Filter Design
Filter Design
UNIT-4
Filters
• Filters are required in most of the circuits in whole of the RF
range. In fact, filter is a two-port, reciprocal, passive, and
linear device, which attenuates heavily the unwanted signal
frequencies, while allowing transmission of wanted signal
frequencies.
All microwave filters are,
1. Made by using reactive elements only, i.e. capacitance and
inductance with sections of transmission lines having
distributive impedance, as lumped elements cannot be used
as microwave frequencies
2. Assumed to the loss less with a very small resistance.
3. Designed to operate between generator impedance (Zg)
and load impedance (ZL), with both resistive and normally
equal to 50 Ω.
• Normally, filters are of four types, namely low pass
(LS), high pass (HP), band pass (BP), and band stop
(BS).
• The low pass filter allows low-frequency signals to
be transmitted from its input and to the output with
little attenuation.
• This attenuation (called insertion loss IL) increases
significantly beyond cut-off frequency point. The
band pass filters allows the passing of signals to the
output with low attenuation (i.e. low insertion loss,
IL), between the given range of upper (fu) and lower
(fL) cut-off frequencies. The reverse is true in the
case of band stop filters.
• Insertion loss: The basic parameter of filter
design is insertion loss. The input power (Pi)
given to the filter may not be equal to the
output power (PL) from the filter to the load.
in resistive heating.
• Transmission phase change of signal (/t):
The phase shift of signal when transmitted through a
filter is different at various frequencies for the four
filters.
• Group delay (Tgd): It is the time it takes the
information (or signal) to traverse the filter network.
It is computed from the slope of the phase versus
frequency curve
• Band width (BW3dB): It is the difference between
the upper cut-off frequency (fu) and lower cut-off
frequencies (fL) in band pass and band stop filters.
These two cut-off frequencies are those frequencies
where the signal level has a difference of 3 dB with
reference to that at centre band frequency (fc)
• Ripple and ripple band amplitude
The flatness of signal in the pass band filter can be
quantified by specifying the ripple band amplitude in
terms of dB, which is 3 dB Shape factor (SF):This
describes the sharpness of the filter response and is
the ratio of 60 dB band width to 3 dB band width
• Quality factor (Q): The frequency selectivity of a
filter can be defined in terms of Q, the quality factor
as the ratio of average energy stored per cycle to the
energy lost per cycle at wo.
RF Filter Design Techniques
• For getting the IL versus frequency profile of filters close
to the ideal ,various design techniques are available.
Only the three design techniques, e.g. the first order, and
the two specialised designs of Butterworth and
Chebyshev, which are with increasing level of
performances in terms of better slope factor (i.e.
sharpness of skirt). A comparison of the IL versus
frequency profiles of these three techniques is given in
Fig.,
Design Techniques
• (a) First-order basic design techniques: This is the lowest
level of design of filter, consisting of only one module of L, C,
R component values of which are computed by ABCD
analyses.
• (b) Specialised filter design by insertion loss method: This is
done by using prototype low pass filter as the basic design. For
better performance with sharper profile of IL versus frequency,
we need to have more number of L, C components.
• For this, two design techniques are used:
• (i) Butterworth design for maximally flat or binomial.
• (ii) Chebyshev (or equal-ripple) design technique.
• The first design technique of Butterworth gives a flat profile of
IL versus frequency, while the Chebyshev design gives sharper
IL versus frequency profile but with unavoidable ripples
appearing in the pass frequency portion in all the filters (i.e.
Specialised Filter Design by Insertion Loss Method