FOLK-DANCE-LAPAY-BANTIGUE-CO1

GREAT DAY!
Recall the
Fundamental
Dance
Position
GUESS THE
WORD FROM
THE BUBBLES
CULTUR
E DANC
E
ARTS HISTOR
Y
FOLK
DANCE
HOPE 3
FOLK DANCE
PREPARED BY:KENNETH E. GANABA
At the end of the lesson the students should
be able to;
• Know the meaning of folk dance;
• identify the classification of folk dance;
• discuss the background and context of the
dance Lapay Bantigue ;
• perform the dance competencies of Lapay
Bantigue properly.
WHAT IS
ETHNIC OR
FOLK DANCE?
Dance developed by people that reflect the
life of the people of a certain country or
region.
The terms "ethnic" and "traditional" are used
when it is required to emphasize the cultural
roots of the dance. In this sense, nearly all
folk dances are ethnic ones
Philippine Folk Dance
Philippine folk dancing is a true reflection
of daily life in past centuries while
enchanting modern audiences at the same
time.
Incorporates while
History of maintaining
influences from
Philippine distinctly
immigrants and
folk dance Filipino roots
conquerors
JOTA MANILENA
Classification of Philippine Folk
Dance
Religious / Comic
Occupational Ceremonial Dances
Dances
Associated with Depict funny
Depict action of a religion, vows and
particular occupation movements for
ceremonies entertainment
PAMULAD ISDA SUBLI-Ceremonial Worship
Kinotan, Makonggo
Dance- Mahal na Poong Santa
Cruz- Buan Batangas
Dance
Wedding Courtship
Games Dances Dances
Dances
Done with Play
Performed during Depict the Art of
Elements
wedding feasts Courtship
KADANG-KADANG, LUBI-LUBI
BINASUAN, KURATSA CARINOSA
Dance
Memitic Dance
Festival Dance
a type of dance that
Suitable for especial War Dance imitates nature,
occation behaviors of animals and
Shows imagery natural phenomena
Pandanggo, Habanera combat ITIK-ITK, TINIKLING
SAGAYAN, MAGLALATIK
LAPAY BANTIGUE
Background / Context:
Like many small islands, Bantigue of Masbate rely on the sea
to supply fish to great parts of the Bicol region.
Gathered on the beach with the people are thousands of

lapay or seagulls, flying overhead or moving around the sand
and seashore.
To while away their time, people turn their attention to the

lapay, shooing them or imitating their flight, swoops, dives
and glides.
Background / Context:
This playful frolicking started the first steps of an unrehearsed

dance.
Music was brought in later to lend order and form

FOLK DANCE TITLE: LAPAY BANTIGUE
MEANING: SEAGULLS OF BANTIGUE ISLAND
PLACE OF ORIGIN: BANTIGUE ISLAND, MASBATE
ETHNOLINGUISTIC GROUP: MASBATENO
CLASSIFICATION: COMIC, MIMETIC DANCE

COSTUME
Female
Top(Baro) and
Skirt (Saya)
Overskirt
(Tapis)
COSTUME
Male
Top (Camisa de Chino)
Pants (Colored peasant

pants, rolled up just
below the knee)
Footwear –Barefoot
Lapay Bantigue Dance
Competencies
• 1ST STEP: LUPAD
• 2ND STEP: KUMINTANG
• 3RD : STEP TUKA
• 4 STEP: TWIRLING
TH
• 5TH STEP: JUMPING IN FRONT OF PARTNER

• 6TH STEP: LUPAD
1ST STEP: LUPAD
MOVEMENT COUNTINGS DIRECTION
ARM FLUTTERING 16 FACING AUDIENCE
AND SIDEWAYS 8
STEP
ARM FLUTTERING 8 FACING PARTNER
AND SIDEWAYS
STEP
2ND STEP: KUMINTANG
Raise your right arm, 4 TURNING CLOCKWISE
horizontal thumbs up.
Hand and wrist
rotation.
Raise your left arm, 4 TURNING COUNTER-

horizontal thumbs up. CLOCKWISE
Hand and wrist
rotation.
2ND STEP: KUMINTANG
ARM FLUTTERING AND 8 MALE: RIGHT

SIDEWAYS STEP FEMALE: LEFT
3RD STEP: TUKA
MOVEMENTS COUNTINGS DIRECTION
BACK OF THE PALM FACING PARTNER
ON FOREHEAD, MALE: UP AND DOWN
PECKING MOTION 8 - FORWARD
AND BENT FEMALE: DOWN AND
FORWARD UP - BACKWARD
REPEAT STEP IN OPPOSITE DIRECTION
3RD STEP: TUKA
BACK OF THE PALM FACING FRONT
ON FOREHEAD, MALE: UP AND DOWN
PECKING MOTION 8 - BACKWARD
AND BENT FEMALE: DOWN AND
FORWARD UP - FORWARD
REPEAT STEP IN OPPOSITE DIRECTION
4TH STEP: TWIRLING
BEND FORWARD FACING OPPOSITE
ARMS OF THE SIDE 8 DIRECTION
WHILE STOMPING MALE: RIGHT
FEMALE:LEFT
RAISE ARMS WHILE 8 PARTNER: OUTSIDE-
TWIRLING BACK
4TH STEP: TWIRLING
BEND FORWARD FACING OPPOSITE
ARMS OF THE SIDE 8 DIRECTION
WHILE STOMPING MALE: LEFT
FEMALE: RIGHT
RAISE ARMS WHILE 8 PARTNER: OUTSIDE-
TWIRLING FRONT
5TH STEP: JUMP IN FRONT
ARM ROTATION 6 FACING FRONT
LIGHTLY JUMP
FAST ARM ROTATION FEMALE : IN FRONT
JUMP MEETING AT THE 4 MALE: AT THE BACK
CENTER
ARM ROTATION 4 FACING FRONT
LIGHTLY JUMP
ARM FLUTTERING 4 FEMALE: LEFT-RIGHT
ENCIRCLING EACH OTHER MALE: RIGHT-LEFT
5 TH
STEP: JUMP IN FRONT

ARM FLUTTERING 16 FACING FRONT
SIDEWAYS
POSE IN 3RD 4
POSITION
Practice Time
RUBRICS
OUTS VERY SATISFA NEEDS
Indicators TAND SATISFA CTORY- IMPROVE
ING- CTORY- MEN-1
2
4 3
MASTERY- Level of execution of Sequence of
Steps and Figures of Dance
EXECUTION- Level proficiency in the execustion
of Steps and figures of the dance
TIMING- level of correct timing and
synchronization of body movements
PERFORMANCE- level of concentration and
commitment on performance of movement.
BEHAVIORAL/ TEAMWORK- Level of
Discipline and teamwork exhibit before, during and
After Performance
TOTAL
ASSIGNMENT
PRACTICE THE DANCE FOR THE

PERFORMANCE TASK

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GREAT DAY!

Gathered on the beach with the people are thousands of

To while away their time, people turn their attention to the

This playful frolicking started the first steps of an unrehearsed

Music was brought in later to lend order and form

MEANING: SEAGULLS OF BANTIGUE ISLAND

PLACE OF ORIGIN: BANTIGUE ISLAND, MASBATE

ETHNOLINGUISTIC GROUP: MASBATENO

CLASSIFICATION: COMIC, MIMETIC DANCE

Pants (Colored peasant

• 5TH STEP: JUMPING IN FRONT OF PARTNER

Raise your left arm, 4 TURNING COUNTER-

ARM FLUTTERING AND 8 MALE: RIGHT

MOVEMENTS COUNTINGS DIRECTION

PRACTICE THE DANCE FOR THE

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