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Unit-5 Computer Graphics Part-4

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11 views

Unit-5 Computer Graphics Part-4

Uploaded by

Smasher Ezio
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© © All Rights Reserved
Available Formats
Download as PPTX, PDF, TXT or read online on Scribd
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Shri Ram Murti Smarak College of Engineering, Technology & Research, Bareilly

Unit-V Part 4
Topics : Warn Model, Intensity Attenuation,
Color Consideration, Transparency & Shadow

Presented By:
Subject Name: Computer Graphics Sachin Kumar Saxena
Assistant Professor
Subject Code: RCS-603 CSE Department
SRMS College of Engineering,Technology &
Research,Bareilly
Warn
model
• The Warn model provides a method for simulating
studio lighting effects by controlling light intensity
in different directions.
• Intensity in different directions is controlled by
selecting values for the Phong exponent In addition,
light controls, such as "barn doors" and
spotlighting, used by studio photographers can be
simulated in the Warn model.
• It is implemented in PHIGS+
Warn
model
Intensity
Attenuation
• As radiant energy from a point light source travels
through space, its amplitude is attenuated by the
factor 1/d2, where d is the distance that the light
has traveled.
• a general inverse quadratic attenuation function
can be set up as

• A user can then fiddle with the coefficients a0, a1,


and a2, to obtain a variety of lighting effects for a
scene.
Intensity
Attenuation
Color
consideration
• To incorporate color, we need to write the
intensity equation as a function of the color
properties of the light sources and object
surfaces.
• For an RGB description, each color in a scene is
expressed in terms of red, green, and blue
components.
Color consideration
• The diffuse reflation coefficient vector, for example,
would then have RGBcomponents (kdR,kdG, kdB).
• If we want an object to have a blue surface, we
select a nonzero value in the range from 0 to 1 for
the blue reflectivity component, kdB
• The red and green reflectivity
components are set to zero (kdR = kdG
= 0).
• The intensity calculation for this example
reduces to the single expression
Transparency

• Realistic transparency effects


are modeled by considering
light refraction.
• When light is incident upon a
transparent surface, part of it
is reflected and part is
refracted.
Transparency
• Snell’s Law
• Angle of refraction r, is
calculated from the angle of
incidence i, the index of
refraction ni of the "incident"
material (usually air), and the
index of refraction nr of the
refracting material according to
Transparency
Transparency

• A simpler procedure for modeling transparent


objects is to ignore the path shifts altogether.
• In effect, this approach assumes there is no
change in the index of refraction from one
material to another, so that the angle of
refraction is always the same as the angle of
incidence.
Transparency

• The term (1 - kt) is the


opacity factor.
Shadows
Shadows

• Hidden-surface methods can be used to locate


areils where light sources produce shadows.
• By applying a hidden-surface method with a
light source at the view
• position, we can determine which surface sections
cannot be "seen" from the light source.
• These are the shadow areas.
Shadows
Shadows

• Once we have determined the


shadow areas for all light sources,
the shadows could be treated as
surface patterns and stored in
pattern arrays.
• The scene in Fig. 14-26 shows
shadow effects produced by
multiple light sources.
• We can display shadow areas with
ambient- light intensity only, or we
can combine the ambient light
with specified surface textures.
Any Query ?

www.sachinplacement.blogspot.com
or mail at
[email protected]

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