Case Study On Famous Work of Famous Modernist Architect
Case Study On Famous Work of Famous Modernist Architect
Case Study On Famous Work of Famous Modernist Architect
-The pavilion’s design is based on a formulaic grid system developed by Mies that not
only serves as the patterning of the *travertine pavers, but it also serves as an
underlying framework that the wall systems work within
-he taught of the rectilinear spaces whose forms were fully defined
-formed an open plan, which makes the interior and exterior of the pavilion making it
clear to him that less is more that is the attention to the reductive detail makes the
work a fine finish.
- This plan of his mean that the interior and the exterior looked similar to make the
work look minimalistic.
Plan:
-The floor plan is very simple.
-The entire building rests on a plinth of travertine.
-The layout of the building consists of a single-story, horizontal volume, with several
interconnected areas.
-The clearly defined spatial sequence of is outstanding. There are no closed rooms, but the layout
of walls and glass panels guides the visitor and almost ''tells him or her'' where to go.
-On the north corner, behind the water pond, there is a small service area, conveniently located
away from the main path, almost intentionally hidden
-A southern U-shaped enclosure
-The building is oriented parallel to the street, from
north to south. The access is parallel to the street and
to the west facade of the building.
-Visitors were intentionally led in a puzzle-like
corridor instead of a straight line through the
exhibition which meant that the visitors were taking a
flowing journey that was directed towards each
turnabout; because of the walls being faced against
each other and side to side, the spaces in-between
became spaced out, wide or narrow.
Construction:
-The architect Miles Van der Rohe was intrested in developing free flowing space and
this is done using walls as planes in isolation, joined by sliding elements or glass. Thus
the wall is expressed as a single element using with space flowing around it.
-the walls are not there for structural support but rather as dividers and directors of
spaces.
-a regular grid of cruciform steel columns interspersed by freely spaced planes
-The walls work as vertical plans, defining, and at the same time connecting, the different areas.
-Walls and glass panels are separated from the structural elements; this is known as free walls.
-use the columns and ceiling only for the main building support without the idea of placement of
walls for support
Material:
-use of extravagant materials such as marble, red
onyx and travertine
- Its architecture is pure poetry, simple honest
planes of stone with slim, graceful polished steel
cruciform columns.
-Glass, steel and four different kinds of stone
(Roman travertine, green Alpine marble, ancient
green marble from Greece and golden onyx from
the Atlas Mountains) were used
Exterior:
- The simple form of the pavilion emphasizes open space, being able to move freely
between the interior and exterior of the building
-the integration of water through two shallow pools brings calmness and reflection to
the pavilion.
- The reflecting pools generate a confusing mix of horizontal and vertical reflection off the
walls and roof.
- complex strategic planning of walls which create narrow vision and close proximity to
the reflecting pools, creating a continuously changing view.
Exhibition:
- Even though, the pavilion didn't have enough
space for different exhibitions, because of its
unique aesthetic quality, the building was
pronounced an exhibit for visitors to see
-the building itself was to become the exhibit
Barcelona Chair:
A chair was designed by Ludwig Miea van der Rohe
specifically for the pavilion.
-it was design by the concept of ‘‘Less is more’’.
ID:301812023