How She Move

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She left her neighborhood to attend private
school, but blew a scholarship qualifying exam (a
setback she has kept secret). Now she’s a sullen
loner who clashes with nearly everyone, including
a longtime friend named Michelle (Tré
Armstrong), a stepper and troubled student who
accuses Raya of being a cultural traitor and
“slumming.”
The truth is, Raya had good reason to choke during
that big test. Her beloved older sister — a local legend
in stepping contests, briefly glimpsed in flashbacks
dancing with a preadolescent Raya — had recently
died from a drug overdose. To the film’s credit this
tragedy, which would have been an arbitrary tear-
jerking touch in other movies, hangs over every frame,
even in fleeting details, like the shot of Raya reading
“Jane Eyre.”
Raya gets a chance
to return to private
school courtesy of a
local stepping contest
with a $50,000 top prize.
She’s good enough to
dance with any team,
and she’s ruthless in her
choice. She considers
joining Michelle’s team,
then hooks up with one
run by a male friend
(and potential beau)
named Bishop (Dwain
Murphy), because, as
the script makes clear,
the world of stepping is
intensely sexist,
segregating teams by
gender and always
awarding the top prize
to male teams. (The
screenwriter, Annmarie
Morais, herself a
descendant of Caribbean
immigrants in Toronto,
embroiders the story
with details that feel
lived rather than
If you’ve ever seen a film
before, you know that Raya will
repeatedly clash with Bishop, go over
to a rival squad and return to
Bishop’s side for a triumphant finale.
You also know that she will flagrantly
disregard the angry warnings of her
academically minded mom (a heart-
wrenching Melanie Nicholls-King) and
concentrate on dance at the expense
of schoolwork. And that when she
inevitably wins the big prize, her
mother will be there and have a
change of heart.
It is, in short, the kind of movie
that sinks or swims on its
performances and atmosphere. “How
She Move” is aces in both
departments, from its magnetic cast
of skilled dancer-actors to its script,
which alternates eloquently rough
(yet rarely profane) zingers with
exchanges that strengthen the film’s
themes while further defining its
smart, striving characters.
Directed by Ian Iqbal
Rashid; written by Annmarie
Morais; director of
photography, André Pienaar;
edited by Susan Maggi;
music by Andrew
Lockington; production
designer, Aidan Leroux;
choreography by Hi-Hat;
produced by Jennifer
Kawaja, Julia Sereny and
Brent Barclay; released by
Paramount Vantage.
Running time: 1 hour 34
minutes.

WITH: Rutina Wesley (Raya Green), Dwain Murphy


(Bishop), Tré Armstrong (Michelle), Brennan
Gademans (Quake), Shawn Desman (Trey), Kevin
Duhaney (E. C.), Melanie Nicholls-King (Faye Green),
Keyshia Cole (herself) and DeRay Davis (himself).
“How she move”
soundtrack:

1.Lil mama>G-slide
2.Carl Henry>Perfect
3.Lenn
Hammond>Ms.Golly
4.Smugglaz>Jane &
Finchin’
5.Montell Jordan>My
boots
6.Montell Jordan>Hot
hot hot
7.Montell
Jordan>Work that stick
8.Fenom>Still burning
9.Saukrates>Monster
10.K.Smith>Tempo
11.Kevin Michael
ft.Akil>I don’t make
any difference
12.Mayhem

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