Cpar National Artist of The Phillipines Week 5
Cpar National Artist of The Phillipines Week 5
Cpar National Artist of The Phillipines Week 5
OF THE PHILLIPINES
TO BE A NATIONAL ARTISTS IS CONSIDERED TO BE THE HIGHEST NATIONAL RECOGNITION GIVEN TO FILIPINO INDIVIDUALS
WHO HAVE MADE SIGNIFICANT CONTRIBUTIONS TO THE DEVELOPMENT OF PHILIPPINE ARTS WHICH IS AWARDED BY THE
NATIONAL COMMISSION FOR CULTURE AND THE ARTS TOGETHER WITH CULTURAL CENTER OF THE PHILIPPINES.
NATIONAL ARTIST FOR VISUAL ARTS
Fernando Amorsolo (May Carlos “Botong” Francisco
30, 1892 – April 24, 1972) (November 4, 1912 –
Amorsolo is the first March 31, 1969) Francisco
National Artist in the revived the art of mural and
country and was known for was considered to be the
using backlighting most distinguished mural
technique in painting painter for about three
making his creations bright decades and was known for
and cheerful. using historical events as
subject matter for his
murals.
NATIONAL ARTIST FOR VISUAL ARTS
Cesar Legaspi (April 2, 1917 – April Elizalde Navarro (May 22, 1924 –
7, 1994) June 10, 1999) He was known for his
Legaspi was known for utilizing and hardwood masks reflecting the
refining cubism, a style involving human and the animal, abstract
breaking parts into geometric shapes, paintings in oil and watercolor, and
in his paintings. assemblages. He was also known for
his fiction works for This Week of
the Manila Chronicle, and for his
figurative drawings for Lydia
Arguilla’s Juan tamad.
NATIONAL ARTIST FOR VISUAL ARTS
Ang Kiukok (March 1, 1931 – May Benedicto Cabrera (April 10, 1942)
9, 2005) Known as “Bencab,” Cabrera was
He was known for his paintings noted as the bestselling painter of his
expressing nationalism and generation of Filipino artists and also
sociological agenda during the 60’s known for his sketches of a
through vivid cubistic figures. His scavenger named “Sabel a symbol of
works include “Geometric dislocation, despair and isolation-the
landscape,” “Pieta,” and the “Seated personification of human dignity
Figure.” threatened by life’s circumstance.”
NATIONAL ARTIST FOR VISUAL ARTS
Francisco Coching (January 29, 1919 Jose T. Joya (June 3, 1931 – 1995)
– September 1, 1998) Tagged as the Joya is known for pioneering abstract
“Dean of Filipino Illustrators,” expressionism in the Philippines. His
Coching is best known for his work most notable work is the Granadean
on comics and illustrations which Arabesque (1958). He also
lead to its recognition as popular art. represented the
He has influenced cartoonists such as Philippines in the 1964 Venice
Larry Alcala, Ben Infante and Nestor Biennale.
Redondo.
NATIONAL ARTISTS FOR ARCHITECHTURE
Pablo S. Antonio (January 25, 1902 Leandro V. Locsin (August Ildefonso P. Santos (September
– June 14, 1975) He was 15, 1928 – November 15, 5, 1929 – January 29, 2014)
considered a pioneer in modern Santos pioneered landscape
Philippine architecture. A
1994) His designs usually
features themes of architecture in the Philippines.
prominent feature of his designs is
the use of natural light and cross floating volume and a mix His work in the
ventilation. According to Antonio, of both eastern and Makati Commercial Center
buildings should be planned with western aesthetics. incorporated fountains,
austerity in mind and its stability
forever as the aim of true
sculptures and landscapes to a
architecture; that buildings must be shopping area.
progressive, simple in design but
dignified, true to a purpose without
resorting to an applied set of
aesthetics and should eternally
recreate truth.
NATIONAL ARTISTS FOR LITERATURE
Nick Joaquin (May 4, 1917 – April F. Sionil Jose (December 3, 1924) Alejandro Roces (July 13, 1924 –
29, 2004) He is considered as the F.Sionil Jose is one of the most May 23, 2011) Roces is known for
most distinguished Filipino writer in widely read Filipino writers founded his comic short stories which
English writing. His body of work the Philippine chapter of the includes “My Brother’s Peculiar
extends from short stories to poems Chicken.” He also led the campaign
to essays which includes journalism international organization PEN. to change the country’s
and reportage. He used the name Independence Day from July 4 to
Guerre Quijano de Manila as June 12.
journalist.
NATIONAL ARTISTS FOR LITERATURE
Music
Felipe Padilla de Leon (May 1, 1912 – December 5, 1992) He was known for Filipinizing western
music forms. His.works, which include “Mariang Maikling Overture,” “Maynila Overture,” “Payapang
Daigdig,” and “Ako’y Pilipino,” expressed sentiments and aspirations of the. Filipino in times of strife
and peace.
Lucrecia R. Kasilag (August 31, 1918 – August 16, 2008) she was known for fusing Filipino ethnic
music with Western musical influences. She was also known for incorporating Filipino indigenous
musical instruments in orchestral works.
Antonino Buenaventura (May 4, 1904 – January 25, 1996) He was known for his marches including
the “Triumphal March,” “History Fantasy,” “Echoes from the Philippines,” and “Ode to Freedom.” He
was a conductor of the Philippine Army Band. He wrote compositions for solo instruments,
symphonic and orchestral works, which are based on Philippine folksongs.
NATIONAL ARTISTS FOR DANCE, MUSIC, FILM, AND THEATER
Music
Ernani Cuenco (May 10, 1936 – June 11, 1988) He was known for the following songs: “Bato sa Buhangin,”
“Gaano Kita Kamahal,” “Inang Bayan,” “Isang Dalangin,” “Kalesa,” and “Pilipinas.” These works brought
contemporary Filipino music to a higher level. The song, “Gaano Kita Kamahal”, he added elements of
Kundiman. He played with the Filipino Youth Symphony Orchestra and the Manila Symphony Orchestra from
1960 to 1968.
Francisco Feliciano (February 19, 1941 – September 19, 2014) His major works include “Ashen Wings,” “Sikhay
sa Kabila ng Paalam,” and “Pamugun.” He was known for the use of modal scales in his operas and orchestral
works. He used indigenous music in his compositions.
Jovita Fuentes (February 15, 1895 – August 7, 1978) She was best known for her portrayal of Cio-cio San in
Giacamo Puccini’s Madame Butterfly in Italy in April 1925. When she returned to the Philippines, she
established the Artists’ Guild of the Philippines in an effort to instill love for opera in her countrymen.
NATIONAL ARTISTS FOR DANCE, MUSIC, FILM, AND THEATER
Music
Jose Maceda (January 31, 1917 – May 5, 2004) He conducted researches and fieldwork to explore.
Filipino traditional music further and to understand the nature of Philippine ethnic and traditional music. His efforts gave
birth to a huge number of recorded Philippine ethnic and traditional music.
Lucio San Pedro (February 11, 1913 – March 31, 2002) Best known for his compositions “Sa Ugoy ng Duyan,” “Sa Mahal
Kong Bayan,” “Dance of the Fairies,” “Triumphal March,” and “Lahing Kayumanggi,” Lucio San Pedro was the conductor of
the Peng Kong Grand Mason Concert Band, the San Pedro Band of Angono, and the Benda Angono Numero Uno. Working
with these bands and other town bands helped in the development of a civic culture among Filipino communities.
Levi Celerio (April 30, 1910 – April 2, 2002) Celerio is most known for his recognition as the only man who could play
music with a leaf in the Guinness Book of World Records. He also earned Lifetime
Achievement Award of the Film Academy of the Philippines for writing songs for local movies. He was also known as the
dean of Filipino lyricists.
NATIONAL ARTISTS FOR DANCE, MUSIC, FILM, AND THEATER
Music
Antonio J. Molina (December 16, 1894 – January 29, 1980) Molina was known for introducing the
pentatonic scale, whole tone scale, linear counterpoints and the use of dominant ninths and eleventh
chords in Philippine music.
Ramon P. Santos (February 25, 1941) Santos is a Filipino composer, musicologist and ethnomusicologist
who was made a Chevalier de I’Orde des Arts et Lettres in 1987. He helped in advocating modern
Philippine music that is still based on early Asian practices and way of life.
Andrea Veneracion (July 11, 1928 – July 9, 2013) She was the founder of the world-renowned University
of the Philippines Madrigal Singers, or simply the Philippine Madrigal Singers, which is the first choir in
the world to win the European Grand Prix for Choral Singing twice. Veneracion is also recognized as an
important authority in the development of Philippine choral music.
GAWAD SA MANLILIKHA NG BAYAN (GAMABA)
• Eduardo Mutuc (2005 awardee) He dedicated his life in creating religious and secular art in silver, bronze
and wood. According to him, craftsmanship begins with respect for one’s tools and the medium, and the only
way to improve one’s skills is to immerse oneself, learn the technique, and to practice.
• Darhata Sawabi (2005 awardee)
• She is a Tausug weaver of pis syabit – the traditional cloth tapestry worn as a head cover. Women in Sulu
province have grown up learning in weaving the pis syabit and she is one of those who took the art of pis
syabit making to heart.
• Haja Amina Appi (2005 awardee) She is recognized as a master mat weaver among the Sama indigenous
community for her unique designs, straightness of her edging (tabig), and fineness of her sasa and kima-kima.
Lang Dulay (1998 awardee) She is a T’boli traditional weaver of “tinalak” or T’boli cloth made of colorful
abaca fabrics. She used abaca fibers as fine as hair which speaks more eloquently than words can.
GAWAD SA MANLILIKHA NG BAYAN (GAMABA)
• Salinta Monon (1998 awardee) She is a Tagabanwa-Bagobo traditional weaver of distinct abaca
fabrics called inabal. She developed a keen eye for the traditional designs and can identify the designs
as well as the author of a woven piece just by a glance.
• Alonzo Saclag (2000 awardee) He is a Kalinga master of dance and the performing arts who
mastered not only the Kalinga musical instruments but also the dance patterns and movements
associated with his people’s ritual.
• Federico Caballero He is a Sulod-Bukidnon epic chanter who works for the documentation of the
oral literature. He is considered as bantugan which means a person who has attained distinction. He
strikes to dispense justice in the community through his work as a manughusay which is an arbiter of
conflicts.
GAWAD SA MANLILIKHA NG BAYAN (GAMABA)
• Masino Intaray (1993 awardee) He is a prolific and pre-eminent epic canter and story teller
recognized for his outstanding mastery of various traditional musical instruments of the Palaw’an
people, such as basal, kulilal and bagit. He is an outstanding master of the basal, kulilal (musical
ensemble) and bagit; a gifted pot, bard artist, and musician.
• Samon Sulaiman (1993 awardee) He is Magindanaon, who is highly sophisticated in weaving,
okir designs, jewelry, metalwork and brassware which art is Southeast Asian yet distinct in
character.
• Uwang Ahadas (2000 awardee) His near-blindness eyesight made music his constant
companion. He is a Yakan, a people to whom instrumental music is of much significance,
connected as it is with both the agricultural cycle and the social realm.
GAWAD SA MANLILIKHA NG BAYAN (GAMABA)