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Good Afternoon!
Ms. Gloria Berganio
Lesson 2: Modern and Contemporary
Arts At the end of the lesson, you should be able to:
a. analyze art elements and principles in the
production of work following the Expressionist art styles from the various art movements; and b. describe the influence of iconic artists belonging to the varied Expressionist art movements. What is Expressionism? Expressionism is an artistic style in which an artist attempts to portray not objective reality but more on the subjective emotions and responses that objects, events, or situations arouse in him/her. Among the different styles that ascended within the Expressionist art movement were: • Neo-Primitivism • Fauvism • Surrealism • Dadaism • Social Realism Neo-Primitivism • This is a new genre in art that trend in Russian painting in the early twentieth century. Influences from the Western avant-garde were combined in a deliberately crude way with features derivative from the peasant art, lukbi, and other aspects of Russia’s artistic heritage. Neo-Primitivism Artworks Fauvism • This was the first avant-garde movements that flourished in France in he early years of the twentieth century. It is the style of les Fauves (French for “the wild beasts”) a loose group of early twentieth-century modern artists whose works emphasized painterly qualities and strong color over the representational or realistic values retained by Impressionism. Fauvism • The group hoped to give scientific thoroughness to Impressionism , and these artists had been experimenting with the use of pure, unmixed colors. It was more an instinctive coming together of artists who wished to express themselves by using bold colors, simplified drawing, and expressive brushwork. Fauvism Artwork Dadaism • Dada was a literary and artistic movement that originated in Europe during the time of horrors of World War I. The relupsion of war brought several artists, writers, and intellectuals together. • They expressed their anger through an artistic tradition of protesting. Characteristics of Dadaism • It had only one rule. Never follow any known rules. • Its arts was intended to provoke an emotional reaction from the viewer (typically shock or outrage). • It was nonsensical to the point of being whimsical. Although almost all members who created it were fiercely serious. • There was no predominant mediums and styles in Dadaist art. They used assemblage, collage, photomontage and the use of ready-made objects among others. Hannah Hoch • She is known for her collages and photomontages out of newspaper and magazine clippings. • She also integrated the use of sewing and craft designs. • She humiliated the German culture by literally slicing apart its imagery and reassembling in into vivid, disjointed, emotion expressions of modern life. Dadaism Atrwork Dadaism Atrwork Surrealism • It also shows painting techniques that allowed the unconscious to express itself. The following are some of the key figures who influenced the concepts od Surrealism: • Andre Breton • Karl Marx
Their focus is on the power of personal imagination
that somehow puts them in the tradition of Romanticism. However, they believed that the revelations could be found on the street and in everyday life. Max Ernst • Max Ernst was a German painter, Sculptor, graphic artist, and poet. He was a prolific artist and a primary pioneer of the Dada and Surrealist movements. A fanatical Surrealist with birds, he had a birdlike alter ego. Salvador Dali • He is a skilled Spanish draftsman best know n for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. Salvador Dali Joan Miro • He is a Spanish painter, sculptor, and ceramist. He relied strongly on vague biomorphic imagery. Joan Miro Social Realism • It is an artistic and political movement that flourished primarily during the 1920s and 1930s. It was the time of the global economic depression. • The Social Realists produced figurative and realistic images of the “masses”, a term that covered the lower working classes, the laborers who were into unions , and the politically marginalized.
(Studies in Contemporary German Social Thought) Michael Kelly (Editor) - Critique and Power - Recasting The Foucault - Habermas Debate-The MIT Press (1994)