Biennale.[14] In March 2011 she organized Hassan Sharif's exhibition "Experiments & Objects 1979-2011" at the ADACH Exhibition hall in Abu Dhabi and launched the first monographic publication of the artist in Venice Biennale 2011.[15]

In 2014 David curated "UNEDITED HISTORY, Iran 1960-2014" at the Musée d’Art Moderne de la Ville de Paris.[16] Earlier in the year it was announced that David would be returning to Centre Pompidou with her appointment as the deputy director and head of global outreach for the National Museum of Modern Art (Musée National d’Art Moderne), replacing Catherine Grenier.[17]

References

  1. ^ "Kimmelman, Michael, 'Suddenly I have Hundreds of Friends,' New York Times, August 14, 1994". nytimes.com. Retrieved 2014-09-04.
  2. ^ "'Pompidou Nabs Catherine David as Deputy Director of the Musée National d'Art Moderne,' artinfo, January 23, 2014". artinfo.com. Retrieved 2014-09-04.
  3. ^ "Catherine David-biographical data, Universe-in-Universe". universes-in-universe.de. Retrieved 2014-09-04.
  4. ^ "Kimmelman, Michael, 'A Paris Museum Reopens in a New Guise' New York Times, July 2, 1991". nytimes.com. Retrieved 2014-09-04.
  5. ^ "Smith, Roberta, '2 Top Art Shows Select French Directors,' New York Times, March 17, 1994". nytimes.com. Retrieved 2014-09-04.
  6. ^ "Cotter, Holland, 'A Taste of The Zeitgeist,' New York Times, March 16, 1997". nytimes.com. Retrieved 2014-09-04.
  7. ^ "'Curator Catherine David leaves Witte de With,' Artdaily". artdaily.com. Retrieved 2014-09-04.
  8. ^ "'Catherine David to curate Lyon 2009,' Flash Art". flashartonline.com. Retrieved 2014-09-04.
  9. ^ "'Catherine David as Curator for 2009,' e-flux, October 1, 2009". e-flux.com. Retrieved 2014-09-04.
  10. ^ "'Contemporary Arab Representations. The Iraqui Equation,' Fundació Antoni Tàpies, April 25,2006". e-flux.com. Retrieved 2014-09-04.
  11. ^ "Searle, Adrian, 'Stop the racket,' The Guardian, June 17, 2003". theguardian.com. Retrieved 2014-09-04.
  12. ^ "'Contemporary Arab Representations. The Arab Equation.' KW Berlin". kw-berlin.de. Retrieved 2014-09-04.
  13. ^ "'Bahman Jalali,' 28 September-9 December, 2007, Fundació Antoni Tàpies" (PDF). fundaciotapies.org. Retrieved 2014-09-04.
  14. ^ "Higgins, Charlotte, 'United Arab Emerites confronts stereotypes in Venice Biennale debut,' The Guardian, June 4, 2009". theguardian.com. Retrieved 2014-09-04.
  15. ^ "'Hassan Sharif, Experiments & Objects 1979-2011,' April 2011". universes-in-universe.org. Retrieved 2014-09-04.
  16. ^ "'Unedited History, Iran 1960-2014,' Musée d'Art Moderne de la Ville de Paris". mam.paris.fr. Retrieved 2014-09-04.
  17. ^ "Lequeux, Emmanuel, 'Catherine David nommée directrice adjointe du Musée national d'art moderne,' Le Monde, January 22, 2014". lemonde.fr. Retrieved 2014-09-04.
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