Arthur Miller
Arthur Miller
Arthur Miller
19152005
Aims of Teaching:
Introduce the two writer to students Familiarize students with ideas of the work and the language the writers used Give them some knowledge of American drama and American Jewish Writing
I. Arthur Miller
1. His Life:
1915. born in Manhattan, the son of a comfortably middle class The family moved to Brooklyn during the Great Depression which plunged his family into financial straits and influenced many of his plays. 1938. Graduated from the University of Michigan where he has all sorts of jobs to help pay for his education and also began to write plays. 1940. His marriage to Mary Grace Slatter ended in divorce. (Two children--Jane and Robert) 1956. His marriage to Marilyn Monroe entailed great notoriety, also ended in divorce. 1962 Married photographer Ingeborg Morath with whom he still shares his Connecticut home. (One daughter--Rebecca married to actor Daniel-Day Lewis). He died on 10 February2005.
2. His Achievement
American playwright who combined in his works social awareness with deep insights into personal weaknesses of his characters'. Miller is best known for the play DEATH OF A SALESMAN (1949), or on the other hand, for his marriage to the actress Marilyn Monroe. Miller's plays continued the realistic tradition that began in the United States in the period between the two world wars. With Tennessee Williams, Miller was one of the best-known American playwrights after WW II. Several of his works were filmed
1956. A View From the Bridge, two-act version) opened at London's Comedy Theater 1964. After the Fall, opened at the ANTA Washington Square (1/23) for 208 performances. 1964. Incident at Vichy. Opened at the ANTA Washington Square (12/3) for 99 performances. 1972. The Creation of the World. The comic retelling of the story of Adam and Eve and Cain and Abel stories intended to make a philosophic statement opened at the Shubert and closed after just 20 performances. 1974. The Price. Opened at the Morosco ( (2/07) for 425 performances.
1977. The Archbishop's Ceiling. Opened at the Kennedy Center in DC (4/30). 1980. The American Clock, adapted from Studs Terkel's Hard Times, opened at the S.C. Spoleto Festival Spring 1980 and at the Biltmore in New York (11/21). 1991. The Ride Down Mt. . Opened in London and at the Williamstown Theatre Festival (Summer 1996). 1993. The Last Yankee (1/05) at Manhattan Theater Club (to be revived 1/98 at Signature Theater). 1994. Broken Glass. Opened at the Long Wharf in New Haven (3/01/ and at the Booth (4/24). 2005. Resurrection Blues, Miller's last play.
(A Salesman) He's a man way out there in the blue riding on a smile and a shoeshine. And when they start not smiling back--that's an earthquake! Charley, Requiem, Death of a Salesman.
There are times when you want to spread an alarm, but nothing has happened --Alfieri, A View from the Bridge, Act 1.
A little man makes a mistake and they hang him by the thumbs; the big ones become ambassadors --Joe Keller in Act 2, All My Sons. Once and for all you must know that there's a universe of people outside, and you're responsible to it. --Chris Keller (to his mother) in Act 3, All My Sons
Since God made everything, and God is Good, why did he make Lucifer?---Arthur Miller
The only thing you can do today without a license is you'll go up the elevator and jump out the window -Gregory Solomon in The Price, Act 1 Solomon, the character who brings the play its light touch, thus amplifies his statement that he is both registered and licensed as an appraiser He allowed himself to be wholly known --Alfieri in Arthur Miller's A View from the Bridge, Act 2.
fiction, particularly in its concern for the experience of contemporary man in search of his own identity. two different levels a realistic depiction of a relief worker's dedicated attempt to search for an unemployed, crippled black man in the slums of Depression Chicago in order to deliver a welfare check a symbolic quest to discover the relationship between reality and appearances.
(a) What is the purpose in the story of Grebe's supervisor Raynor? What is Bellow's attitude toward Raynor's cynical "wisdom"? Is concern for the individual anachronistic? For philosophical studies? (b) What is the purpose of the encounter with the Italian grocer who presents a hellish vision of the city with its chaotic masses of suffering humanity? (c) What is the purpose of the Staika incident in the story? Raynor sees her as embodying "the destructive force" that will "submerge everybody in time," including "nations and governments." In contrast, Grebe sees her as "the life force." Who is closer to the truth?