Food Plating 2
Food Plating 2
Food Plating 2
Taking inspiration
from landscape
gardens, this linear
arrangement of food
is usually kept low
and long.
2. Free-form Technique
Like many modern
paintings, free form plating
may seem carelessly strewn
across a plate, but each
stroke and food placement is
carefully thought out to
create an abstract yet
intriguing “painting” on a
plate.
3. Food on organic materials Technique
Using organic materials
such as wood, slate and
stone as a plating
device lends a more
rustic and back-to-
nature feel to dishes.
4. Futuristic Technique
• Which plate you choose can make or break your dish, says South
African Chef Jack Coetzee. Try to avoid symmetry, it’s not very
interesting. And you need to create some height on your plate.
However, if you are blatantly going for symmetry, then you can get
away with it because it’s your intention. But the plates do look very
average if you’re trying to do something and you end up with it
looking symmetrical. You can follow his course on plating in our UFS
Academy for a more visual explanation.
• Here are a couple of take-outs he shares on the different shapes of
plates you can use and their possibilities to present your food.
Rectangular or elongated plate
Using a rectangualr plate is effective if you have lots of small
little garnishes that can wind their way through the length of the
plate, making it look like a garden.
Square plate
This is not the easiest shape to work with. You have to use the
Rule of Thirds, which is a theory dictating how an image (in
this case your plate) should be composed in order to create an
aesthetically pleasing result. You basically break your plate up
into a grid system of 9 block and try to avoid using the bull’s
eye itself because that’s a so-called dead spot. Also try not to
use any of the spots in the corners.
Round plate
These are most commonly used. The same rule applies to your
grid system on this plate, except you don’t have to worry about
all the dead corners. Try not to get anything in the middle unless
it’s deliberately in the middle.