The conductor Otto Klemperer made many recordings. The first table, below, shows his recordings from his first, in 1924, to 1954, the year in which he first recorded with the Philharmonia, which played on most of his subsequent recordings until his retirement in 1972.
1924 to 1954
editComposer | Work | Orchestra | Soloists/choir | Year | Venue | Studio/live |
---|---|---|---|---|---|---|
Bruckner | Symphony No. 8 in C minor: Adagio | Staatskapelle Berlin | 1924 | Berlin | Studio | |
Beethoven | Symphony No. 1 in C Op. 21 | Staatskapelle Berlin | 1924 | Berlin | Studio | |
Beethoven | Symphony No. 8 in F Op. 93 | Staatskapelle Berlin | 1924 | Berlin | Studio | |
Schubert | Symphony No. 8 in B minor D. 759 "Unfinished" | Staatskapelle Berlin | 1924 | Berlin | Studio | |
Beethoven | Symphony No. 8 in F Op. 93 | Staatskapelle Berlin | 1926 | Berlin | Studio | |
Debussy | Nocturnes "Nuages" & "Fêtes" | Staatskapelle Berlin | 1926 | Berlin | Studio | |
Ravel | Alborada del gracioso | Staatskapelle Berlin | 1926 | Berlin | Studio | |
Beethoven | Coriolan Overture Op. 62 | Staatskapelle Berlin | 1927 | Berlin | Studio | |
Beethoven | Egmont Overture Op. 84 | Staatskapelle Berlin | 1927 | Berlin | Studio | |
Beethoven | Leonore Overture No. 3 | Staatskapelle Berlin | 1927 | Berlin | Studio | |
Mendelssohn | A Midsummer Night’s Dream Overture, Op. 21 | Staatskapelle Berlin | 1927 | Berlin | Studio | |
Wagner | Siegfried Idyll (original version for 13 instruments) | Staatskapelle Berlin | 1927 | Berlin | Studio | |
Weber | Euryanthe Overture | Staatskapelle Berlin | 1927 | Berlin | Studio | |
Brahms | Academic Festival Overture Op. 80 | Staatsoper Berlin | 1927 | Berlin | Studio | |
Wagner | Tristan und Isolde Act 1 Prelude | Staatsoper Berlin | 1927 | Berlin | Studio | |
Brahms | Symphony No. 1 in C minor Op. 68 | Staatskapelle Berlin | 1927 | Berlin | Studio | |
Strauss, R. | Salome Salome's Dance | Staatsoper Berlin | 1928 | Berlin | Studio | |
Auber | Fra Diavolo Overture | Staatskapelle Berlin | 1929 | Berlin | Studio | |
Offenbach | La Belle Hélène Overture | Staatskapelle Berlin | 1929 | Berlin | Studio | |
Strauss, R. | Till Eulenspiegels lustige Streiche Op. 28 | Staatskapelle Berlin | 1929 | Berlin | Studio | |
Strauss, R. | Don Juan Op. 20 | Staatskapelle Berlin | 1929 | Berlin | Studio | |
Weill | Kleine Dreigroschenmusik | Staatskapelle Berlin | 1931 | Berlin | Studio | |
Verdi | Otello Act IV Desdemona’s prayer | Berliner Funk | Rose Ader, soprano | 1931 | Berlin | Studio |
Hindemith | Das Unaufhörliche (excerpts) | Staatskapelle Berlin | 1932 | Berlin | Studio | |
Beethoven | Symphony No. 5 in C minor Op. 67 | Los Angeles Philharmonic | 1934 | Pasadena | Live | |
Verdi | I Vespri Siciliani Overture | Los Angeles Philharmonic | 1934 | Pasadena | Live | |
Wagner | Die Meistersinger von Nürnberg Act I Prelude | Los Angeles Philharmonic | 1934 | Pasadena | Live | |
Bruckner | Symphony No. 9 in D minor | New York Philharmonic | 1934 | New York | Live | |
Albeniz, arr Arbos | "Triana" (from Iberia Suite) | Los Angeles Philharmonic | 1937 | Los Angeles | Live | |
German | Who'll buy my sweet lavender? | Los Angeles Philharmonic | Lucrezia Bori, soprano | 1937 | Los Angeles | Live |
Gounod | Faust: Salut! demeure | Los Angeles Philharmonic | Lucrezia Bori, soprano | 1937 | Los Angeles | Live |
Massenet | Manon: Obéissons quand leur voix appelle | Los Angeles Philharmonic | Lucrezia Bori, soprano; Joseph Bentonelli, tenor | 1937 | Los Angeles | Live |
Puccini | La bohème "Che gelida manina"; "O soave fanciulla"; "Si, mi chiamano Mimi" | Los Angeles Philharmonic | Lucrezia Bori soprano; Joseph Bentonelli, tenor | 1937 | Los Angeles | Live |
Wagner | Rienzi Overture | Los Angeles Philharmonic | 1937 | Los Angeles | Live | |
Gershwin | Prelude No. 2 | Los Angeles Philharmonic | 1937 | Los Angeles | Live | |
Berlioz | Benvenuto Cellini Overture | Los Angeles Philharmonic | 1938 | Los Angeles | Live | |
Debussy | Prélude à l'après-midi d'un faune | Los Angeles Philharmonic | 1938 | Los Angeles | Live | |
Mozart | Symphony No. 35 in D K. 385 "Haffner" | Los Angeles Philharmonic | 1938 | Los Angeles | Live | |
Strauss, R. | Till Eulenspiegels lustige Streiche Op. 28 | Los Angeles Philharmonic | 1938 | Los Angeles | Live | |
Handel / Schoenberg | Quartet Concerto – excerpts | Los Angeles Philharmonic | Kolisch Quartet | 1938 | Los Angeles | Live |
Brahms / Schoenberg | Piano Quartet No. 1 in G minor Op. 25 | Los Angeles Philharmonic | 1938 | Los Angeles | Live | |
Strang | Intermezzo | Los Angeles Philharmonic | 1939 | Los Angeles | Studio | |
Klemperer | Lieder | Maria Schacko, soprano Otto Klemperer, piano | 1940 | New York | Studio | |
Pfitzner | Lieder | Maria Schacko, soprano; Otto Klemperer, piano | 1940 | New York | Studio | |
Bach | Concerto for Harpsichord and Strings No. 2 in E BWV 1053 | Amsterdam Strings | Edith Weiss- Mann, harpsichord | 1940 | New York | Live |
Bach | Concerto for Flute, Violin, Harpsichord and Strings in A minor BWV 1044 | Amsterdam Strings | Edith Weiss- Mann, harpsichord; John Meisner, flute; Dorothy Chester (), violin | 1940 | New York | Live |
Klemperer | Au clair de la lune | NBC Orchestra | 1940 | New York | Studio | |
Klemperer | Merry Waltz | NBC Orchestra | 1940 | New York | Studio | |
Klemperer | Trinity | NBC Orchestra | NBC Chorus | 1940 | New York | Studio |
Mozart | Symphony No. 40 in G minor K. 550 | Los Angeles Philharmonic | 1941 | Los Angeles | Live | |
Beethoven | Symphony No. 5 in C minor Op. 67 (mvts. 3 & 4 only) | Los Angeles Philharmonic | 1941 | Los Angeles | Live | |
Bach | Orchestral Suite No. 2 in B minor BWV 1067 | Friends of Music | John Wummer, flute, Rudolf Kolisch, violin | 1942 | New York | Live |
Dvorák | Symphony No. 9 in E minor Op. 95 "From the New World" | Los Angeles Philharmonic Orchetsra | 1945 | Los Angeles (San Diego) | Live | |
Bach | Bist du bei mir BWV 508 (arr. Klemperer) | Los Angeles Philharmonic | 1945 | Los Angeles (San Diego) | Live | |
Liszt | Totentanz for piano and G. 126 | Los Angeles Philharmonic | Bernardo Segall, piano | 1945 | Los Angeles (San Diego) | Live |
Strauss, Joh. II | Die Fledermaus Overture | Los Angeles Philharmonic | 1945 | Los Angeles (San Diego) | Live | |
Thomas | Mignon Overture | Los Angeles Philharmonic | 1945 | Los Angeles | Live | |
Bach | Orchestral Suite No. 3 in D BWV 1068 Air | Los Angeles Philharmonic | 1945 | Los Angeles | Live | |
Beethoven | Leonore Overture No. 3 Op. 72b | Los Angeles Philharmonic | 1945 | Los Angeles | Live | |
Corelli | Sonata in D minor for Violin Op. 5 No. 2, "La Folia" | Los Angeles Philharmonic | Joseph Szigeti, violin | 1945 | Los Angeles | Live |
Strauss, R. | Don Juan Op. 20 | Los Angeles Philharmonic | 1945 | Los Angeles | Live | |
Bach | Bist du bei mir BWV 508 (arr. Klemperer) | Pro Musica | 1946 | Paris | Studio | |
Bach | Brandenburg Concerto No. 1 in F BWV 1046 | Pro Musica | 1946 | Paris | Studio | |
Bach | Brandenburg Concerto No. 2 in F BWV 1047 | Pro Musica | Marcel Mule, soprano saxophone | 1946 | Paris | Studio |
Bach | Brandenburg Concerto No. 3 in G BWV 1048 | Pro Musica | 1946 | Paris | Studio | |
Bach | Brandenburg Concerto No. 4 in G BWV 1049 | Pro Musica | 1946 | Paris | Studio | |
Bach | Brandenburg Concerto No. 5 in D BWV 1050 | Pro Musica | M. Roesgen-Champion, harpsichord, R. Cortet, flute, H. Merckel, violin | 1946 | Paris | Studio |
Bach | Brandenburg Concerto No. 6 in B flat BWV 1051 | Pro Musica | 1946 | Paris | Studio | |
Bach | Chorale Nun komm' der Heiden Heiland, BWV 659 (arr. Klemperer) | Pro Musica | 1946 | Paris | Studio | |
Mozart | Serenade No. 13 in G K. 525 "Eine kleine Nachtmusik" | Pro Musica | 1946 | Paris | Studio | |
Purcell / Byrnes | The Fairie Queen Suite | Wiener Philharmoniker | 1947 | Salzburg | Live | |
Bruckner | Symphony No. 4 in E flat "Romantic" | Concertgebouw | 1947 | Amsterdam | Live | |
Mahler | Lieder eines fahrenden Gesellen | Concertgebouw | Hermann Schey, baritone | 1947 | Amsterdam | Live |
Mendelssohn | The Hebrides Overture Op. 26 | Concertgebouw | 1947 | Amsterdam | Live | |
Schubert | Symphony No. 8 in B minor D. 759 "Unfinished" | Budapest Symphony | 1948 | Budapest | Live | |
Mozart | Don Giovanni K. 527 (excerpts) | Hungarian State Opera | Soloists and chorus of Hungarian State Opera | 1948 | Budapest | Live |
Wagner | Lohengrin | Hungarian State Opera | 1948 | Budapest | Live | |
Mahler | Das Lied von der Erde | Hungarian Radio Symphony | Judit Sándor, soprano, Endre Rösler, tenor | 1948 | Budapest | Live |
Mozart | Masonic Funeral Music in C minor K. 477 | Hungarian Radio Symphony | 1948 | Budapest | Live | |
Beethoven | Fidelio Op. 72 | Hungarian State Opera | Soloists and chorus of Hungarian State Opera | 1948 | Budapest | Live |
Bach | Orchestral Suite No. 4 in D BWV 1069 | Hungarian Radio Symphony | 1949 | Budapest | Studio | |
Mozart | Die Zauberflöte K. 620 | Hungarian State Opera | Soloists and chorus of Hungarian State Opera | 1949 | Budapest | Live |
Offenbach | Les Contes d'Hoffman | Hungarian State Opera | Soloists and chorus of Hungarian State Opera | 1949 | Budapest | Live |
Wagner | Die Meistersinger von Nürnberg | Hungarian State Opera | Soloists and chorus of Hungarian State Opera | 1949 | Budapest | Live |
Mozart | Symphony No. 39 in E flat K. 543 | Hungarian Radio Symphony | 1949 | Budapest | Studio | |
Beethoven | Symphony No. 8 in F Op. 93 | Concertgebouw | 1949 | Amsterdam | Live | |
Bach | Orchestral Suite No. 2 in B minor BWV 1067 | Hungarian Radio Symphony | János Szebenyi, flute | 1949 | Budapest | Live |
Bach | Brandenburg Concerto No. 4 in G BWV 1049 | Hungarian Radio Symphony | Annie Fischer, piano | 1950 | Budapest | Live |
Bach | Brandenburg Concerto No. 5 in D BWV 1050 | Hungarian Radio Symphony | Tibor Ney, violin; János Szebenyi, flute; Annie Fischer, piano | 1950 | Budapest | Live |
Bach | Magnificat in D BWV 243 | Hungarian Radio Symphony | Budapest Chorus, Anna Báthy, soprano, Judit Sándor, soprano, Magda Tiszay, contralto, Lajos Somogyvári, tenor, György Littasy, bass; Olivér Nagy, piano, Sándor Margittay, organ continuo | 1950 | Budapest | Live |
Mozart | Così fan tutte K. 588 | Hungarian State Opera | Soloists and chorus of Hungarian State Opera | 1950 | Budapest | Live |
Mozart | Concerto for piano and No. 26 In D K. 537 | Pro Musica | Louise Thyrion, piano | 1950 | Paris | Studio |
Mozart | Symphony No. 25 in G minor K. 183 | Pro Musica | 1950 | Paris | Studio | |
Mozart | Symphony No. 36 in C K. 425 "Linz" | Pro Musica | 1950 | Paris | Studio | |
Mozart | Die Entführung aus dem Serail K. 384 | Hungarian State Opera | Soloists and chorus of Hungarian State Opera | 1950 | Budapest | Live |
Mahler | Symphony No. 2 in C minor "Resurrection" | Sydney Symphony | Hurlstone Choral Society, Valda Bagnall, soprano; Florence Taylor, contralto | 1950 | Sydney | Live |
Schubert | Symphony No. 4 in C minor D. 417 "Tragic" | Lamoureux | 1950 | Paris | Studio | |
Mozart | Serenade No. 11 in E flat K. 375 | Rias Sinfonie- | 1950 | Berlin | Studio | |
Mozart | Don Giovanni Overture K. 527 | RIAS Symphonie | 1950 | Berlin | Studio | |
Mozart | Symphony No. 25 In G minor K. 183 | RIAS Symphonie | 1950 | Berlin | Studio | |
Mozart | Symphony No. 29 in A K. 201 | RIAS Symphonie | 1950 | Berlin | Studio | |
Mozart | Serenade No. 6 in D K. 239 "Serenata Notturna" | RIAS Symphonie | 1950 | Berlin | Studio | |
Mozart | Symphony No. 38 in D K. 504 "Prague" | RIAS Symphonie | 1950 | Berlin | Studio | |
Bartók | Concerto for Viola and Sz. 120 | Concertgebouw | William Primrose, viola | 1951 | Amsterdam | Live |
De Falla | Nights in the Gardens of Spain | Concertgebouw | Willem Andriessen, piano | 1951 | Amsterdam | Live |
Henkemans | Concerto for Flute and (1946) | Concertgebouw | Hubert Barwahser, flute | 1951 | Amsterdam | Live |
Janácek | Sinfonietta | Concertgebouw | 1951 | Amsterdam | Live | |
Mozart | Concerto for Violin and No. 5 in A K. 219 "Turkish" | Concertgebouw | Jan Bresser, violin | 1951 | Amsterdam | Live |
Mozart | Symphony No. 25 in G minor K. 183 | Concertgebouw | 1951 | Amsterdam | Live | |
Mozart | Serenade No. 6 in D K. 239 "Serenata Notturna" | Radio- Beromünster | 1951 | Zurich | Studio | |
Mozart | Concerto for Piano and Orchestra No. 20 in D minor K. 466 | Iba Symphony | Frank Pelleg, piano | 1951 | Jerusalem | Studio |
Mozart | Serenade No. 6 in D K. 239 "Serenata Notturna" | Iba Symphony | 1951 | Jerusalem | Studio | |
Mozart | Symphony No. 29 in A K. 201 | Iba Symphony | 1951 | Jerusalem | Studio | |
Beethoven | Missa solemnis Op. 123 | Wiener Symphoniker | Akademiechor, Ilona Steingruber, soprano, Else Schuerhoff, contralto, Erich Majkut, tenor, Otto Wiener, bass | 1951 | Vienna | Studio |
Beethoven | Symphony No. 6 in F Op. 68 "Pastoral" | Wiener Symphoniker | 1951 | Vienna | Studio | |
Bruckner | Symphony No. 4 in E flat "Romantic" | Wiener Symphoniker | 1951 | Vienna | Studio | |
Mahler | Das Lied von der Erde | Wiener Symphoniker | Elsa Cavelti, Mezzo-soprano, | 1951 | Vienna | Studio |
Beethoven | Symphony No. 5 in C minor Op. 67 | Wiener Symphoniker | 1951 | Vienna | Studio | |
Mendelssohn | Symphony No. 4 in A Op. 90 "Italian" | Wiener Symphoniker | 1951 | Vienna | Studio | |
Beethoven | Ah, Perfido! Op. 65 | Concertgebouw | Gré Brouwenstijn, soprano | 1951 | Amsterdam | Live |
Beethoven | Symphony No. 7 in A Op. 92 | Concertgebouw | 1951 | Amsterdam | Live | |
Mahler | Symphony No. 2 in C minor, "Resurrection" | Wiener Symphoniker | Akademie Kammerchor & Singverein der Musikfreunde, Ilona Steingruber, soprano, Hilde Rössl-Majdan, contralto | 1951 | Vienna | Studio |
Mahler | Symphony No. 2 in C minor "Resurrection" | Wiener Symphoniker | Akademie Kammerchor & Singverein der Musikfreunde, Ilona Steingruber, soprano, Hilde Rössl-Majdan, contralto | 1951 | Vienna | Live |
Beethoven | Concerto for piano and No. 4 in G Op. 58 | Wiener Symphoniker | Guiomar Novaes, piano | 1951 | Vienna | Studio |
Chopin | Concerto No. 2 in F minor for Piano and Orchestra Op. 21 | Wiener Symphoniker | Guiomar Novaes, piano | 1951 | Vienna | Studio |
Mendelssohn | Symphony No. 3 in A minor Op. 56 "Scottish" | Wiener Symphoniker | 1951 | Vienna | Studio | |
Schumann | Concerto for piano and in A minor Op. 54 | Wiener Symphoniker | Guiomar Novaes, piano | 1951 | Vienna | Studio |
Mahler | Kindertotenlieder | Concertgebouw | Kathleen Ferrier, contralto | 1951 | Amsterdam | Live |
Mahler | Symphony No. 2 in C minor "Resurrection" | Concertgebouw | Toonkunstkoor, Jo Vincent, soprano, Kathleen Ferrier, contralto | 1951 | Amsterdam | Live |
Mozart | Masonic Funeral Music in C minor K. 477 | Concertgebouw | 1951 | Amsterdam | Live | |
Beethoven | Leonore Overture No. 3 Op. 72b | Det Kongelige Kapel | 1954 | Copenhagen | Live | |
Brahms | Symphony No. 4 in E minor Op.98 | Det Kongelige Kapel | 1954 | Copenhagen | Live | |
Mozart | Symphony No. 29 in A K. 201 | Det Kongelige Kapel | 1954 | Copenhagen | Live | |
Beethoven | Symphony No. 3 in E flat Op. 55 "Eroica" | Kölner Rundfunk- Sinfonie-Orchester | 1954 | Cologne | Live | |
Hindemith | Nobilissima Visione Ballet Suite | Kölner Rundfunk- Sinfonie-Orchester | 1954 | Cologne | Live | |
Mozart | Symphony No. 29 in A K. 201 | Kölner Rundfunk- Sinfonie-Orchester | 1954 | Cologne | Live | |
Beethoven | Concerto for piano and No. 3 In C minor Op. 37 | RIAS Symphonie | Hans-Erich Riebensahm, piano | 1954 | Berlin | Live |
Beethoven | Symphony No. 6 in F Op. 68 "Pastoral" | RIAS Symphonie | 1954 | Berlin | Live | |
Hindemith | Nobilissima Visione Ballet Suite | RIAS Symphonie | 1954 | Berlin | Studio | |
Beethoven | Symphony No. 1 in C Op. 21 | Kölner Rundfunk- Sinfonie | 1954 | Cologne | Live | |
Mahler | Symphony No. 4 in G | Kölner Rundfunk- Sinfonie | Elfride Trötschel, soprano | 1954 | Cologne | Live |
Brahms | Concerto No. 2 for piano and in B flat Op. 83 | Kölner Rundfunk- Sinfonie | Géza Anda, piano | 1954 | Cologne | Live |
Bruckner | Symphony No. 4 in E flat "Romantic" | Kölner Rundfunk- Sinfonie | 1954 | Cologne | Live | |
Mendelssohn | Concerto for Violin and in E minor Op. 64 | Residentie | Johanna Martzy, violin | 1954 | Amsterdam | Live |
Mozart | Don Giovanni Overture K. 527 | Residentie | 1954 | Amsterdam | Live | |
Mozart | Symphony No. 41 in C K. 551 "Jupiter" | Residentie | 1954 | Scheveningen | Live | |
Brahms | Symphony No. 1 In C minor Op. 68 | Orchestre National de Radio France | 1954 | Montreux | Live | |
Beethoven | Symphony No. 7 in A Op. 92 | RIAS Symphonie | 1954 | Berlin | Live |
second tranche in preparation. Earlier list left below for the time being
- Bach: St Matthew Passion with Dietrich Fischer-Dieskau, Peter Pears, Elisabeth Schwarzkopf, Christa Ludwig, and Walter Berry
- Bach: Mass in B minor
- Bach: Brandenburg Concertos with the Philharmonia Orchestra on ΕΜΙ
- Bartók: Viola Concerto (with William Primrose, and the Concertgebouw Orchestra, live version on Archiphon)
- Beethoven: Symphony cycles (notably the one from the mid-1950s on EMI)
- Beethoven: Symphony No. 9 (recorded live, November 1957 and also in 1961)
- Beethoven: Fidelio (both the live recording from Covent Garden on Testament, and the studio EMI recording)
- Beethoven: Missa solemnis
- Beethoven: Piano Concertos Nos. 3–5, (with Claudio Arrau, live versions issued on Testament)
- Beethoven: Piano Concertos Nos. 1–5, (with Daniel Barenboim, on EMI)
- Brahms: Symphony cycles
- Brahms: Symphony No. 3, Philharmonia Orchestra, Columbia C90933, in 1957
- Brahms: Violin Concerto, with David Oistrakh
- Brahms: Ein deutsches Requiem, Philharmonia Orchestra with Elisabeth Schwarzkopf and Dietrich Fischer-Dieskau, 1961 EMI recording
- Bruckner: Symphony No. 4 in E-flat Major
- Bruckner: Symphony No. 5 in B-flat Major, New Philharmonia Orchestra, march 1967 on Columbia SAX 5288
- Bruckner: Symphony No. 6 in A Major, New Philharmonia Orchestra, 1964 on Columbia SMC 91437
- Bruckner: Symphony No. 7 in E Major, Symphonieorchester des Bayerischen Rundfunks, 1957
- Bruckner: Symphony No. 9 in D Minor with New York Philharmonic, 1934, and with New Philharmonia on EMI
- Chopin: Piano Concerto No. 1 with Claudio Arrau, live version issued on Music & Arts
- Franck: Symphony in D minor
- Handel: Messiah, with Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, and Jerome Hines
- Haydn: Symphonies 88, 92, 95, 98, 100, 101, 102, 104
- Hindemith: Nobilissima Visione Suite (Kölner Rundfunk-Sinfonie-Orchester, a 1954 version issued on Andante)
- Janáček: Sinfonietta (a 1951 Concertgebouw Orchestra live version, released by Archiphon)
- Mahler: Das Lied von der Erde, with Christa Ludwig and Fritz Wunderlich, New Philharmonia Orchestra, 1967 on EMI YAX 3282
- Mahler: Symphony No. 2 in C Minor, "Resurrection", (1) – 1951 with Kathleen Ferrier & Jo Vincent; (2) – 1963 with Elisabeth Schwarzkopf & Hilde Rössel-Majdan
- Mahler: Symphony No. 4, Philharmonia Orchestra with Elisabeth Schwarzkopf, 1961, on Columbia SAX 2441
- Mahler: Symphony No. 7, 1968
- Mahler: Symphony No. 9
- Mendelssohn: Symphonies Nos. 3-4
- Mendelssohn: A Midsummer Night's Dream
- Mozart: Piano Concerto No. 25 (with Daniel Barenboim)
- Mozart: Symphonies Nos. 25, 29, 31, 33, 34, 35, 36, 38, 39, 40 and 41
- Mozart: Don Giovanni (live version issued on Testament)
- Mozart: The Magic Flute, with Nicolai Gedda, Walter Berry, Gundula Janowitz, Lucia Popp, Elisabeth Schwarzkopf as the First Lady
- Schoenberg: Verklärte Nacht (a 1955 live version with the Concertgebouw Orchestra, on Archiphon)
- Schubert: Symphonies 5, 8 (Unfinished) and 9. Philharmonia Orchestra (EMI)
- Schumann: Symphonies 1–4, with the Philharmonia Orchestra.
- Schumann: Piano Concerto (with Annie Fischer)
- Stravinsky: Petrushka
- Stravinsky: Pulcinella
- Stravinsky: Symphony in Three Movements
- Tchaikovsky: Symphonies Nos. 4, 5 and 6 with the Philharmonia Orchestra on EMI
- Wagner: Der fliegende Holländer (with Anja Silja)
- Wagner: Siegfried Idyll in the original chamber version with members of the Philharmonia Orchestra
- Weill: Kleine Dreigroschenmusik, 1931, 1967
- Source: Discographies in Volumes 1 and 2 of Peter Heyworth's biography of Klemperer.[1]
References
edit- ^ Heyworth, Volume 1, pp. 438–441; and Volume 2, pp. 395–452
Sources
edit- Heyworth, Peter (1996) [1983]. Otto Klemperer: Volume 1, 1885–1933. Cambridge: Cambridge University Press. ISBN 978-0-521-49509-7.
- Heyworth, Peter (1996). Otto Klemperer: Volume 2, 1933–1973. Cambridge: Cambridge University Press. ISBN 978-0-521-24488-6.