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Script Writing Techniques

Script Writing Techniques provides 10 tips for writing scripts, including finishing scripts instead of endless tinkering, reading scripts while watching the corresponding movie or show to understand intentions, and using random inspirations like music or news stories as starting points. Characters should want something, show emotions through actions rather than dialogue, and write about familiar topics to play to strengths. Mistakes are part of learning, and scenes should start in media res and avoid unnecessary context.

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LouRenDelaPena
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967 views11 pages

Script Writing Techniques

Script Writing Techniques provides 10 tips for writing scripts, including finishing scripts instead of endless tinkering, reading scripts while watching the corresponding movie or show to understand intentions, and using random inspirations like music or news stories as starting points. Characters should want something, show emotions through actions rather than dialogue, and write about familiar topics to play to strengths. Mistakes are part of learning, and scenes should start in media res and avoid unnecessary context.

Uploaded by

LouRenDelaPena
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PPTX, PDF, TXT or read online on Scribd
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Script Writing Techniques

Be it a blockbuster movie, an indie gem, a play on The Fringe or the West End - scripts
are where it (usually) begins. Scriptwriters not only get to watch loads of TV and call
it ‘work’ – they get to create new worlds, re-invent old ones and give life to new voices.
Playwright and Scriptwriting Tutor, Frazer Flintham, gives us his top ten tips to get
you on your way, showing us that you don't necessarily need to spend ten years in the
British Library - you can sometimes just grab a script and a bag of crisps and start
munching...
1. Finish your script.

•This is so important. So many


people spend years tinkering over
one idea and never move on. The
more work you complete, (no matter
how toe-curlingly bad) and move
on, the better you’ll be.
2. Read along as you watch.

• Choose your favourite TV show or film. Get


a copy of the script and a grab-bag size of
your favourite crisps, and read the script as
you watch. It’s a great way to decipher what
the writer intended and what the director
bought to the piece.
3. Inspiration can come from anywhere.

• Run out of ideas? Listen to a piece of music,


put a random name into a search engine and
see what images come up. Pick a story from
The Metro, and use these as starting points
for a character, a scene, a story. And let your
imagination go.
4. Make sure your characters want something.

•From your protagonist, to the


waitress in the café serving tea.
When you know what your
characters want, your next job is to
make it hard for them to get it.
5. Show. Don’t tell.

•Whatever a character wants


or feels, it’s always more
interesting to learn this
through their actions, as
opposed to dialogue.
6. Write to your strengths.

•If you’re naturally funny – then


bring that into your work. If you’re
not a fan of research then don’t start
with something that requires 10
years in the British Library.
7. Starting out - write about what you
know

•Work. Family. Childhood. Or


things that get you excited.
Things that make you so mad
you want to throw bricks.
Write the script instead.
8. Free your characters from cliché
•Worried you’re writing a clichéd
character? Characters we may have seen
before? Then switch an element of that
character around. Change their sex, age,
class, occupation. This can often turn a
cliché on its head and lead us to
something interesting.
9. Make mistakes, and learn from them.

•Writer’s block’ is mostly ‘writer's fear’.


The fear of getting it wrong. That
nobody will like it. The idea that any
writer sits down at their laptop one
morning, and by 5pm they have a hit on
their hands is nonsense (or luck).
10. Less is more.

•My top tip for scenes… ‘start late,


and get out early’. Scenes don't need
to be fully-realised stories - don't
worry about describing how we got
here, just get on with it!

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