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Egon Petri (23 March 1881 – 27 May 1962) was a Dutch-American pianist.[1]
![](http://upload.wikimedia.org/wikipedia/commons/thumb/c/ca/Petri_Egon.jpg/220px-Petri_Egon.jpg)
Life and career
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Petri's family was Dutch. He was born a Dutch citizen in Hanover, Germany, and grew up in Dresden, where he attended the Kreuzschule. His father, a professional violinist, taught him to play the violin. While still a teenager, Petri played with the Dresden Court Orchestra and with his father's string quartet. He studied composition and theory with Hermann Kretzschmar and Felix Draeseke at the Dresden Conservatory.
From an early age Petri had also taken piano lessons and eventually, with strong encouragement from Ignacy Jan Paderewski and Ferruccio Busoni, he concentrated on piano. He studied with Busoni, who greatly influenced him, and Petri considered himself more a disciple than a student of his. Following his example, Petri focused on the works of Johann Sebastian Bach and Franz Liszt, who, along with Busoni himself, were at the centre of his repertoire.
During World War I, Petri moved with Busoni to Switzerland, where he assisted him in editing Bach's keyboard works. In the 1920s, Petri taught in Berlin; his students included Victor Borge, Stanley Gardner, Jan Hoffman, Gunnar Johansen, Hazel Harrison, Dimitar Nenov, and Vitya Vronsky. In 1923 he became the first non-Soviet soloist to play in the Soviet Union.
In 1927 he moved to Zakopane, Poland, where, until the outbreak of World War II in 1939, he conducted summer and early-fall sessions and piano master classes. Beginning with 1929 he made recordings for several labels, including Columbia Records.
Petri escaped[citation needed] from Poland the day before the German invasion in September 1939, but he had to leave behind all his books, music and letters, including his correspondence with Busoni (these papers survived and were recovered).[2]
He moved to the United States, working first at Cornell University and later at Mills College in Oakland, California. He refused ever to play in Germany again. In 1955, he became a naturalised American citizen.
Although a Dutch citizen until he was 74, he never lived in the Netherlands and was not at ease with the Dutch language. On one occasion when he performed for Queen Wilhelmina, they spoke German. He was fluent in German, English, French, Italian, Polish, and Russian.
Petri's students included Earl Wild, Ozan Marsh, John Ogdon, Dimitar Nenov and Xenia Boodberg Lee.[3][4]
Petri had a superb technique and a powerful sonority and was a superlative exponent of the larger works of Beethoven, Liszt and Brahms.[5]
Petri died on 27 May 1962, aged 81, in Berkeley, California.[citation needed]
Students
editSee also
editReferences
edit- ^ Judith Michelle Crispin (2007). The Esoteric Musical Tradition of Ferruccio Busoni and Its Reinvigoration in the Music of Larry Sitsky: The Operas Doktor Faust and The Golem. Edwin Mellen Press. p. 75. ISBN 978-0-7734-5407-1.
- ^ According to a letter from Forrest Robinson, a Petri student, Petri and his wife left Poland for England in great haste in 1939, leaving his music books and grand pianos behind.
- ^ "Art Museum Recital" The San Francisco Examiner (December 13, 1948): 15. via Newspapers.com
- ^ "Student Recital on Mills Campus" The San Francisco Examiner (August 7, 1948): 12. via Newspapers.com
- ^ Schonberg, Harold C. (1987). The Great Pianists from Mozart to the Present, Second Edition, New York: Simon & Schuster; ISBN 0-671-64200-6.