This document discusses 5 case studies of music-related buildings and 5 examples of music-inspired architecture. The case studies describe various spaces within performance and education centers, noting things like a "blackbox" space used for experimental productions and a roof area for open performances. The architectural examples discuss designs influenced by musical elements like a building inspired by the structure of a Bartok score and a gallery shaped by a transcribed music sheet. All provide insights into accommodating music needs through space planning and design approaches drawing from musical forms.
This document discusses 5 case studies of music-related buildings and 5 examples of music-inspired architecture. The case studies describe various spaces within performance and education centers, noting things like a "blackbox" space used for experimental productions and a roof area for open performances. The architectural examples discuss designs influenced by musical elements like a building inspired by the structure of a Bartok score and a gallery shaped by a transcribed music sheet. All provide insights into accommodating music needs through space planning and design approaches drawing from musical forms.
This document discusses 5 case studies of music-related buildings and 5 examples of music-inspired architecture. The case studies describe various spaces within performance and education centers, noting things like a "blackbox" space used for experimental productions and a roof area for open performances. The architectural examples discuss designs influenced by musical elements like a building inspired by the structure of a Bartok score and a gallery shaped by a transcribed music sheet. All provide insights into accommodating music needs through space planning and design approaches drawing from musical forms.
This document discusses 5 case studies of music-related buildings and 5 examples of music-inspired architecture. The case studies describe various spaces within performance and education centers, noting things like a "blackbox" space used for experimental productions and a roof area for open performances. The architectural examples discuss designs influenced by musical elements like a building inspired by the structure of a Bartok score and a gallery shaped by a transcribed music sheet. All provide insights into accommodating music needs through space planning and design approaches drawing from musical forms.
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Case Studies
Semester 9 Stavan Trivedi 12.01.2021 Programmatic
1. Kala Academy, Goa by Ar. Charles Correa
Spaces: Auditorium, OAT, Blackbox, Rehearsal room, Art Gallery, Library, Teaching studio, Meeting room, Green room, Guest room, Kitchen, Cafeteria, Administration Inference: Space called Blackbox is used for experimental production or recording. 2. Indian Music Experience, Bangalore [Proposal] by Maya- praxis Architects Spaces: Exhibition spaces, Reception, Admin, Classroom, Practise Room, Technical Room, Movie Theatre, Green Room, Seminar Hall, Amplified Space, Roof Performance Area Inference: Roof performance area can be utilised as open jamming sessions by students and professionals. 3. Vox-man Music Building, Iowa USA by LMN Architects Spaces: Faculty Studios, Student Studios, Recital Hall, Rehearsal Room, Office, Organ Hall, Electronic Music Suite, Concert Hall, Classroom, Student Commons, Opera Rehearsal Inference: Arrangement of public access facilities on ground floor and basement and private facilities on first and second floor. 4. ARTAVE/CCM Music School, Portugal by Aurora Architects Spaces: Hall, Reception, Classroom, Multipurpose Room, Booth Room, Collective Room, Individual Room, Percussions Room, Bathroom, Storage, Amphitheatre Inference: Individual room can be space to rent out for electronic music producers to stay there for some period of time. 5. House Of Music II, Aalborg Denmark by Coop Himmelb Architects Spaces: Performance Spaces, Music Education [Studio and Rehearsal Room], Symphony Orchestra, Restaurant, Bar, Kitchen, Library, Technical Spaces, Storage Inference: Spaces were provided to particular instruments away from educational area. Architectural
1. Stretto House, Texas by Steven Holl Architects
The building is formed in four sections, each consisting of two modes: heavy orthogonal masonry and light and curvilinear metal. The concrete block and metal recall Texas vernacular. The plan is purely orthogonal, while the section is curvilinear. The guest house is an inversion with the plan curvilinear and section orthogonal, similar to the inversions of the subject in the first movement of the Bartok score. Inference: Particular area or whole building can be designed from particular piece of music Source: Architect Magazine 2. Mevaseret Music School, Israel [Proposal] by Pliskin Architecture The elevated classroom level is clad with a slotted stone enclosure that allows filtered light to enter the spaces, balancing natural light with privacy needs, and offering a contemporary interpretation of the traditional stone cladding that is unique to this area. Several of the private study spaces face the entrance plaza below, providing students with the option of raising the shades to create a visual connection with visitors and expose the variety of learning opportunities that the conservatory provides. Another unique experience is provided in the rock rooms – a motorized skylight allows the room’s roof to fully open, creating an open-air-patio rehearsal space when the weather allows it. Inference: Combination of contemporary and traditional / western and classical music Source: Archdaily 3.Chichu art Museum, Japan by Ar.Tadao Ando Chichu Art Museum was constructed in 2004 as a site rethinking the relationship between nature and people. The museum was built mostly underground to avoid affecting the beautiful natural scenery of the Seto Inland sea. Artworks by Claude Monet, James Turrell, and Walter De Maria are on permanent display in this building designed by Tadao Ando. Despite being primarily subterranean, the museum lets in an abundance of natural light that changes the appearance of the artworks and the ambience of the space itself with the passage of time, throughout the day and all along the four seasons of the year. Inference: Connection to the nature according to site response , framing the sky in particular way and play of natural light in the building. Source: Benesse Art Site Naoshima 4. Daeyang Gallery , Seoul Korea by Ar.Steven Holl Designed as an experiment on “the architectonics of music,” the basic geometry of the Daeyang Gallery and House was inspired by Istvan Anhalt’s 1967 Symphony of Modules - a uniquely transcribed sheet of music found in John Cage’s contemporary music compendium, Notations. Reminiscent of the “blocky and shard-like shapes” of Anhalt’s sketch, Holl’s design features three copper-clad pavilions punctured by a symphony of carefully placed, rectangular skylights that animate the interior with “bars of light”. Inference: Converting staff notation into a building plan or elevation. Source: Archdaily 5. Casa da Música, Portugal by OMA This century has seen an architecturally frantic attempt to escape from the tyranny of the notorious “shoe-box” shaped concert hall. However, after researching the acoustic quality of existing concert halls we had to conclude together with our acoustic specialist that the best halls in the world have a shoe box shape. Inference: Acoustics of shoes box shaped concert hall worked out with different simulations. Source: Archdaily