Eyre de Lanux (/ɛər/ AIR; born Elizabeth Eyre; March 20, 1894 – September 8, 1996) was an American artist, writer, and designer.[1] De Lanux is best known for designing lacquered furniture and geometric patterned rugs, in the art deco style, in Paris during the 1920s.[1] She later illustrated a number of children's books. She died in New York at the age of 102.
Eyre de Lanux | |
|---|---|
 Portrait of Eyre de Lanux, 1925, by Man Ray | |
| Born | Elizabeth Eyre March 20, 1894 Johnstown, Pennsylvania |
| Died | September 8, 1996 (aged 102) New York, New York |
| Nationality | American |
| Known for | Design |
| Movement | Art Deco |
| Spouse |
Pierre Combret de Lanux
(m. 1918) |
| Partner | Natalie Barney |
Early life, education and fine art
editShe was born in Johnstown, Pennsylvania, the eldest daughter of Richard Derby Eyre (1869-1955) and Elizabeth Krieger Eyre (d. 1938).[2] She studied art at the Art Students League in Manhattan with Edwin Dickinson, George Bridgman, Robert Henri, and Charles Hawthorne.[3]
De Lanux exhibited two paintings, L'Arlesienne and Allegro in the first annual exhibition of the Society of Independent Artists in 1917.[3]
In 1918 she met and married, French writer and diplomat, Pierre Combret de Lanux (1887–1955) in New York.[3] After the end of World War I they moved to Paris.[4] She studied in Paris in the early 1920s at Académie Colarossi and Académie Ranson where her teachers included Maurice Denis, Demetrios Galanis, and Constantin Brâncuși.[3][5] Their daughter, Anne-Françoise, nicknamed "Bikou," was born December 19, 1925.
In 1943, de Lanux was included in Peggy Guggenheim's show Exhibition by 31 Women at the Art of This Century gallery in New York.[6]
Personal relationships
editWhen the newly married couple settled in Paris their social circle included André Gide, Ernest Hemingway, and Bernard Berenson. Though married, de Lanux was bisexual. She is best known as having been one of the many long-term lovers of lesbian writer and artist Natalie Barney.[7] Her other lovers reportedly included Pierre Drieu La Rochelle and Louis Aragon.[8]
Due in part to Jean Chalon's early biography of Barney, published in English as Portrait of a Seductress: The World of Natalie Barney, she has become more widely known for her many relationships than for her writing or her salon.[9]
Design
editHer designs first came into notice during the early 1920s, and were often exhibited with those of designers Eileen Gray and Jean-Michel Frank. While still in France, she wrote short stories of her European travels. In 1955, her husband died. Shortly afterward, she returned to the U.S., and in the 1960s she wrote for Harper's Bazaar.
In her later years she wrote and illustrated a number of children's books. She died at the age of 102, at the Dewitt Nursing Home in Manhattan.
References
edit- ^ a b "Elizabeth Eyre de Lanux". Encyclopædia Britannica. Retrieved 4 August 2016.
- ^ "Eyre de Lanux papers, 1865-1995 - biographical information". Archives of American Art. Retrieved 4 August 2016.
- ^ a b c d Jules Heller; Nancy G. Heller (19 December 2013). North American Women Artists of the Twentieth Century: A Biographical Dictionary. Routledge. ISBN 978-1-135-63882-5.
- ^ Reif, Rita (10 September 1996). "Elizabeth Eyre de Lanux, 102, Art Deco Designer By". The New York Times. Retrieved 4 August 2016.
- ^ Reif, Rita (1996-09-10). "Elizabeth Eyre de Lanux, 102, Art Deco Designer". The New York Times. ISSN 0362-4331. Retrieved 2019-06-15.
- ^ Butler, Cornelia H.; Schwartz, Alexandra (2010). Modern Women: Women Artists at The Museum of Modern Art. New York: Museum of Modern Art. p. 45. ISBN 9780870707711.
- ^ Corinne, Tee A. (2002), "Subjects of the Visual Arts: Nude Females", glbtq.com, archived from the original on 2007-12-17, retrieved 2007-12-04
- ^ Daix, Pierre (2015). Aragon retrouvé. Tallandier. doi:10.3917/talla.daix.2015.01. ISBN 9791021008427.
- ^ "I would be asked at dinner parties what I was working on and, replying, 'Natalie Clifford Barney', I expected the usual post Jean Chalon response, 'What? The lesbian Don Juan?'" Livia (1992), pg. 181.
