Michael E. Smith (born 1977) is an American artist whose minimal sculptures often juxtapose appropriated, discarded everyday items[1] found in urban decay and on eBay.[2] His works have been shown in MoMA PS1, SculptureCenter, the Eli and Edythe Broad Art Museum[1] and the 2019 Venice Biennale.[3]
Michael E. Smith | |
|---|---|
| Born | 1977 (age 46–47) Detroit, United States |
| Occupation | Artist |
Michael E. Smith is represented by Andrew Kreps, New York,[4] KOW, Berlin,[5] Modern Art, London.[6] and Galleria ZERO..., Milan.[7]
Selected exhibitions
editSolo
- 2018: Atlantis, Marseille[8]
- 2018: David Ireland House, San Francisco[9]
- 2017:Stedelijk Museum voor Actuele Kunst, Ghent[10]
- 2016: pig, Capri, Düsseldorf[11]
Group
- 2022 Whitney Biennial[12]
- 2019: Venice Biennale[3]
- 2017: "All Watched Over by Machines of Loving Grace", Palais de Tokyo[13]
References
edit- ^ a b Armstrong, Annie (February 1, 2019). "Michael E. Smith Is Now Represented by Stuart Shave Modern Art". ARTnews.com. Retrieved July 5, 2020.
- ^ Greenberger, Alex (October 2, 2015). "Michael E. Smith Is Now Represented by Andrew Kreps Gallery". ARTnews.com. Retrieved July 5, 2020.
- ^ a b Arsenale, Padiglione Centrale / (May 15, 2019). "Biennale Arte 2019 | Michael E. Smith". La Biennale di Venezia (in Italian). Retrieved March 8, 2021.
- ^ "MICHAEL E. SMITH - Artists - Andrew Kreps Gallery". www.andrewkreps.com. Retrieved June 30, 2024.
- ^ "Michael E. Smith". KOW Berlin. Retrieved June 30, 2024.
- ^ "Michael E. Smith". Modern Art. Retrieved June 30, 2024.
- ^ dopolavoro (March 2, 2021). "Michael E. Smith". ZERO... Retrieved September 9, 2024.
- ^ "Michael E. Smith at Atlantis, Marseille, France". ARTnews.com. November 2, 2018. Retrieved July 5, 2020.
- ^ "Michael E. Smith at David Ireland House, San Francisco". ARTnews.com. January 30, 2018. Retrieved July 5, 2020.
- ^ "Summer Preview: Museum Shows and Biennials Around the World". ARTnews.com. May 10, 2017. Retrieved July 5, 2020.
- ^ "Michael E. Smith at Capri, Düsseldorf, Germany". ARTnews.com. June 3, 2016. Retrieved July 5, 2020.
- ^ Durón, Maximilíano (January 25, 2022). "Taking the Title 'Quiet as It's Kept,' 2022 Whitney Biennial Names 63 Participating Artists". ARTnews.com. Retrieved February 28, 2022.
- ^ Florian, Federico (May 26, 2017). "'All Watched Over by Machines of Loving Grace'". ARTnews.com. Retrieved July 5, 2020.
External links
edit
Further reading
edit- Corbett, Rachel (February 26, 2015). "Michael E. Smith: An Insider's Outsider". ARTnews.com. Retrieved July 5, 2020.
- Diehl, Travis (February 10, 2017). "Michael E. Smith". Frieze. Retrieved July 5, 2020.
- Gerbracht, Kerry Gaertner (December 10, 2013). "Headless Chicken in Empty Gallery: Michael E. Smith at Clifton Benevento". ARTnews.com. Retrieved July 5, 2020.
- Griffin, Jonathan (October 27, 2014). "After the End". Frieze. No. 167. ISSN 0962-0672.
- Haddad, Natalie (May 5, 2018). "The Everyday Politics of Conceptual Art". Hyperallergic. Retrieved July 5, 2020.
- Haddad, Natalie (October 22, 2018). "What Pipeline". Artforum. Retrieved July 5, 2020.
- Larios, Pablo (October 15, 2017). "Michael E. Smith". Frieze. No. 191. ISSN 0962-0672.
- Steverlynck, Sam (October 27, 2017). "Michael E. Smith". ArtReview. Retrieved July 5, 2020.
- Yau, John (May 25, 2014). "Lethal Consumption and Silenced Clarinets". Hyperallergic. Retrieved July 5, 2020.
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