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    Aroha (Ascent) : N R G M D N S, Avaroha (Descent) : S N D P M G R S Vadi: Ga, Samavadi: Ni Mood: Devotion

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    Mati Valenzuela
    The document provides details about the Raga Yaman including its Thaat, Aroha-Avaroha, Vadi, Samavadi, and mood of devotion. It then describes the alaap improvisation process where the raga is explored in the lower and higher octaves. Finally, it shares a Yaman composition for bansuri flute composed in Dadra taal, detailing the primary and secondary parts of the Sthayi and Anthara sections that are played in a specific pattern.

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    Aroha (Ascent) : N R G M D N S, Avaroha (Descent) : S N D P M G R S Vadi: Ga, Samavadi: Ni Mood: Devotion

    Uploaded by

    Mati Valenzuela
    130 views1 page
    The document provides details about the Raga Yaman including its Thaat, Aroha-Avaroha, Vadi, Samavadi, and mood of devotion. It then describes the alaap improvisation process where the raga is explored in the lower and higher octaves. Finally, it shares a Yaman composition for bansuri flute composed in Dadra taal, detailing the primary and secondary parts of the Sthayi and Anthara sections that are played in a specific pattern.

    Original Title

    Yaman Bansuri

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    The document provides details about the Raga Yaman including its Thaat, Aroha-Avaroha, Vadi, Samavadi, and mood of devotion. It then describes the alaap improvisation process where the raga is explored in the lower and higher octaves. Finally, it shares a Yaman composition for bansuri flute composed in Dadra taal, detailing the primary and secondary parts of the Sthayi and Anthara sections that are played in a specific pattern.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    130 views1 page

    Aroha (Ascent) : N R G M D N S, Avaroha (Descent) : S N D P M G R S Vadi: Ga, Samavadi: Ni Mood: Devotion

    Uploaded by

    Mati Valenzuela
    The document provides details about the Raga Yaman including its Thaat, Aroha-Avaroha, Vadi, Samavadi, and mood of devotion. It then describes the alaap improvisation process where the raga is explored in the lower and higher octaves. Finally, it shares a Yaman composition for bansuri flute composed in Dadra taal, detailing the primary and secondary parts of the Sthayi and Anthara sections that are played in a specific pattern.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    of 1

    YAMAN ….

    Thaat: Kalyan Thaat, Time: 7pm to 10pm


    Aroha (ascent): N R G M D N S, Avaroha (descent): S N D P M G R S
    Vadi: Ga, Samavadi: Ni Mood: Devotion
    Alaap
    A detailed alaap is played in the beginning of the Raga improvisation. This alaap is played before the taal/rhythmic cycle begins.
    We start improvising in the lower octave first and later we move higher in the octave introducing Swaras one after the other.
    S > > > .N .D S > > > >
    .N .D S .N > > .N .D .P > >
    .D .N R > > .N .D S > > >

    S .N .D .N R > > > >


    .N .D .N G R > > >
    M G R > > .N .D .N S > >

    G R .N R G > > >


    M G R > > >
    N R G G M > > P M G >
    R GM P > M GR S > > >

    .N R G > R G M > G M P
    N > D P > M GR > > >
    G R .N .D S > > > > > >

    Composition – Bandish
    This Yaman composition for bansuri flute is composed in Dadra taal (6 beat rhythmic cycle). In the following style this
    composition is played..
    Primary part of the Sthayi twice – Secondary part of the Sthayi once – Primary part of the Sthayi once.
    Primary part of the Anthara twice – Secondary part of the Anthara once – Primary part of the Sthayi once.

    Dha Dhin Na Dha Thin Na Dha Dhin Na Dha Thin Na


    1 2 3 4 5 6 1 2 3 4 5 6

    Yaman Bansuri composition: Primary Part of the Sthayi x 2 / x 1


    S .N .D N R R G > > R .N R
    M > > G M D P MG R S > >

    Secondary Part of the Sthayi. x 1


    G G R G M D P > > D N S’
    N D P D P M P MG R S > >

    Yaman Bansuri composition: Primary Part of the Anthara. x 2 / x 1


    P P P G M P M D N S’ > >

    Secondary Part of the Anthara x 1


    G’ > > R’S’ ND P R’ > > S’N DP M
    N D P D P M P MG R S > >

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