Chap. 4. The Sound Patterns of Language
Chap. 4. The Sound Patterns of Language
YULE
Phonetic Variations and
Phonology
■ Humans have different sizes, weights and heights and therefore have very
dissimilar vocal tracts. It can be concluded that the sounds they produce for
the same letter or word are also dissimilar.
■ We can assume that there are infinite number of ways of saying the same
word, me, for example—also because of difference in accents.
– Yet despite phonetic variations in the articulation of the same sound we
comprehend it as one particular sound.
■ E.g. three different articulations of the sound T or K.
■ It shows that we signify only those aspects of a sound which are significant for
its meaningfulness and disregard all irrelevant features of that sound such as
strange manner or place of articulation.
■ It is Phonology that aims to gather meaning from a chaos of sound variation.
Phonology
■ Phonology is essentially the description of the systems and patterns of speech sounds in
a language.
■ The phonologist’s task is to understand how speech sounds are organized in
languages.
– It is the special organization of sounds that makes each language unique.
■ In any language, a relatively small number of contrastive speech units, known as
phonemes, are responsible for distinguishing all real and potential words, and native
speakers quickly learn which distinctions matter for this purpose and which do not.
– Rotokas uses only 11 sounds, whereas Xu has 141. In English these are 44.
■ They are also aware of the rules by which these phonemes may or may not be
combined.
■ Phonetics focuses only on speech sounds, irrespective of the language that is spoken.
But phonology studies only those sounds which are meaningful in a language.
Phonology
b bb bbb bbb
Our Phonological Knowledge
■ Languages can sound quite different from each other even when their phonetic inventories
are very similar.
– This is often due to differences in the rules governing which sound sequences are
possible in a language and which are not. Each language allows only certain patterns
of sounds.
– Vra or Fsig are not possible to form in English because they are formed without
considering the phonological constraints on possible sequences of sounds.
■ Permitted arrangement of sounds in a language are called Phonotactics.
– These constraints are part of phonological knowledge of each language speaker.
■ Words like ‘vig’ or ‘lig’ are permissible in English, but they represent accidental gaps in
English vocabulary. They might be used in future, if there need arises.
■ Since Phonotactic constraints operate on a unit that is larger than phoneme, we have to
move on to a consideration of the basic structure of that larger phonological unit called the
syllable.
Syllable
■ More than one consonant in the onset or the coda are called
consonant clusters.
– CC cluster St in Stop and Post
– Bl, br, tr, tw, fl and th etc.
■ The liquids /l/ and /r/ and the glide /w/ are used in second position.
■ English can have even larger CCC clusters in the onset.
– Stress, splash
– Phonotactics: first consonant must be /s/, followed by a stop (p, t,
k) and a liquid or glide (l, r, w)
Coarticulation Effects
■ In pin and pan the vowels are not nasal. However, in anticipation of
the coming nasal sounds the vowels get nasalized in advance.
– This process is called nasalization.
■ It is represented in with a small mark (~), called “tilde”: [ɪ]̃ and [æ̃ ].
■ The phonological rule is that any vowel becomes nasal whenever it
immediately precedes a nasal.
■ In I can go alveolar nasal /n/ is replaced with velar nasal [ŋ]
■ The stress on vowels is lost in quick speech and they usually become
shwa as a result.
– [ju ənmi] rather than you ænd mi.
Elision