File:Alessandro Moreschi.ogg
Alessandro_Moreschi.ogg (Ogg Vorbis sound file, length 2 min 9 s, 52 kbps, file size: 825 KB)
Captions
Summary
[edit]DescriptionAlessandro Moreschi.ogg |
English: Recording of "Hostias Et Preces" by Eugenio Terziani (1824-1889), sung by the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922).
Duration of recording: 2 minutes 9 seconds
Català: Una gravació de "Hostias Et Preces" d'Eugenio Terziani (1824-1889), cantada per un dels últims castrato del Cor de la Capella Sixtina, Alessandro Moreschi (1858-1922). La gravació de Moreschi, és la única existent d'un cantant castrato, sent un testimoni sonor únic d'aquesta tradició musical.
Español: Una grabación de "Hostias Et Preces" de Eugenio Terziani (1824-1889), cantada por uno de los ultimos castrati de la historia, Alessandro Moreschi (1858-1922) del Coro de la Capilla Sixtina. La grabación de Moreschi, es la única existente de un cantante castrato, siendo un testimonio sonoro único de esta tradición musical
Suomi: Eugenio Terzianin (1824-1889) tallenne viimeisen paavin kastraattikuoron jäsenen Alessandro Moreschin (1858-1922) laulamasta kappaleesta "Hostias Et Preces".
Français : Enregistrement de Hostias Et Preces par Eugenio Terziani (1824-1889), interprété par Alessandro Moreschi (1858-1922).
Italiano: Una registrazione di "Hostias Et Preces" di Eugenio Terziani (1824-1889), cantata da uno degli ultimi castrati della storia, Alessandro Moreschi (1858-1922) del coro del Cappella Sistina. Le registrazioni di Moreschi, essendo le uniche esistenti di un cantante castrato, forniscono una testimonianza sonora unica di questa tradizione musicale
Македонски: „Нафора и молитви“ (Hostias Et Preces) од Еугенио Терцијани (1824-1889), во изведба на кастрат на папскиот хор, Алесандро Морески (1858-1922). Морески е единствениот кастрат од кого постои снимка, и претставува единствен увид во оваа некогашна музичка традиција.
Русский: Запись песни "Hostias Et Preces" Евгенио Терзиани (1824-1889), в исполнении последнего оставшихся в живых кастрата хора Папы, Алессандро Морески (1858-1922). Морески, как единственный записанный кастрат, воспитанный в старой традиции, даёт нам представлене о том, на что была похожа утерянная музыкальная традиция.
Tiếng Việt: Một bản thu "Hostias Et Preces" của Eugenio Terziani (1824-1889), được hát bởi castrato cuối cùng trong ca đoàn của Giáo hoàng, Alessandro Moreschi (1858-1922). Moreschi, là castrato được huấn luyện duy nhất được thu âm lại, cho chúng ta một cái nhìn tổng quan về một truyền thống âm nhạc nay đã không còn. |
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Location InfoField | Rome | |||||||||||||||||||||||
Date | ||||||||||||||||||||||||
Source |
Gramophone record by the Gramophone & Typewriter Company, LTD
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Author |
creator QS:P170,Q504969 |
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Permission (Reusing this file) |
Because this is a recording of a performer who died in 1922 the recording must be old enough to be in the public domain. Archive.org certainly thinks one of his other recordings is in the public domain: https://archive.org/details/AlessandroMoreschi |
This file was selected as the media of the day for 7 June 2010. It was captioned as follows:
English: A recording of "Hostias Et Preces" by Eugenio Terziani (1824-1889), sung the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922). Moreschi, as the only castrato trained in the old traditions to be recorded, provides our only insight into what a lost musical tradition was like.
Other languages
Català: Una gravació de "Hostias Et Preces" d'Eugenio Terziani (1824-1889), cantada per un dels últims castrato del Cor de la Capella Sixtina, Alessandro Moreschi (1858-1922). La gravació de Moreschi, és la única existent d'un cantant castrato, sent un testimoni sonor únic d'aquesta tradició musical. English: A recording of "Hostias Et Preces" by Eugenio Terziani (1824-1889), sung the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922). Moreschi, as the only castrato trained in the old traditions to be recorded, provides our only insight into what a lost musical tradition was like. Español: Una grabación de "Hostias Et Preces" de Eugenio Terziani (1824-1889), cantada por uno de los ultimos castrati de la historia, Alessandro Moreschi (1858-1922) del Coro de la Capilla Sixtina. La grabación de Moreschi, es la única existente de un cantante castrato, siendo un testimonio sonoro único de esta tradición musical Suomi: Eugenio Terzianin (1824-1889) tallenne viimeisen paavin kastraattikuoron jäsenen Alessandro Moreschin (1858-1922) laulamasta kappaleesta "Hostias Et Preces". Français : Enregistrement de Hostias Et Preces par Eugenio Terziani (1824-1889), interprété par Alessandro Moreschi (1858-1922). Italiano: Una registrazione di "Hostias Et Preces" di Eugenio Terziani (1824-1889), cantata da uno degli ultimi castrati della storia, Alessandro Moreschi (1858-1922) del coro del Cappella Sistina. Le registrazioni di Moreschi, essendo le uniche esistenti di un cantante castrato, forniscono una testimonianza sonora unica di questa tradizione musicale Македонски: „Нафора и молитви“ (Hostias Et Preces) од Еугенио Терцијани (1824-1889), во изведба на кастрат на папскиот хор, Алесандро Морески (1858-1922). Морески е единствениот кастрат од кого постои снимка, и претставува единствен увид во оваа некогашна музичка традиција. Русский: Запись песни "Hostias Et Preces" Евгенио Терзиани (1824-1889), в исполнении последнего оставшихся в живых кастрата хора Папы, Алессандро Морески (1858-1922). Морески, как единственный записанный кастрат, воспитанный в старой традиции, даёт нам представлене о том, на что была похожа утерянная музыкальная традиция. Sicilianu: Na riggistrazzioni di "Hostias Et Preces" d'Euggeniu Terziani (1824-1889), cantata di unu di l'ùrtimi castrati dâ storia, Alissandru Moreschi (1858-1922) dô coru dâ Cappella Sistina. Li riggistrazzioni di Moreschi, essennu l'ùnichi esistenti dûn cantanti castratu, furnìscinu na tistimunianza sunora ùnica di sta tradizzioni musicali Tiếng Việt: Một bản thu "Hostias Et Preces" của Eugenio Terziani (1824-1889), được hát bởi castrato cuối cùng trong ca đoàn của Giáo hoàng, Alessandro Moreschi (1858-1922). Moreschi, là castrato được huấn luyện duy nhất được thu âm lại, cho chúng ta một cái nhìn tổng quan về một truyền thống âm nhạc nay đã không còn.
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Licensing
[edit]Public domainPublic domainfalsefalse |
The author died in 1922, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929. | |
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. |
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 16:59, 16 April 2009 | 2 min 9 s (825 KB) | Balthazar (talk | contribs) | Noise reduction | |
02:55, 8 December 2006 | 2 min 10 s (1.05 MB) | Gmaxwell (talk | contribs) | {{Information |Description=Recording of Alessandro Moreschi |Source=Transcoded from [http://bassocantante.com/opera/music/moreschi.rm]. |Date=Unknown believed to be early 1900s. Moreschi died in 1922. |Author=Unkown |Permission |
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Transcode status
Update transcode statusFormat | Bitrate | Download | Status | Encode time |
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MP3 | 101 kbps | Completed 01:19, 5 December 2017 | 3.0 s |
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Short title | Performace of Alessandro Moreschi |
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Software used |