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    NAtional Artist For Theater 1

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    Angel Mae Cabales
    Here are two essay responses on the given topics: 1. Customs are important in a theatrical performance because they help establish context and cultural authenticity. When costumes, music, dances or other cultural elements are accurately portrayed, it gives the audience a sense of being transported to the time and place being depicted on stage. This level of immersion is crucial for helping audiences understand the social norms, values and traditions of the characters and society. Customs also provide visual interest that enhances storytelling. However, too much focus on customs could distract from the core story and message if not integrated seamlessly into the production. Overall, accurately representing customs lends authenticity and cultural understanding, as long as the primary focus remains on moving the plot and developing

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    © All Rights Reserved
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    NAtional Artist For Theater 1

    Uploaded by

    Angel Mae Cabales
    49 views24 pages
    Here are two essay responses on the given topics: 1. Customs are important in a theatrical performance because they help establish context and cultural authenticity. When costumes, music, dances or other cultural elements are accurately portrayed, it gives the audience a sense of being transported to the time and place being depicted on stage. This level of immersion is crucial for helping audiences understand the social norms, values and traditions of the characters and society. Customs also provide visual interest that enhances storytelling. However, too much focus on customs could distract from the core story and message if not integrated seamlessly into the production. Overall, accurately representing customs lends authenticity and cultural understanding, as long as the primary focus remains on moving the plot and developing

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    NAtional Artist for Theater 1

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    Here are two essay responses on the given topics: 1. Customs are important in a theatrical performance because they help establish context and cultural authenticity. When costumes, music, dances or other cultural elements are accurately portrayed, it gives the audience a sense of being transported to the time and place being depicted on stage. This level of immersion is crucial for helping audiences understand the social norms, values and traditions of the characters and society. Customs also provide visual interest that enhances storytelling. However, too much focus on customs could distract from the core story and message if not integrated seamlessly into the production. Overall, accurately representing customs lends authenticity and cultural understanding, as long as the primary focus remains on moving the plot and developing

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    49 views24 pages

    NAtional Artist For Theater 1

    Uploaded by

    Angel Mae Cabales
    Here are two essay responses on the given topics: 1. Customs are important in a theatrical performance because they help establish context and cultural authenticity. When costumes, music, dances or other cultural elements are accurately portrayed, it gives the audience a sense of being transported to the time and place being depicted on stage. This level of immersion is crucial for helping audiences understand the social norms, values and traditions of the characters and society. Customs also provide visual interest that enhances storytelling. However, too much focus on customs could distract from the core story and message if not integrated seamlessly into the production. Overall, accurately representing customs lends authenticity and cultural understanding, as long as the primary focus remains on moving the plot and developing

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    of 24

    National Artist for Theater

    Daisy Avellana
    • 1917-2013
    • Year of Conferment: 1999
    Daisy Avellana
    • First Lady of Philippine Theater
    • Born in Roxas Capiz
    • Her Contributions to Philippine Theater
    as cited, had brought “a new level of
    excellence by staging and performing in
    breakthrough productions of classic
    filipino and foreign plays. “
    Daisy Avellana
    • Her performances were exquisite and
    alluring taking in roles in productions such
    as
    • Othello, Macbeth in Black, Casa de
    Bernarda Alba and Tatarin
    Honorata “Atang”
    de la Rama
    • 1905 - 1991
    • Year of Conferment :
    1987
    Honorata Atang De la rama
    • She Battled for the supremacy of the
    Kundiman
    • National Artist for Theater and Music
    • Queen of Kundiman
    • She began her career in music and
    performance at the early age of seven
    Honorata Atang De la rama
    • She Starred in Zarzuelas such as Marina,
    Mascota, and Sueño de Un Vals.
    • For Atang the zarzuela and “Kundiman
    Express best the Filipino soul”
    • She was also credited to have penned
    the zarzuelas Anak ni Eba, Aking Ina, and
    Puri at Buhay.
    Rolando S.
    Tinio
    1937 - 1997
    Year of Conferment:
    1997
    Rolando S. Tinio
    • A director, actor, educator, critic,
    translator, poet and dramatist
    • Tinios work as a director is well
    remembered as someone “whose
    original insights into the scripts he
    handled brough forth productions
    notable for their visual impact and
    intellectual cogency”
    Rolando S. Tinio
    • Highlight of Tinios career was when he
    become the artistic director of the
    CCP’s resident theater company
    Tanghalang Pilipino.
    • His legacy as Teatro Pilipino’s artistic
    director is his laborious effrots to
    revitalize filipino drama through the
    revival of traditional works
    Rolando S. Tinio
    • “ Excellence and beauty of his pactice
    that claimed for theater a place
    among the arts in the Philippines” -
    NCCA -
    Salvador F.
    Bernal
    1945- 2011
    Year of Conferment:
    2003
    Salvador F. Bernal
    • He was part of over 300 productions in art,
    film, and music
    • Bernals style is known for maximizing the use
    of raw materials in theater production.
    • Native Filipino Materials such as bamboo,
    abaca fiber and the basic gauze cacha
    • He was not only a theater designer but also an
    educator who transmitted his knowledge and
    skill by holding classes and trainings in
    universities and the CCP.
    Lamberto V.
    Avellana
    1915- 1991
    Year of Conferment: 1976
    Lamberto V. Avellana
    • Avellana’s leagcy is one that has lived
    in both theater and film.
    • Barangay Theater Guild propagated
    many dramatic and theatrical
    performances of foreign and local
    plays, from the readings of
    shakespeare’s tragedies to Nick
    Joaquins A Portrait of the Artist as
    Filipino
    Lamberto V. Avellana
    • He was dubbed as “The Boy Wonder of
    Philippine Movies”
    • Avellana took on the challenge as film
    director and has directed landmark films
    such as:
    • Kandelerong Pilak (first Filipino film to be
    shown at the Cannes International Film
    Festival)
    • Sakay, Anak Dalita and Badjao
    Wilfrido Ma.
    Guerrero
    1911- 1995
    Year of Conferment:
    1997
    Wilfrido Ma. Guerrero
    • Talented writer, director, educator and artist
    who wrote a number of outstanding plays
    • First play entitled No Todo Es Risa in spanish
    • His contribution to arts is his introduction of
    the concept of a theater campus tour.
    • This Revolutionary outreach program staged
    over 2500 performances in almost two
    decades of runs.
    Wilfrido Ma. Guerrero
    • His works include; Half an hour in a
    Convent, Wanted: A chaperon,
    Forever, Condemmed, In Unity,
    three Rats, Our Stsrange ways, and
    the Forsaken House.
    Severino
    Montano
    1915- 1980
    Year of Conferment:
    2001
    Severino Montano
    • Named as the “titans of the Philippine
    Theater”
    • This National Artist was an
    exceptional poet, director, actor and
    theater organizer.
    • He is a playwright and an educator
    • Pursued the establishment of
    “legitimate Theater” in the Country.
    Severino Montano
    • He trained and directed a new
    generation of artist such as Joonee
    gamboa and Ben Cervantes
    • His Plays include Sabina, But Not My
    Sons Any Longer, Gabriela Silang and
    the Merry Wives of Manila.
    Rubrics
    Content - 5
    Relevance - 3
    Grammar - 2

    Total : 10 pts.
    Essay
    1. Are customs important in a theatrical
    perfromance? why or why not?

    2. How does drama portray an imitation


    of human life? Justify.

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