Reviewer in Police Photography Latest Update 072314
Reviewer in Police Photography Latest Update 072314
Reviewer in Police Photography Latest Update 072314
Police Photography
By
MELCON S. LAPINA, MSCrim
4th Place, Criminologists Board Exams,
October 1996, Manila
ANSWER
melcon s. lapina, mscrim
3. Literally means dark chamber
a. Diaeta aquilus
b. Anacleta atramentum
c. Thalamus attratus
d. Camera obscura
ANSWER
melcon s. lapina, mscrim
4. A light tight box, with a means of
forming the image (lens), holding
sensitized materials (film holder),
and with a means of controlling the
amount of light that reach the film.
a. Shutter
b. Aperture
c. Camera
d. Lens
ANSWER
melcon s. lapina, mscrim
5. The best way to determine the entire
coverage of the camera is to look behind
the lens of the camera. In this manner, the
object can be framed properly and
recorded on the film. This type of camera
eliminates the problem on parallax error.
a. Single-Lens Reflex
b. Twin-Lens Reflex
c. Press Type Camera
d. Viewfinder Type
ANSWER
melcon s. lapina, mscrim
6. The difference between the image seen by
the viewing system and that recorded on the
film. Problems occur as the subject moves
closer to the taking lens when using Twin-
Lens Reflex (TLR) cameras.
a. Aberration
b. Shutter error
c. Diaphragm error
d. Parallax error
ANSWER
melcon s. lapina, mscrim
7. The object to be photographed looks
double when the focusing control is
not in proper distance…
a. Coincidence
b. Rangefinder
c. Scale-Bed Type
d. Split-Type
ANSWER
melcon s. lapina, mscrim
8. Functions much like the iris of the
eye—it controls the effective diameter
of the lens opening.
a. Diaphragm
b. Focusing
c. Shutter
d. Lens
ANSWER
melcon s. lapina, mscrim
9. A lens with one convex and one
concave side is convex-concave.
a. Biconcave
b. Biconvex
c. Meniscus
d. Plano-Convex
ANSWER
melcon s. lapina, mscrim
10. A lens aberration in which off-axis
light rays focus at different distances
when they pass through different
areas of the lens.
a. Astigmatism
b. Chromatic aberration
c. Spherical aberration
d. Coma
ANSWER
melcon s. lapina, mscrim
11. Lens with focal lengths greater than
50mm.
a. Standard lens
b. Telephoto lens
c. Wide-angle lens
d. Zoom lens
ANSWER
melcon s. lapina, mscrim
12. The material necessary to produce a
positive print is
a. Sensitized paper
b. Film
c. Emulsion
d. Filter
ANSWER
melcon s. lapina, mscrim
13. A homogenous medium, which
absorbs and transmits differentially
light rays passing through it.
a. Sensitized paper
b. Filter
c. Film
d. Emulsion
ANSWER
melcon s. lapina, mscrim
14. A part of this electromagnetic
spectrum that creates the sensation
of light when it falls on the human
eye.
a. Visible light
b. UV light
c. X-rays
d. Infrared light
ANSWER
melcon s. lapina, mscrim
15. It is impenetrable to light.
a. Transparent
b. Translucent
c. Fluorescence
d. Opaque
ANSWER
melcon s. lapina, mscrim
16. Object in open space casts a deep and
uniform shadow
a. rainy sunlight
b. bright sunlight
c. hazy sunlight
d. dull sunlight
ANSWER
melcon s. lapina, mscrim
17. The process of removing unexposed
silver halides remaining in the
emulsion after the first stage of
development of the latent image.
a. stop bath
b. fixation
c. development
d. washing and drying
ANSWER
melcon s. lapina, mscrim
18. A developer for film.
a. Dektol
b. D-76
c. Hypo
d. Glacial acetic acid
ANSWER
melcon s. lapina, mscrim 19
19. The so-called camera in reverse.
a. Contact printer
b. Enlarger
c. Projector
d. Magnifier
ANSWER
ANSWER
melcon s. lapina, mscrim 21
1. He was able to obtain camera images on
papers sensitized with silver chloride
solution in 1816. He invented a
photographic process which he called
“heliography,” meaning “writing of the
sun.”
a. John Frederick William Herschel
Test of Retention
Proceed to Next Question
melcon s. lapina, mscrim 25
2. The art or science of photographically
documenting a crime scene and
evidence for laboratory examination
and analysis for purposes of court
trial.
a. Forensic Photography
b. Modern Photography
c. Police Photography
d. Technical Photography
Test of Retention
Proceed to Next Question
melcon s. lapina, mscrim 27
3. Literally means dark chamber
a. Diaeta aquilus
b. Anacleta atramentum
c. Thalamus attratus
d. Camera obscura
b. Shutter error
c. Diaphragm error
d. Parallax error
Test of Retention
Proceed to Next Question
melcon s. lapina, mscrim
7. The object to be photographed looks
double when the focusing control is
not in proper distance…
a. Coincidence
b. Rangefinder
TOPIC: Control of Camera
c. Scale-Bed Type
d. Split-Type
Type Description
Rangefinder Type For viewfinder, instamatic camera and
35mm cameras: 1. coincidence – object
appears double when out of focus; 2. split –
object appears split when out of focus.
Ground Glass Object appears blurred when out of focus.
Type
Scale Bed Type Focusing is made by calculating or
estimating distance of object to be
photographed. Focusing ring is adjusted to
corresponding estimated distance.
d. Lens
COMPENSATION
Test of Retention
Proceed to Next Question
melcon s. lapina, mscrim 45
9. A lens with one convex and one
concave side discusses
This topic is convex-concave.
about LENS.
a. Biconcave
b. Biconvex
c. Meniscus
d. Plano-Convex
Test of Retention
Proceed to Next Question
melcon s. lapina, mscrim
Focal Length
Distance from Characteristics
Focal
optical Length
center of lens to
11. Lens with
This Measure
Type
focal
topic discusses lengths greater
about
Characteristics
than
focal
film
50mm.plane when of lens is set
light-bending or focused
power of lens. at
length.
50mm
infinity
Standard position
Measured inor far
millimetersdistance.
(mm). Click
a. Standard lens
View that it gives is similar to that of human eye.
Focalto see
here schematic
focal length diagram of focal
Longer focal length
Shorter
b. Telephoto lens
Length
length. Wider
Wide-Angle - Narrower
angle of viewangle of view
c. Wide-angle lensobjects appear in viewfinder
- Larger
Greater than 50mm
d. Zoomwithout
Telephoto lens need
Narrower angle to go move closer.
of view
Zoom Lens Variable focal length
Click to see Comparative View of Different Focal Length
Test of Retention
Proceed to Next Question
melcon s. lapina, mscrim 53
Emulsion Placed
Ways
Photographic Blue
of between
Exposing
Characteristics
Two sensitive
Transparent
General
papers
Main
ASA
SuspensionTypes light-sensitive
Photographic
film
Types
of
of
(American –
substrate
B
Colorare
& sensitive
of
FilmW Films Paper
emulsion
Films
Standards
of toAssociation)
UV rays
subsequently
sensitive &
Thetoughmaterial
Characteristics
12.Granularity: & film size
rating.
blue
Forms necessary
of
base,
color
of
or
a
negative
Photographic
metallic
Expressed
sometimes
only. in Ex.to on
silverproduce
arithmetical Paper
grains
Medical
(color-reversed) back value.
image of
X-raya
that
film
when
developed
Contact
1.are printing
Emulsion
formed using
silver
Emulsion
Support
after 2. gelatin-silver
Spectralsalt
Placing
development medium or 3.
of process
mixture
negative inforcontact
Granularity
exposed to
of
film.
positive
Chloride
create
Color
paper
base.
visible
negative print
Film exposed
(Blue
DIN
image. is
has slow Industrie
Sensitive)
(Deutsche
with
speed &Normen)
paper
is suited
directly
for
rating,
to
Black
Speed
film &
This topicsilver
photosensitive
Sensitivity
discusses
contact halides
Gray/Anti-Halation
which emulsion
printing.
is expressed
Permanently exposed in aboutorin
logarithmic
during viscous
Graininess
atop
films
Backing
developing it.
value.
Emulsion
Gray
a.
White
Speed
Sensitized
Absorbs Lower
paper
Orthochromatic
light by & emulsion
produce
into
film contact
opaque
– speed,
print
sensitive
anti-halation
to finer
UV
Spectral
and
Bromide papers
paper medium
E.g. Kodacolor
ISO has (as
(International
fast speed gelatin
Standards
& color.
is of solution)
Organization)
recommended
FilmPoints
Base
Enlarging to
layer. rays, Film
Accounts
grains.
to Base
blue for &
Using thickness
green
enlarger infilm.
Itorder
is Not toor
b. Film
Sensitivity rating.
A.k.a.for Expressed
slide filmprojection in combined arithmetical
printing
remember
Color Film
Prevents forming
sensitive
&
Types: to Red
Multi-layer
logarithmic
cellulose
re-exposing createColor.
values.
of coating
emulsionnitrate,
latent
film imagecoated on
cellulose on
c. EmulsionHigher emulsion speed, bigger
Forms negative
enlarging. image when exposed
Color reversal film
Exposing Being photographic
same
acetate
in Panchromatic
grains
specialized
washed
Reversed support
from &image
film
to Producing
film
positive or–plates,
duringbase. film,
polyethylene
sensitive
processing.
during to UV
photographic
developing or
Chloro-bromide
Filter is to
multi-speed & andcouldred belight
usedorin
d.
camera
paper
paper.
radiation
trephthalate
Projected
both
blue,
negative
onto screen.
contact
green,
polyester
printing & (Kodak
enlarging.
Film
all colors. developer – finer grain
Photograms trade-name: ESTAR)
E.g. Kodachrome
Paper Placing
developer objects
– upongrain
bigger it
Infra-red film – sensitive to UV rays, to
blue, green, red light & infrared rays.
Test of Retention
Proceed to Next Question
melcon s. lapina, mscrim
FILTERS
13. A homogenous TYPES OF FILTERS medium, which
absorbs and order transmits
to secure properdifferentially
Light Balance Filter to change the color quality of exposing light in
color balance for
light rays passing through it.
artificial light films.
Color Compensating to change over-all color balance of
a. Sensitized
Filter paper result obtained with color films &
photographic
to compensate for deficiencies in quality of
b. Filter exposing energy.
Neutral Density when light is too bright to allow use of desired f-
c. Film
Filter number or shutter speed with particular film.
d. Emulsionto reduce or minimize reflections on subjects
Polarizing Filter
like water glass, & highly polished surfaces.
A form
White:
Light
Light:
14. part
travels of
Photographic
presence
Light
Examples this
BENDING
in straight
of
of electromagnetic
Measured electromagnetic
of
Rays
LIGHT
in all
isOFDiffraction
traveling
line at
energy; colors.
of Modern
like186,000
wave,
explained
nanometers; in:
1nm
wavelength,
Type frequency
e.g.
Subtype
= 1 &billionth
energy.
ripples in surface
of of
meter water.
Description (10 -9
miles/second.
spectrum
1.Closely However,
that creates
Photography
spaced tracks when
onthe light
CD comes
sensation
Visible
Black: Light
absence
Specular of
or Regular
meters). all
Reflecting surface DVD
colorsor or
– very
inactcontact
of light
as with
when object,
Parts:
diffraction
Reflection it1.fallsit
Crests may
on
grating
smooth beto
the
– peaks, bended
human
2. form
absence
X-rays
in following
Reflection of light.
Troughs
manner:
400 – 700 1
– to 30
valleys
nm nm
eye.
familiar
Wavelength rainbow
Diffuse or pattern
Irregular we
Reflecting see
surface –when
rough
Reflection or granular
Ultra-Violet
looking
a. Visible at Rays
Wavelength
disk;
light 30 –todistance
400 nmbetween
Refraction Change in direction of wave due to change in speed
two consecutive peaks (or
Visible
b. UV
2.Hologram Light
light
Observed
another
when wave400
(picture
troughs) passes to
that from700 nm
one medium
changes to
when
c. X-rays
lookedApparent
Infrared
Diffractio at
Rays from
Greek different
700
of wavesto
bendingsymbol: angles)
1,000+nm
letter
around λ obstacles
small on
n d. Infrared
credit card;
and light out of waves past small openings.
spreading
(lambda)
Bending of light when it hits sharp edge of opaque
Test of Retention
object.
Proceed to Next Question
melcon s. lapina, mscrim
TOPIC:
15. KindsKinds
It is impenetrableof ofObjects
Objects
to light. Light May
Kind Description
Come in Contact w/
a. Transparent
Transparent Allows light to pass through; object on
b. Translucent
objects other side may be clearly seen.
c. Fluorescence
Translucent Allows light to pass but sufficiently
objects diffused; objects on other side may not be
d. Opaque clearly distinguished. Some may be
recognizable but detail and outline are
obscured. Ex. Opal glass, ground glass, &
oiled paper
Opaque objects Divert/absorb light, but allow no light to
pass through. Ex. Thick metal, stone, &
wood.
Proceed to Next Question
melcon s. lapina, mscrim
16. Object
FORENSICinTypes
Natural open
Light
Artificial space
Source
ofLIGHT
SOURCES Dull casts
(by
OFSunlight
Light Sourcea deep and
Sunlight)
SOURCES
LIGHT
1. uniform
1. Natural
Bright
Cloudy Light shadow
Sunlight
bright
Artificial Source Moonlight,
Objects
Objects
light sourcesin
in open
open
most lightning,
space
space casttoa
cast
useful
1.UV Lamp TOPIC: deep
no
Sources
starlight,
and
shadow
of
uniform
but
Light
sunlight,
or etc.
objectsdistinct
at
a. rainy
police work sunlight
are FORENSIC
shadow. LIGHT
2.LASER
2. Artificial – Light
farLight
distance
Man-made; Amplification
are divided
clearly into:
SOURCES.
bright sunlight
2.b.Source
through
Hazy Sunlight 1. in
visible.
Stimulated
Objects continuous
Emission
open spaceradiation
castofa
and 2. short duration.
hazy
Radiation.
c. sunlight transparent shadow.
2. Cloudy dull Objects in open space cast
3.d.Dull Sunlight
dull sunlight Objects
not in open
shadow and space cast of
visibility no
3.Alternative Light Sources
shadow.
distant objects are already
limited.
Test of Retention
Proceed to Next Question
melcon s. lapina, mscrim
17. Thetopic
This process
Chemical
Development of
Equipment
Film forremoving
STOP-BATH
FIXATION
DEVELOPMENT
FilmHow
Processing:
Processing
discusses of unexposed
Processing
Done
Film
– inconversion
about CHEMICAL of
Salts Used Fixation
1.
a.
1. Bsilver
Tank
&W
Black
Carried or&
PROCESSING outhalides
tray
White
in Reducing
trays,
of remaining
f. exposed in
Timeror mechanized
Development,
tanks,
FILM. silver the
halide
stop-
latent
Purpose:
Purpose:
Most
b. Emulsion
equipment.
image
Developing
Processing
to
removes
common
reel halt
crystalsin
theg.
emulsion
unexposeddevelopment
salts
(black silver
silver)used:
Funnel
bath, and
into
fixation.
of
halide
(1)
into metallic
emulsion
remaining after
on Photographic
silver. orthe
(Same first
film or stage
photographic
reactionby is found of
in
visible
the
sodium
paper.
c. film,
Opener image.
development
2. Color
plate,
thiosulfate
for materials
Processing
Panchromatic offilm
paper
a.k.a.
theh.Development,
photographic hypo
Photographic
latent image.
– papers.)
handled
either
in &
sponge (2)
stop-
total
washing
cartridge
Effects:
ammonium
darkness. (1) off
leavesdeveloping
(pliers) behind reduced
thiosulfate,
fix, and chemical or
metallic silver
commonly
stabilizer.
2. a.
formingstop
Color bath
image, Developed
(2) silver is insensitive
replaced with
the i. Film clips for drying to
makes film
neutralizing
d. Scissors to cut
used
Blue
further in
Emulsion
films, modern
action
it.
cyan, rapid
yellow,
orthochromatic
by light. fixer
and
films formula.
magenta
and dye.
printing
fixation
tongue of the film
b.
papers
Without
e. c.
– handled
development
Thermometer
under j.a safelight.
fixing: remaining silver halide (1)
glass or plastic bottles
quickly darkens & (2) causes severe
(gallon size) fogging of
for storing
d. washing and drying
image. mixed solutions.
Photo # 1
Photo # 2
Crime Scene
Photo # 3
Photo # 4
Overall Overall
Photo #3 Photo #4
Overall Overall
Photo #1 Photo #2
The blue
background by
itself might indicate
a number of
locations.
melcon s. lapina, mscrim 67
Evidence Establishing
Example
Evidence Establishing
Photograph
melcon s. lapina, mscrim 68
Evidence Close-up Photographs
1. Chromatic Difference of
Magnification – The inability of the
lens to produce image sizes of objects
with different colors.
2. Depth of Focus – It is the distance
toward and away from the film that
the lens can be moved at a given f-
value and the object still appears in
interior.
melcon s. lapina, mscrim 74
Some Important Terms
a. 1 – a, 2 – d, 3 – c, 4 – b c. 1 – c, 2 – d, 3 – b, d – a
b. 1 – b, 2 – a, 3 – c, 4 – d d. 1 – d, 2 – a, 3 – c, 4 – b
b. Light
c. Sensitized materials
d. All
b. Debate
c. Forum
d. Hearing
b. Heliograph
c. Calotype
d. Not all of the above
b. Forensium
c. Forensus
d. Forinsis
b. It depends
c. Sometimes
d. True
d. Virtual image
b. 5
c. 7
d. 9
b. Flash unit
c. Shutter speed
d. Not all of them
b. Focusing ring
d. Zoom ring
melcon s. lapina, mscrim 107
Q1
answer
The smallest and simplest type of
camera
a. Single Lens Reflex
b. Special Cameras
c. Twin Lens Reflex Type
d. Viewfinder Type
b. Digital cameras
c. Instamatic
d. Polaroid
b. Portrait shot
c. Still shot
d. Stolen shot
d. Shutter
a. 1 – a, 2 – b, 3 – d, 4 – c
b. 1 – b, 2 – c, 3 – d, 4 – a
c. 1 – c, 2 – b, 3 – a, 4 – d
d. 1 – d, 2 – c, 3 – a, 4 – b
melcon s. lapina, mscrim 128
Q2
answer
Coma aberration is seen as
a. Comet-like
b. Spherical-like
c. Bulging-like
d. Pincushion-like
b. Converging lens
c. Diverging lens
d. Meniscus
d. Spherical aberration
b. Convex-concave
c. Convex-convex
d. Plano-convex
d. Spherical aberration
d. Spherical aberration
d. Curvature of field
d. zoom lens
b. Depth of field
c. Focal length
d. Hyperfocal distance
b. Telephoto lens
c. Wide-angle lens
d. Zoom lens
d. Zoom lens
b. Telephoto lens
c. Wide-angle lens
d. Zoom lens
b. Chloride-paper
c. Chloro-bromide paper
d. Bromide-chloride paper
d. Bromide-chloride paper
d. f/22
d. True
d. Panchromatic film
d. ASA 1000
d. Pan
VI. Printing
d. Negative holder
b. Tinted objects
c. Translucent objects
d. Transparent objects
b. Fixation
c. Rinsing
d. Stop-bath
Back
melcon s. lapina, mscrim 191
Schematic Diagram of TLR
Back
Back
melcon s. lapina, mscrim 193
Schematic Diagram of View of
Press Type Camera
Back
melcon s. lapina, mscrim 194
Schematic Diagram of
Digital Camera
Back
Back
melcon s. lapina, mscrim 196
Time Setting
Back
Back
melcon s. lapina, mscrim 198
Focal Length
Back
Back
Back
melcon s. lapina, mscrim 201
Granularity
Back
Back
melcon s. lapina, mscrim 204
Orthochromatic Film
Back
Back
Back
- Military
Leaves:
Sensitive:
Differed
Infraredwhite
from
use:
full
skies:
plant
visual
to
conventional
light
dark,
life
spectrum
gray
vs.
almost
camouflage
in
film
infrared
of
black;
by
light
how&
images
contrasted
itinfrared
spectrum
records
against white
reflected
foliage
IR energy
& white clouds
melcon s. lapina, mscrim 207
Shutter
Back
melcon s. lapina, mscrim 208
Contact Printing
4. Under
1.
2.
3. Cut
Place
Close
negative
negatives
safe
contact
lighting,
into
printer
instrips
rows
place
&
ofon
photo
expose
sixtop
orpaper
of
size
topaper,
fitting
light.
in contact
emulsion
(Light
onto printer.
1 pc
from
side
of
photographic
Emulsion
down.
enlarger may
sidedo)
paper.
up (Usu. shiny side)
Back
melcon s. lapina, mscrim 209
8. Set
1.
2.
3.
REMEMBER:
4.
5.
6.
7. Open
Get
Turn
W/
Under
Stop
Settimer,
main
sharp
masking
down
aperture
enlarger
safe
&
lights
focus
lens
lighting,
make
Other
easel
to
off
of
on,
Maketo
widest
exposure.
image:
&adjustments
medium
place
to
place
raise/lower
test desired
setting
raising/lowering
negative
piece
strip setting:
to
should
print
of
enlarger
allow
first: into
photo
f.8.
(1) be
lots
negative
Otherwise,
under
head
paper
lens
find ofcorrect
light
to
safe
into
holder,
get
through.
lighting.
exposure
masking
desired
shiny
side of
size.
size
time:
easel.
time, up
too
image
(2) quick contrast
check
Enlarging
& hard to control
level, & (3)adjustments.
save paper
Back
Back
melcon s. lapina, mscrim 211
Light Balance Filter
Back
Back
Diffuse or
Irregular
Reflection
Back
Specular or Regular
Reflection
melcon s. lapina, mscrim 214
Refraction
Back
melcon s. lapina, mscrim 215
Diffraction Grating
Back
Back
melcon s. lapina, mscrim 217
Transparent Object
Back
Back
Back
Back
Back
Back
Back
Back
Back
Back
Barrel Distortion
Back melcon s. lapina, mscrim 235
Pincushion Distortion
Back
Back
melcon s. lapina, mscrim 242
Short Duration (Flash Unit)
Flash bulb – burning metallic wire
Electronic flash – burning electrical
discharge through gas-filled tube
Back
melcon s. lapina, mscrim 243
Steps in Film Processing
Back
melcon s. lapina, mscrim 246
Circle of Confusion
Back
Ak.a. circle
Concept:
Limit ofLargest
we start
UNACCEPTABLE
maximumblur
noticing thingsspotor
confusion indistinguishable
getting
ACCEPTABLE
blurry from
SHARPNESS
point
melcon s.source being rendered
lapina, mscrim 247
Q1
next
a. 1 – a, 2 – d, 3 – c, 4 – b c. 1 – c, 2 – d, 3 – b, d – a
b. 1 – b, 2 – a, 3 – c, 4 – d d. 1 – d, 2 – a, 3 – c, 4 – b
melcon s. lapina, mscrim 248
Q2
next
A photograph on silver or silver-covered
copper plate.
a. Ambrotype
b. Calotype
c. Cyanotype
d. Daguerreotype
Ayos Na!
melcon s. lapina, mscrim 257
Q1
next
Who coined the word photography?
a. Daguerre
b. Herschel
c. Niepce
d. Talbot
b. Light
c. Sensitized materials
d. All
b. Debate
c. Forum
d. Hearing
b. Heliograph
c. Calotype
d. Not all of the above
b. Forensium
c. Forensus
d. Forinsis
b. It depends
c. Sometimes
d. True
Ayos Na!
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What is the image of light that is projected on
the walls, floors and ceilings of a room
under the concept of camera obscura?
a. Inverted image
b. Real image
c. Right side up image
d. Virtual image
b. 5
c. 7
d. 9
b. Flash unit
c. Shutter speed
d. Not all of them
b. Focusing ring
b. Special Cameras
c. Twin Lens Reflex Type
d. Viewfinder Type
b. Digital cameras
c. Instamatic
d. Polaroid
b. Portrait shot
c. Still shot
d. Stolen shot
Ayos Na!
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Which of the following is a correct ratio of
aperture?
a. Higher number of f/# : higher aperture.
b. Larger number of f/# : bigger aperture.
c. Larger number of f/# : smaller aperture.
d. Shutter
Ayos Na!
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a. 1 – a, 2 – b, 3 – d, 4 – c
b. 1 – b, 2 – c, 3 – d, 4 – a
c. 1 – c, 2 – b, 3 – a, 4 – d
d. 1 – d, 2 – c, 3 – a, 4 – b
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Coma aberration is seen as
a. Comet-like
b. Spherical-like
c. Bulging-like
d. Pincushion-like
b. Converging lens
c. Diverging lens
d. Meniscus
d. Spherical aberration
b. Convex-concave
c. Convex-convex
d. Plano-convex
d. Spherical aberration
d. Spherical aberration
d. Curvature of field
Ayos Na!
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As the photographer moves closer to the
subject, the depth of field is
a. fair
b. good
c. none as changing the distance will not
affect the depth of field
d. poor
d. zoom lens
b. Depth of field
c. Focal length
d. Hyperfocal distance
b. Telephoto lens
c. Wide-angle lens
d. Zoom lens
d. Zoom lens
b. Telephoto lens
c. Wide-angle lens
d. Zoom lens
Ayos Na!
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The most versatile type of sensitized paper.
a. Bromide paper
b. Chloride-paper
c. Chloro-bromide paper
d. Bromide-chloride paper
d. Bromide-chloride paper
d. f/22
d. True
d. Panchromatic film
d. ASA 1000
d. Pan
V. Photograms
VI. Printing
d. Negative holder
Ayos Na!
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To change the color quality of exposing light
in order to secure proper color balance for
artificial light films, the photographer should
use this particular filter.
a. Color compensating filter
b. Light balance filter
b. Tinted objects
c. Translucent objects
d. Transparent objects
b. Fixation
c. Rinsing
d. Stop-bath