Finreading and Writing 1
Finreading and Writing 1
Finreading and Writing 1
and
Writing
( Interconnectedness)
• gain clearer understanding of the contents and
processes in teaching reading and writing
• realize that understanding critical thinking
process is important in teaching reading and
writing
• Connect reading skills to writing skills
• Write lesson plans for specific competencies in
reading and writing
Start-Up
R E
D UM R
A R M S
W
A
T
E
R
________________
foot
WRIST
WRIST
What does the puzzle tell us?
Meaning making
READING AND
WRITING
CRITICAL
THINKING
Priming Activity 2
Share a piece.
What went well What went wrong
Analysis
• Listed below are the twenty items that the ten of you
were able to rescue. Your task is to select the
important ones with the goal of eventual rescue. You
must defend each choice with a good reason.
Discuss with group members what 6 important items to bring.
a box of matches 3 gallons of water
a case of bearbrand Small boxes of Rite Meds
A box of noodles 5 small bottles of white flowers
A world map Box of canned milk
A first-aid kit Half sack of rice
Two .45 caliber pistols A dozen of shampoo
Shirts 6-inch knife
can openers 5 loaves of Pinoy Tasty Bread
Box of biscuits 5 canned Corned Beef
Malong Box of assorted biscuits and candies
Fill out the SELECTION INFO
CHART
Questions to ask Reasons for asking Choices Reasons for
questions choices
Reporting
Abstraction
ENGLISH
(Learned
Curriculum)
READING WRITING
LEARNER
Reading and Writing Curriculum
Guide
Core Subject: The development of reading and writing skills as applied to a wide range of materials other than poetry, fiction and drama
Techniques in
Selecting and information
Organizing a. Brainstorming list EN11/12RWS-IIIa-2.1
Information b. Graphic organizer EN11/12RWS-IIIa-2.2
Patterns of c. Topic outline EN11/12RWS-IIIa-2.3
Development
d. Sentence outline EN11/12RWS-IIIa-2.4
Properties of
a well-written
text
Distinguishes between and EN11/12RWS-IIIbf-3
among patterns of development
in writing across disciplines
a. narration EN11/12RWS-IIIbf-3.1
EN11/12RWS-IIIbf-3.2
b. description
EN11/12RWS-IIIbf-3.3
c. definition
EN11/12RWS-IIIbf-3.4
d. exemplification/ classification EN11/12RWS-IIIbf-3.5
e. comparison and contrast EN11/12RWS-IIIbf-3.6
f. cause and effect EN11/12RWS-IIIbf-3.7
g. problem and solution EN11/12RWS-IIIbf-3.8
h. persuasion
Identifies properties of EN11/12RWS-IIIgh-4
a well-written text
a. organization EN11/12RWS-IIIgh-4.1
b. coherence and EN11/12RWS-IIIgh-4.2
cohesion
c. Language EN11/12RWS-IIIgh-4.3
EN11/12RWS-IIIgh-4.4
d. mechanics
EN11/12RWS-IIIij-5
RWS11.2 Understands Writes a Explains critical
text and Context 1000-word reading as ways of
the
Connections critique of thinking
relationship a selected
( Critical
of a written text on the
Reading) basis of its
text and the
claim/s, Identifies claims
A. Critical context in explicitly or EN11/12RWS-IIIij-6
context
Reading as which it was and implicitly made in
ways of developed properties a written text
thinking as a a. Claim of Fact EN11/12RWS-IIIij-6.1
1. Explicit and written b. Claim of Policy EN11/12RWS-IIIij-6.2
material
Implicit in a c. Claim of Value EN11/12RWS-IIIij-6.3
text
2. Context of
text
Development
A. Critical
Reading as
Reasoning
1. Formulating
Evaluative
Identifies the context in EN11/12RWS-
which a text was IVac-7
developed
a. Hypertext EN11/12RWS-
IVac-7.1
b. Intertext EN11/12RWS-
IVac-7.2
Explains critical reading EN11/12RWS-IVac-
as reasoning 8
Formulates EN11/12RWS-
evaluative IVac-9
statements about a
text read
a. Formulates EN11/12RWS-
assertions about IVac- 9.1
the content and
properties of a
text read
b. Formulates EN11/12RWS-
meaningful IVac-9.2
counterclaims in
response to
claims made in a
text read
Determines
EN11/12RWS-
textual evidence IVac-10
to validate
assertions and
counterclaims
made about a
text read
RWS11.3
Produces each Identifies the unique EN11/12RWS
Purposeful Understands the type of academic features of and -IVdg-12
writing in requirements of writing and requirements in
the composing professional composing texts that
Disciplines academic corrrespondence are useful across
and for writing and following the disciplines
professionals professional properties of EN11/12RWS
correspondence well-written texts A. Book Review or -IVdg-12.1
and process Article Critique
approach to EN11/12RWS
writing B. Literature Review -IVdg-12.2
C. Research Report EN11/12RWS
-IVdg-12.3
D. Project Proposal EN11/12RWS
-IVdg-12.4
EN11/12RWS
E. Position Paper -IVdg-12.5
Identifies the unique EN11/12RWS
features of and -IVhj-13
requirements in composing
professional correspondence
a. Resume EN11/12RWS
-IVhj-13.1
b. Application for College EN11/12RWS
Admission -IVhj-13.2
Organizing Information
Problem
Proposed
Details that explain
solution
Supporting details
Problem Solution
Problem: Solution:
Details that explain the problem: Supporting details for the proposed
solution
PROBLEM SOLUTION
Structure 2: Cause and Effect
CAUSE EFFECT
Text 2:
• Introduction
• Typically, the introduction is short (less than 10% of
the word length) and you should:
• Name the work being reviewed as well as the date it
was created and the name of the author/creator.
• Describe the main argument or purpose of the work.
• Explain the context in which the work was created.
This could include the social or political context, the
place of the work in a creative or academic tradition,
or the relationship between the work and the creator’s
life experience.
• Have a concluding sentence that signposts what your
evaluation of the work will be. For instance, it may
indicate whether it is a positive, negative, or mixed
evaluation.
Summary
• Briefly summarise the main points and objectively
describe how the creator portrays these by using
techniques, styles, media, characters or symbols.
This summary should not be the focus of the critique
and is usually shorter than the critical evaluation.
Critical Evaluation
• Critical evaluation
• This section should give a systematic and detailed
assessment of the different elements of the work,
evaluating how well the creator was able to achieve
the purpose through these. For example: you would
assess the plot structure, characterisation and setting
of a novel; an assessment of a painting would look at
composition, brush strokes, colour and light; a
critique of a research project would look at subject
selection, design of the experiment, analysis of data
and conclusions.
• A critical evaluation does not simply highlight
negative impressions. It should deconstruct the work
and identify both strengths and weaknesses. It should
examine the work and evaluate its success, in light of
its purpose.
• Examples of key critical questions that could help
your assessment include:
• Who is the creator? Is the work presented objectively
or subjectively?
• What are the aims of the work? Were the aims
achieved?
• What techniques, styles, media were used in the
work? Are they effective in portraying the purpose?
• What assumptions underlie the work? Do they affect
its validity?
• What types of evidence or persuasion are used? Has
evidence been interpreted fairly?
• How is the work structured? Does it favour a
particular interpretation or point of view? Is it
effective?
• Does the work enhance understanding of key ideas or
theories? Does the work engage (or fail to engage)
with key concepts or other works in its discipline?
• This evaluation is written in formal academic style
and logically presented. Group and order your ideas
into paragraphs. Start with the broad impressions first
and then move into the details of the technical
elements. For shorter critiques, you may discuss the
strengths of the works, and then the weaknesses. In
longer critiques, you may wish to discuss the positive
and negative of each key critical question in
individual paragraphs.
• To support the evaluation, provide evidence from the
work itself, such as a quote or example, and you
should also cite evidence from related sources.
Explain how this evidence supports your evaluation
of the work.
Conclusion
• This is usually a very brief paragraph, which
includes:
• A statement indicating the overall evaluation of the
work
• A summary of the key reasons, identified during the
critical evaluation, why this evaluation was formed.
• In some circumstances, recommendations for
improvement on the work may be appropriate.
•
PERSONAL ESSAY CRITIQUE:
Book_Reviews.pdf
Book Review Sample
• What is a Position Paper?
• makes a claim about something and then prove it
through arguments and evidence.
• How to Choose a Position Essay Topic
• Position papers can use any of the other essay forms
like definition, description, and cause, evaluation,
argument or problem solution. However, you need
remember that the purpose of the paper is not to
explore the issue, but to argue a particular position
about the issue.
• Example: "Women are better employees than men" is
a position that can be argued. You want to choose a
topic that is interesting and make a claim that other
people would disagree with. Because there is a
contrary point of view, you have something you can
write about.
Writing Steps for a Position Paper
• Decide on a topic. The best topic will be one you
have a strong interest in or opinion about. Find some
articles to read about your topic. It is best to read
different positions. Try to get a feel for the various
views on the topic.
• Write your position idea. Pick one particular aspect
of the topic to discuss and write a one-sentence
opinion. Test to see if this is really an arguable
opinion. Are there other points of view? If everyone
agrees on this topic, then you don't really have
something you can write a good persuasive essay
about.
• Gather your sources. You can use articles you read
in preparing your thesis, but you may want to get
more evidence to support your view. Make sure you
also have information about opposing views.
• Decide what sort of claim you are writing (fact,
definition, cause, value, policy). Read your sources
and decide on a claim statement. This claim statement
will be the thesis of your paper.
• Do prewriting about your audience (see questions
below).
• Outline: Use the information you have gathered and
your pre-writing about audience to write an outline
using the information "Writing your Outline."
• Write your paper, including adding your author
tags, evidence and citations in MLA style.
• Do Peer Editing: Have someone read your paper and
respond using the "Draft Editing Questions."
• Re-vise your draft using the information you got
from your reader(s).
• Final Proofread. Run a spelling and grammar check,
proof-read and read aloud to catch errors. Another tip
I often suggest to students is printing out your paper
and reading it aloud or having someone read it to you.
When you read aloud, you slow yourself down and
actually catch a lot of errors your eyes miss when you
read the computer screen.
What is most persuasive for you?
• Editing
• Research
• It is possible to write position essays without
evidence from other sources. You can just use logic
and your own personal experiences. However, often a
position essay is going to draw on evidence like
statistics, expert opinion or case studies. That way,
the reader doesn't have to rely only on your opinion.
• By incorporating evidence from other sources, you
strengthen your argument. There are three ways to
incorporate sources in your essay: quotation,
paraphrase and summary. However, you should be
careful to use quotation sparingly and to be sure to
cite all your sources using the MLA or APA format.
Common Grounds
( Your Position and your Audience)
Esperanza Diaz-Cruz
Public Servant