Workbook
Workbook
Introduction
Audience
Desire
Unique Selling
Point
Your
Story
2. Premise
This is the beginning of your hero’s
journey. Talk about the the old
“ you”.
5. Lesson
What's the lesson you learned from
this incident? How did it help you in
your career or life?
6. Conclusion
How is the lesson related to your
unique selling point? How does it help
your audience?
Tone of Write the way you talk. See if the tone of voice is consistent with how you talk/write to a
Voice close friend. If not, fix it.
A good way to test this is to say each sentence out loud and ask yourself how your friends
would react. Would they say "that sounds like you” or would they say “why do you sound so
proper”.
Strong Conflict Is there a strong conflict in the Trigger part of the story that confronts your character flaw? A
strong conflict should force you to do something that the “old you” normally wouldn’t do
because of the character flaw. If the conflict isn’t clearly shown in the story, make sure it does.
Remember, at any point during this course, if something doesn't work in your story, it's okay to
go back and come up with a different story. Writing is process of discovering and re-writing.
Demonstrate In Premise or Trigger part of your story, try to add specific example or statement that
Expertise demonstrate your expertise. The goal is to make it believable that you’re an expert by
explaining something only someone with experience would know, but is simple enough that a
common person would understand.
Use Mixed If there are any general criticisms made in the story, rewrite it in 1st person plural. For
Perspective example, instead using 3rd person:
Name Drop At The Try to add achievements like credentials, reputable clients, or awards in the Lesson part of
End your story. Talk about how the lesson helped you with achievements in your career and life.
The Ticking Is there a ticking clock or a deadline you can impose on your story to create tension? If so,
Clock add it into the story.
Something Add an unusual scenario in the story. For example, in the Outcome part of my story, I get a text
Unusual from my client 2 weeks after the project was complete telling me to come downstairs, which is
unusual.
Mystery Gun Is there a mystery gun you can plant earlier in the story that doesn't make sense until it’s resolved
later in the story? If so, add it into your story. For example, earlier in my story I talk about guitars
with my client's husband and later they give me a guitar as a gift.
New Obstacles Try to incorporate a series of obstacles in the story, not just one. As soon as you get over
one obstacle, a new obstacle should be introduced.
As soon as I walked in, Leslie greeted me with a big smile and a glass of
homemade lemonade. While I was working, she would often check in and ask
“do you need anything Sun?”
Describe The In Trigger and Outcome part of your story, try to add anything that can bring the audience into
Environment the story by describing the environment. Make them picture the story as it’s happening in their
mind. For example, stead of saying:
I went downstairs and she surprised me with a gift. It was an electric guitar.
Be more descriptive:
It was snowing, but I saw her waiting outside her car with the trunk open. She
had a big smile on her face. I walked over and saw a brand new red Fender
Strat inside a guitar case as she yelled out “surprise!”
With a pleasantly surprised look on her face, she said “my husband also plays
the guitar!” Then she pointed at the door with her thumb and asked “do you
wanna see them?”
Name Characters Try to name any characters in the story to make it more believable. It helps the audience
picture them in their mind and keep track of who said/did what. For example, this can get
confusing:
Describe Physical Wherever you can in the story, describe the physical emotions of how things felt in your
Emotions body. It brings the audience into the story. For example, instead of just describing how you
felt:
After being honest about what happened, I thought for sure he was going to
fire me, but then…
A miracle happened!
He said “thank you for being honest with me.”
like: I heard the doorbell ring. I saw him come in. I didn’t panic. I was
surprised. Try to mix between 1st, 2nd, and 3rd person point view:
The doorbell rang. He came in. You might be surprised to hear that I
didn’t panic
Change Sentence Using just short sentences can get boring and monotonous. For example:
Lengths
I made the zoom function. I spent three nights. I didn’t mind. It was my best
work. She was surprised. It was worth it.
Try to use mix of short, medium, and long sentences to make it interesting:
It was the best website I’ve ever made. It was a masterpiece. I even stayed
up three nights in a row trying to make a magnifying glass zoom function
so I can surprise her. I didn't mind. It was all worth it.
Test Read your headlines to see if you get a rough idea of the story from reading only the
Scannability headlines.
Read It Out Read the story out loud or have someone read it out loud. Notice where you get stuck with a
Loud word or phrase where you have to go back and re-read it. Re-write those sentences to make
it simpler. For example this sentence is difficult to read:
The realization that I came to was that for whatever reason, I had a tendency
to make my stories unnecessarily long and complicated.
Make it easier to read by simplifying it:
I was making my stories long and complicated
Rinse & Writing is a process of rewriting. Read your entire story to test readability and keep repeating
Repeat until you feel that it's tight as it can get. Try to read from a fresh perspective and see if it makes
sense from a stranger's point of view. We tend to overlook things that are obvious to us, but
might not be for someone without background knowledge.
Step 3: Peer Now read and evaluate stories from other students (at least 3) using the Rubric Scoring Guide.
Evaluation Try to find stories that have less than 3 comments. Leave them a comment with their score
and your feedback. Try to answer the following questions when leaving your feedback:
• What parts of the story were most relatable?
• What parts of the story kept your attention?
• What areas of the story need improvement?
Self Re- After you've evaluated 3 stories, come back and re-read your story and re-evaluate it. See if
evaluation your evaluation has changed or stayed the same.
Share Your What did you think of the course? Did you accomplish the goal you set in the introduction?
Experience What were some of your favorite lessons? Please share your experience in the review!
Audience Desire and Selling Point is clear and Audience Desire and Selling Audience Desire and Selling
Relevance Selling Point are very relevant to the story, but Point are not really clear or Point are not really clear or
clear and are relevant to Audience Desire isn’t really has little relevance to the has no relevance to the
the story. clear. story. story.
Premise shows a perfect Premise shows a good Premise describes the The struggle isn’t really clear
Show vs. example of the struggle example of the struggle struggle through adjectives, in the Premise.
Tell through actions and not just through actions and not just but doesn’t show an
adjectives. adjectives. example through actions.
Example of the struggle Example of the struggle Example of the struggle Example is a cliché that’s
Originality is vulnerable and is vulnerable, but also isn’t vulnerable, but a sob been used a million times.
original. kind of cliché. story.
Something that everyone
thinks but no one says.
Writing The story uses all of the 10 The story uses most of the The story uses few of the The story doesn’t use any of
writing techniques (in Unit 4/ writing techniques, but not writing techniques. the writing techniques. It
Lesson 2) to draw in the all. doesn’t draw in the reader.
reader.
When reading the story out When reading the story out When reading the story out When reading the story out
Readability loud, you never get stuck on a loud, you get stuck on a word loud, you get stuck on a word loud, you get stuck on a word
word or sentence. or sentence about 1 to 3 or sentence about 4 to 7 or sentence more than 7
times. times. times.
When scanning the When scanning the headlines When scanning the headlines When scanning the page
Scannability headlines quickly, you get quickly, you don’t get the gist quickly, you get the gist of the quickly, you don’t really get the
the gist of the story and it of the story, but it makes you story, but doesn’t make you gist of the story and it doesn't
makes you want to read the want to read the details. want to read the details. make you want to read the
details. detail either.
Focu The story supports one The story supports one The story has two or more The story is trying to say
s single lesson. There are single lesson, but it can be lesson. To focus on one too many things and it's
zero unnecessary words or tighter. There are few lesson, big part of the story hard to follow the point of
sentences. unnecessary words or can be removed. the story.
sentences.