Lecture 13
Lecture 13
LATANOVA R.U.
INTONATION
When we speak the flow of speech does not consist only of
speech sounds (segmental units), there are also other phonetic
means that characterize a sequence of speech sounds. They are
called suprasegmental or prosodic means. Intonation and
stress are closely linked. In fact it's impossible to dissociate
them. There are no languages which are spoken without any
change of prosodic parameters but intonation functions in
various languages in a different way.
Intonation is about how we say things, rather than what we say,
the way the voice rises and falls when speaking, in other words
the music of the language. Just as words have stressed
syllables, sentences have regular patterns of stressed words. In
addition, the voice tends to rise, to fall or remain flat
depending on the meaning or feeling we want to convey
(surprise, anger, interest, boredom, gratitude, etc.). Intonation
therefore indicates the mood of the speaker.
• Changes in intonation can convey subtle information about
the speaker’s attitude and emotions, in addition to indicating whether
or not a sentence is a statement or question. Intonation in English can
be used to convey the nature and mood of your sentence. Changes in
intonation tell your listener if you have finished speaking or if you are
going to add something else to the sentence.
• Intonation can also convey a friendly or unfriendly mood,
sarcasm, humour, sadness, reluctance, excitement, anger, disapproval
and many other attitudes and emotions.
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• https://www.youtube.com/watch?v=rUY8LEMOYkQ&ab_channel=ETJ
English
Intonation is a complex unity of these prosodic features of speech:
melody (pitch of the voice); sentence stress; temporal characteristics
(duration, tempo, pausation); rhythm; timber (voice quality). The term
"prosody" is widely used in linguistic literature alongside with the term
"intonation" but in the broad sense.
Intonation can be described on the acoustic level (in terms of its
acoustic characteristics), on the perception level (in terms of the
characteristics perceived by a human ear) and on the linguistic level (in
terms of meanings expressed by intonation).
Intonation on the perception level is defined as a complex, formed by
significant variations of pitch, loudness and tempo (the rate of speech an
pausation) closely related. There are definitions that also include timbre,
which is sometimes regarded as the fourth component of intonation by
some linguists (it shows the speaker’s emotions, such as joy, sadness,
irony, anger, indignation, etc.).
Intonation is restricted to the pitch (tone) changes only. Intonation is
identified with pitch movements (melody), because pitch has the
greatest linguistic value.
• Pitch correlates with frequency of the vibrations of the vocal
cords, loudness correlates with intensity, tempo correlates
with time (duration) during which a speech unit lasts.
• Pitch is usually described as a system of tones (fall, rise, fall-
rise and so on), pitch levels (keys, registers), which can be
high, medium and low, and pitch ranges (intervals between
the highest and the lowest pitched syllables), which can be
wide, normal and narrow.
FUNCTIONS OF INTONATION