Critical Approaches To The BIBLE: Hebrew Scripture RS131
Critical Approaches To The BIBLE: Hebrew Scripture RS131
Critical Approaches To The BIBLE: Hebrew Scripture RS131
the BIBLE
Hebrew
Scripture
RS131
frequently used.
The purpose of SOURCE CRITICISM was to
clarify as far as possible the relative dates to
one another, and to enable the work of
historical reconstruction to proceed:
First of all - a reconstruction of the history of
the religion of Israel, and the historical
situation of the authors of the different
sources.
Therefore literary criticism is not only called
source criticism.
It's also called
HISTORICAL CRITICISM,
because its ultimate goal and purpose
was not just to identify the sources,
but to arrange them according to
proper dates as far as they might be
established, and then to chart changes
in Israel's religion.
So to sum up:
the documentary hypothesis is an effort to
explain the contradictions, the doublets,
anachronisms and so on in the Bible by means
of theoretical source documents.
J–E–P–D
So the theory suggests hypothetical sources,
traditions and documents to explain the current
shape of the Torah the way we have it, to
account for some of these phenomena that we
find.
Once the sources assigned dates, not absolute
dates, relative dates, they are analyzed to
identify the different stages of Israel's religious
history.
• we have no copy of J,
• we have no copy of E,
• we have no copy of P by itself
• or D by itself.
form criticism.
He believed that what he was doing was identifying
older, pre-literary forms that had been taken up and
incorporated by the literary sources, by J, E, P and D.
Examples of the kind of form that he would identify are
things like a hymn, a proverb - we often have biblical texts
quoting proverbs that seem to be folk sayings - laws, rituals,
folk stories of a particular type, poems, legends, songs,
fragments of mythology. E.g.: Genesis 6:1-4:
When men began to increase on earth and daughters were
born to them, the divine beings saw how beautiful the
daughters of men were and took wives from among those
that pleased them. The Lord said, "My breath shall not abide
in man forever, since he too is flesh; let the days allowed him
be one hundred and twenty years." It was then, and later
too, that the Nephilim [these giants of some kind] appeared
on earth--when the divine beings cohabited with the
daughters of men, who bore them offspring [these giants,
these Nephilim].
They were the heroes of old, the men of renown.
That is just stuck in there, in Genesis 6:1-4.
This is an older fragment of a mythology or a legend which is
put into place here. It is explaining the origin of heroes and
great men of old days. He also says that there are etiological
stories. We have talked about those legends that give the
origin of a name, or a ritual, or an institution.
There are different types of etiological stories. He says there
are ethnological legends that will give you the story
accounting for the origin of a particular people: so the
Moabites for example, and the Ammonites - not a flattering
story at all following the destruction of Sodom and
Gomorrah.
Obviously the Israelites didn't care for those people very
much and gave them a pretty nasty origin.
We also have etiomological legends, because they're
explaining the name of something. It's given this particular
name because of an etymological connection with some
event earlier. So all of these things, he argues, are probably
older existing traditions that have been taken up and
adapted by the biblical writer, and they may preserve some
historical reminiscence.
More important then the actual events that they might be
reporting, is the fact that behind each of these is some sort
of function. Each one of these did some sort of cultural
work, it had some function or setting in life. That's what we
can discover when we isolate these forms: this setting in life.
That helps us learn something about ancient Israelite society
or culture, long before the 10th century as Gunkel claims.
So form criticism was not satisfied with just
identifying these various types of material, these
various genres; it asked what was their function?
What was their Sitz im Leben? What was their
situation in life, their cultural context? What does it
tell us that we have a large number of liturgical
texts?