The document discusses several pieces of music by Claude Debussy and Maurice Ravel including 'Clair de Lune', 'Prelude to the Afternoon of a Faun', 'Ariettes Oubliees', 'Pavane for the Dead Princess', 'Bolero', and 'Miroirs'. It provides background information on the pieces such as their dates of composition and premieres as well as influences from poetry.
The document discusses several pieces of music by Claude Debussy and Maurice Ravel including 'Clair de Lune', 'Prelude to the Afternoon of a Faun', 'Ariettes Oubliees', 'Pavane for the Dead Princess', 'Bolero', and 'Miroirs'. It provides background information on the pieces such as their dates of composition and premieres as well as influences from poetry.
The document discusses several pieces of music by Claude Debussy and Maurice Ravel including 'Clair de Lune', 'Prelude to the Afternoon of a Faun', 'Ariettes Oubliees', 'Pavane for the Dead Princess', 'Bolero', and 'Miroirs'. It provides background information on the pieces such as their dates of composition and premieres as well as influences from poetry.
The document discusses several pieces of music by Claude Debussy and Maurice Ravel including 'Clair de Lune', 'Prelude to the Afternoon of a Faun', 'Ariettes Oubliees', 'Pavane for the Dead Princess', 'Bolero', and 'Miroirs'. It provides background information on the pieces such as their dates of composition and premieres as well as influences from poetry.
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Cen Emmanuel Teh
10 – St. Martin de Porres
“Music of Debussy” “Clair de Lune” 'Clair de lune' takes its title from an atmospheric poem by the French poet Paul Verlaine which depicts the soul as somewhere full of music 'in a minor key' where birds are inspired to sing by the 'sad and beautiful' light of the moon. “Prelude to the Afternoon Fawn” Prélude à l'après-midi d'un faune (L. 86), known in English as Prelude to the Afternoon of a Faun, is a symphonic poem for orchestra by Claude Debussy, approximately 10 minutes in duration. It was composed in 1894 and first performed in Paris on 22 December 1894, conducted by Gustave Doret. The flute solo was played by Georges Barrère. “Ariettes Oubliees” Ariettes oubliées (Forgotten Songs) is a song cycle for voice and piano, L. 60 by Claude Debussy, based on poems by Paul Verlaine. The six ariettes were composed mostly in Rome in 1886. The first two were completed in Paris in March 1887. They are dedicated to the singer Mary Garden who also sang Mélisande. The poetry of Paul Verlaine had a more profound influence on Claude Debussy's music than did Debussy's closest literary or musical acquaintances “Music of Ravel” “Pavane for the Dead Princess” Pavane pour une infante défunte (Pavane for a Dead Princess) is a work for solo piano by Maurice Ravel, written in 1899 while the French composer was studying at the Conservatoire de Paris under Gabriel Fauré. Ravel published an orchestral version in 1910 using two flutes, an oboe, two clarinets (in B♭), two bassoons, two horns, harp, and strings. The Pavane lasts between six and seven minutes and is considered a masterpiece “Bolero” Bolero refers to two distinct genres of slow-tempo Hispanic music and their associated dances.[1] The oldest type of bolero originated in Spain during the late 18th century as a form of ballroom music, which influenced art music composers around the world, most famously Maurice Ravel's Boléro, as well as a flamenco style known as boleras. An unrelated genre of sung music originated in eastern Cuba in the late 19th century as part of the trova tradition. This genre gained widespread popularity around Latin America throughout the 20th century and continues to thrive. “Miroirs” Miroirs (French for "Mirrors") is a five-movement suite for solo piano written by French composer Maurice Ravel between 1904 and 1905.[1] First performed by Ricardo Viñes in 1906, Miroirs contains five movements, each dedicated to a fellow member of the French avant-garde artist group Les Apaches