Chinese Peking Opera
Chinese Peking Opera
Chinese Peking Opera
GROUP ONE
INTRODUCTION
CHINA IS KNOWN FOR THEIR
TRADITIONAL THEATER ART
FORM,THE PEKING OPERA OR
BEIJING OPERA WHICH COMBINES
MUSIC,VOCAL PERFORMANCE,
PANTOMIME,DANCE AND
ACROBATICS
• PUPILS WERE OFTEN HANDPICKED AT A
YOUNG AGE BY A TEACHER AND TRAINED FOR
7 YEARS ON CONTRACT FROM THE CHILD’S
PARENTS.AFTER 1911,TRAINING TOOK PLACE
IN MORE FORMALLY ORGANIZED SCHOOLS.
STUDENTS OF THESE SCHOOLS ROSE AS EARLY
AS 5 O’CLOCK IN THE MORNING FOR THE
EXERCISES. DAYTIME WAS SPENT LEARNING
THE SKILS OF ACTING AND COMBAT AND
SENIOR STUDENTS PERFORMED IN OUTSIDE
THEATERS IN THE EVENING.
• SHENG-IS THE MAIN ROLE IN PEKING
OPERA
• 1.XIAOSHENG-ACTORS ARE OFTEN
INVOLVED WITH BEAUTIFUL WOMEN
BY VIRTUE OF THE HANDSOME AND
YOUNG IMAGE THEY PROJECT.
• 2.WUSHENG-IS A MARTIAL CHARACTER FOR ROLES
INVOLVING COMBAT.THEY ARE HIGHLY TRAINED IN
ACROBATICS AND HAVE A NATURAL VOICE WHEN SINGING
• 3.LAOSHENG-IS A DIGNIFIED OLDER ROLE.THESE CHARACTERS
HAVE A GENTLE AND CULTIVATED DISPOSITION,AND WEAR
SENSIBLE COSTUMES.
• DAN-REFERS TO ANY FEMALE ROLE IN PEKING OPERA
• 1.LAODAN-AN OLD WOMAN
• A Laodan plays an old and clever woman. Unlike other female
roles, a Laodan wears no make-up, and her costume is more
subdued in color and design. Her voice is natural and not high-
pitched.
• 2.WUDAN-A MARTIAL WOMAN
• Wudan is a female acrobatic role, and requires a high
standard of acrobatics. The costume of the role is simple and
clothing is convenient for her movements.
• 3.DAOMADAN-ARE YOUNG FEMALE
WARRIORS
• Daomadan is a female warrior role in
Peking Opera. Like the male role of
Wusheng, Daomadan actors train mainly
for action, singing, and performing
skillfully. The features of the role are the
head-dress and military weapons. The
most famous Daomadan role is Mu
Guiying, who is a heroine in Chinese
history, famed for her military prowess.
• 4.QINGYI-ARE VIRTUOUS AND ELITE
WOMEN
• Qingyi is the main woman roles in
traditional Chinese drama. Qingyi is the
most important role in Peking Opera and
plays dignified, serious, and decent
characters, which are mostly wives or
mothers. The roles dress in yellow clothes
and feature a small range of motion, and
singingwith a pure and high-pitched
quality.
• 5.HUADAN-ARE VIVACIOUS AND UNMARRIED
WOMEN
• Huadan is the vivacious and unmarried woman
role inPeking Opera. Compared to a Qingyi, a
Huadan is not of such a high social class, and
she will take the attention of the audience with
her coy, coquettish, and quicker movements. Her
costume is vivid in design and color, consisting
of a jacket and trousers, and usually carrying a
red handkerchief in her hand. The voice of
Huadan has a gayer and stronger quality.
•
• JING-IS A PAINTED FACE MALE ROLE WHO PLAYS
EITHERPRIMARY OR SECONDARY ROLES.THIS TYPE OF
ROLE ENTAILS A FORCEFUL CHARACTER,WHICH
MEANS THAT A JING ACTOR MUST HAVE A STRONG
VOICE AND BE ABLE TO EXAGGERATE GESTURES.
• People can know the role’s character based on his
face color: red for good, black for brave, upright or
reckless, white for treacherous and cunning, yellow for
brutal, blue for wild.
• Three main types of Jing are Tongchui, good at
singing and usually a loyal general; Jiazi, good at
acting with less emphasis on singing; and Wujing, a
martial arts and acrobatics role.
• CHOU-IS A MALE CLOWN ROLE.THE CHOU USUALLY PLAYS
SECONDARY ROLES WHOSE NAME ALSO MEANS UGLY.IT
REFLECTS THE TRADITIONAL BELIEF THAT THE CLOWN’S
COMBINATION OF UGLINESS AND LAUGHTER COULD DRIVE
AWAY EVIL SPIRITS
• Chou is a comedy role in Peking Opera. It can be divided into
two types: Wenchou, a civilian role such as a merchant or jailer;
and Wuchou, a military role, skilled in acrobatics. The
characteristic of this type of painted face role is a small patch
of white chalk around the nose.
• One of the famous roles in Peking opera is the Monkey King,
who has a special position in the hearts of all who are
interested in Chinese opera. With his quick, agile movements of
his lithe body, and his blinking eyes, the Monkey King holds
every minute of the audience’s attention.
• PEKING OPERA PERFORMES UTILIZE FOUR
MAIN SKILLS SUCH AS THE FOLLOWING:
1. SONG
2. SPEECH
3. DANCE ACTING(INCLUDES PURE
DANCE,PANTOMIME AND ALLOTHER TYPES
OF DANCE)
4. COMBAT(INCLUDES BOTH ACROBATICS AND
FIGHTING WITH ALL MANNER OF
WEAPONRY)
• RED-DEVOTION,COURAGE,BRAVERY,UPRIGHTNESS AND
LOYALTY
• BLACK-ROUGHNESS AND FIERCENESS
• YELLOW-FIERCENESS,AMBITION AND COOL-HEADEDNESS
• PURPLE-UPRIGHTNESS,SOPHISTICATION AND COOL-
HEADEDNESS
• REDDISH PURPLE-JUST AND NOBLE CHARACTER
• BLUE-LOYALTY,FIERCENESS AND SHARPNESS
• WHITE-DANGEROUSNESS,SUSPICIOUSNESS AND
CRAFTINESS.COMMONLY SEEN ON THE STAGE IS WHITE FACE
FOR THE POWERFUL VILLAIN.
• GREEN-IMPULSIVE,VIOLENT AND STUBBORNNESS