Music 10 Debussy and Ravel

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Cen Emmanuel Teh

10 – St. Martin de Porres


“Music of Debussy”
“Clair de Lune”
 'Clair de lune' takes its title from an atmospheric poem
by the French poet Paul Verlaine which depicts the
soul as somewhere full of music 'in a minor key' where
birds are inspired to sing by the 'sad and beautiful'
light of the moon.
“Prelude to the Afternoon
Fawn”
 Prélude à l'après-midi d'un faune (L. 86), known in
English as Prelude to the Afternoon of a Faun, is a
symphonic poem for orchestra by Claude Debussy,
approximately 10 minutes in duration. It was
composed in 1894 and first performed in Paris on 22
December 1894, conducted by Gustave Doret. The flute
solo was played by Georges Barrère.
“Ariettes Oubliees”
 Ariettes oubliées (Forgotten Songs) is a song cycle for
voice and piano, L. 60 by Claude Debussy, based on
poems by Paul Verlaine. The six ariettes were composed
mostly in Rome in 1886. The first two were completed in
Paris in March 1887. They are dedicated to the singer
Mary Garden who also sang Mélisande. The poetry of
Paul Verlaine had a more profound influence on Claude
Debussy's music than did Debussy's closest literary or
musical acquaintances
“Music of Ravel”
“Pavane for the Dead
Princess”
 Pavane pour une infante défunte (Pavane for a Dead
Princess) is a work for solo piano by Maurice Ravel,
written in 1899 while the French composer was studying
at the Conservatoire de Paris under Gabriel Fauré.
Ravel published an orchestral version in 1910 using two
flutes, an oboe, two clarinets (in B♭), two bassoons, two
horns, harp, and strings. The Pavane lasts between six
and seven minutes and is considered a masterpiece
“Bolero”
 Bolero refers to two distinct genres of slow-tempo
Hispanic music and their associated dances.[1] The
oldest type of bolero originated in Spain during the late
18th century as a form of ballroom music, which
influenced art music composers around the world,
most famously Maurice Ravel's Boléro, as well as a
flamenco style known as boleras. An unrelated genre of
sung music originated in eastern Cuba in the late 19th
century as part of the trova tradition. This genre
gained widespread popularity around Latin America
throughout the 20th century and continues to thrive.
“Miroirs”
 Miroirs (French for "Mirrors") is a five-movement
suite for solo piano written by French composer
Maurice Ravel between 1904 and 1905.[1] First
performed by Ricardo Viñes in 1906, Miroirs contains
five movements, each dedicated to a fellow member of
the French avant-garde artist group Les Apaches

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