Intellectual Property Rights (Ipr) : Commercial Law Review
Intellectual Property Rights (Ipr) : Commercial Law Review
Intellectual Property Rights (Ipr) : Commercial Law Review
PROPERTY
RIGHTS (IPR)
Commercial Law Review
CATHERINE B. PANTI
Intellectual Property
Any product or creation of
the human mind
Intellectual Property Rights
“The State shall protect and secure the
exclusive rights of scientists, inventors,
artists, and other gifted citizens to their
intellectual property and creations,
particularly when beneficial to the
people, for such periods as may be
provided by law.”
Term:
20 years from the filing date of
the application (Sec. 54, IP Code)
Rights Granted (Sec. 71)
Could be a product or a process
White pages
Creativity
There is nothing remotely creative about
aranging names alphabetically in a white
pages directory. It is an age-old practice, firmly
rooted in tradition and is so commonplace
that it has come to be expected as a matter
of course.
Feist Publication vs. Rural telephone
(499 U.S. 340, 111 S. Ct. 1282, 1991)
Requisite for = originality +
copyright copyrightable
protection subject matter
Unprotected Subject Matter
(Sec. 175)
Ideas, concepts, principle
Procedure, system method or operation
Discovery or mere data
News, items of press information
Official text translation of laws
Works of the government
Original literary and artistic works
Original intellectual creations in the literary and
artistic domain protected from the moment of
their creation and shall include in particular:
LITERARY ARTISTIC SCIENTIFIC
- Books, - Dramatic or dramatico- - illustrations, maps,
pamphlets, musical compositions, plans, sketches,
articles choreographic works charts and 3D works
- Periodicals and - Musical compositions related to
newspapers - Works of drawing, geography,
- Lectures, painting, architecture topography,
sermons, - Photographic works architecture and
addresses, - Audiovisual and science
dissertations cinematographic works - Computer programs
prepared for oral - Pictorial illustartions and
delivery advertisment
- Letters
Original Works
Derivative Works (Sec. 172.1)
Dramatizations, translations, adaptations
and other alterations
Collections of literary, scholarly or artistic
works; compilation of data
- collection/compilation must be original by
reason of the selection/arrangement of
contents
Derivative Works
Protection and exploitation of
derivative works (Sec. 173.2)
They are also protected as new (original)
works
But the new work shall not:
- Affect the force of any subsisting copyright
upon the original works employed or any part
thereof, or
- Be construed to imply any right to such use of
the original work (negative rights)
- To secure or extend copyright in such original
works
TERM OF PROTECTION FOR
COPYRIGHT
Generally, lifetime of author +
50 years after death
3. Copyright comprises a
bundle of private and
exclusive economicand
moral rights subject to
limitations and exceptions
Private and exclusive
- Bundle of rights belongs to a single
person or group
- To the exclusion (through denial)
of others
Bundle of rights
Economic Rights Moral Rights
- A.k.a copyright - Highlight the
- Allow the owner to personal link
derive financial existing between
reward from the the author and the
use and work
exploitation of the Right to attribution
work Right to maintain
integrity of work
Economic Rights (Sec. 177)
- exclusive right to authorize, prevent or
carry out:
Reproduction of the work or substantial portion of the
work
Dramatization, translation, adaptation, abridgment,
arrangement or other transformation of the work
(adaptation)
First public distribution of the original and each copy of
the work by sale or other forms of transfer of ownership
Rental of the original or a copy
Public display of the original or a copy of the work
Public performance of the work
Other communication to the public of the work
Is Copyright an Absolute
Right?
Limitations to copyright (Sec.
184-185, IP Code)
Reproduction or distribution of published
articles or materials in a specialized format
exclusively for the use of the blind, visually and
reading impaired persons;
By libraries when work is fragile or for
preservation;
Fair use: for criticism, comment, news reporting,
teaching, scholarship, research and similar
purposes
Limitations to copyright
The making of quotations from a published work if
they are compatible with fair use and ontly to the
extent justified for the purpose including quotations
from newspaper articles and periodicals in the form
of press summaries. Provided, that the source and
the name of the author, if appearing on the work
are mentioned; (Se 184.1b);
The inclusion of a work in a publication, broadcast
or other communication to the public, sound
recording or film, if such inclusion is made by way
of illustration for teaching purposes and is
compatible with fair use. Provided, that the source
and the name of the author, if appearing in the
work are mentioned (Sec 184.1e)
Moral Rights (Sec. 193)
Attribution or paternity
- To be named as the author
- To restrain the use of one’s name with
respect to distorted versions of the work
o Integrity of the Work
- To make any alterations to own work
- To object to any distortion, mutilation or
other prejudicial modification
Moral Rights
Non- transferrable
Waivable, except when waiver allows other
- To use the name of the auhtor, or the title of
his work or otherwise to make use of his
reputation with respect to any version or
adaptation of his work which because of
alterations therein, would substantially tend to
injure the literary or artistic reputation of
another author
- To use the name of the author with respect to
a work he did not create
“Author” is the natural person who
has created the work (Sec 171.1)
Source:
https://www.npr.org
/sections/thetwo-
way/2017/09/12/55
0417823/-animal-
rights-advocates-
photographer-
compromise-over-
ownership-of-
monkey-selfie
RULES ON OWNERSHIP OF COPYRIGHT
CREATOR IS OWNER
His heirs or assigns
1. ONE CREATOR
2. JOINT CREATION
CO-AUTHORS ARE
OWNERS
3. COMMISIONED WORK
PERSON
COMMISIONING
OWNS THE WORK
OWNERSHIP OF
COPYRIGHT IS WITH
CREATOR
4. AUDIO-VISUAL WORK
PRODUCER=
EXHIBITION
OTHER PURPOSES=
PRODUCER, AUTHOR
OF SCENARIO,
COMPOSER, FILM
DIRECTOR AND
AUTHOR OF WORK
5. ANONYMOUS WORK
PUBLISHER=
REPRESENTATIVE OF
AUTHOR
6. EMPLOYEE’S WORK DURING
COURSE OF EMPLOYMENT
EMPLOYER IS THE
OWNER
INFRINGEMENT OF COPYRIGHT (Sec.
126)
1. Directly committing an infringement
- Violating the exclusive right of owner to
authorize, prevent, carry out reproduction, etc.)
2. Benefits from the infringing activity of another
person who commits an infringement
3. With knowledge of infringing activity, induces,
causes or materially contributes to the infringing
conduct of another
Will an excuse of “no copyright
infringement intended” exempt
one from liability?
No copyright infringement
intended
Penalty for “Unintentional”
Infringement
The court may reduce in its discretion
the award of statutory damages to a
sum of not more than Ten Thousand
Pesos (Php 10,000)
Double damages awarded tothose
- Who circumvent effective technological
measures or
- Alter digital rights management
information
PLAGIARISM
“Deliberate and knowing presentation
of another person’s original ideas or
creative expression as one’s own.”
References:
1. Republic Act No. 8293
2. Commercial Law Review by Sundiang,
Part VII- Intellectual Property Code
3. 1987 Philippine Constitution
4. Discussions on IPR by Atty. Louie
Calvario, Attorney VI-Bureau of
Patents,IPO-PHL