Communication Strategy
Communication Strategy
Communication Strategy
Low literacy levels Poor media reach and exposure Variations in reach of media Vast, heterogeneous and diversely spread audience Variations in level of literacy Rural markets are largely media dark or media grey Communication requirements are: Identification of the right medium Development of region specific consumer profiles Design of effective communication
role of influencers Communication has to generate word of mouth publicity Strong association with colours, numerals and visuals Variations in perceptions, traditions and values in different parts of the country
Profiling the target audience Determining the communication objectives Designing the message and ensuring its effectiveness Selecting the communication channels Designing the promotion strategy
influencer Social classes and intentions Consumer receptivity use of colours and slogans Growing brand consciousness Traditional lifestyles Collective decision making Identification of purchase needs Value for Money
Communication Achieved
Prospect identification Interest to action Excitement, Announcement Understand and Explain Word of Mouth Influence
Communication Achieved
Awareness, Information Awareness, Information, Clarifying doubts Awareness, Information Awareness, Information, Excitement Awareness, Information, Recall
explanatory; mainly pictorial Message Format linking benefits to product attributes Context Association use a true rural environment Message Source should be likeable, trustworthy and seen to be an expert
Message Effectiveness
Simple; communicators also need to understand that
words have different meanings in different regions Pictorial presentations improve recall Form
Utilitarian to influence attitudes and preferences Narrative to increase attention
Trustworthy, likeable and expert source Context association to create interest and improve
comprehension
Communication Channels
Personal Advocate Company sales people Expert Social Neighbours, friends, family members (most effective in rural) Non-personal Mass media print, broadcast, electronic and display Atmospheres a packaged environment Events
Promotion Mix
Advertising to build a long term image Sales promotion coupons, contests, demonstrations
and sampling Direct marketing one to one communication Public relations and publicity has higher credibility Sales force
advertising, sales promotion, sales force, public relations in that order Push
Use of sales force and trade promotion
OR
advertising Combine education with entertainment Short television commercials do not work in rural
Rural Media
Conventional Mass Media Television Radio Press Cinema Outdoor Non-conventional Media Haat and Mela Folk Media like folk theatre, show, magic show Video Van Mandi
Personalised Media
Direct Mailers Point of Sale Demonstration, Leaflets Word of Mouth Interpersonal Communication
Mass Media
Radio is cheapest but share of pie in rural is only 2% Involvement with advertisements is very low Television ownership 19% in rural. Community viewing
increases viewership Fastest growing but limitations due to availability of electricity and clash of value systems Cinema has universal appeal but is experiencing a downturn due to lack of facilities and the fact that it is not free Print is reasonably popular. Rural people however more interested in local news rather than national and international
Mass Media
Wall Paintings is most widespread and is the favourite of
rural masses Economical and can be customised to local language. Audience recall rates are high Lack of availability and quality of walls and painters limits their use Exclusive rights not available to companies Outsourced operation with loose controls Close monitoring is therefore essential
age group or gender This is followed by radio, then press, cinema and cable and satellite In bigger villages (5Kand more) press has higher reach than radio and C an S higher than cinema Reach for almost all media as we move from the teens to the older ages Reach of all media lower for females lower than that of males due to value systems in rural
Folk Media
Folk Theatre used mainly for socially relevant issues. Folk
songs and dances also used extensively Magic Shows Entertaining and raising curiosity Puppet Shows linked to religious ceremonies Interactive Games Availability of right kind of troupe and high costs are limitations of folk media Focus should not be purely on brand promotion Venues and timing of campaigns should be planned carefully The medium and the troupes should gel with the culture of the region
Video Van
Used for promotion, sampling and demonstrations Film shows are the main attraction Very high cost of operation Attract lots of children who are neither users, influencers or decision makers
Haats
Sunday markets most popular Cater to 15 to 20 villages Used more for sales promotion rather than brand
building Also used for live demonstrations Haat campaigns should plan three outings
1. 2. 3.
For awareness Sales promotion and conversion Long term business relationship with haat sellers
Melas
Start with Top 100 commercial melas and then move to
smaller melas Target melas closer to larger villages and those that last longer Melas cater to a larger audience and a place for entertainment and shopping Melas attract families whereas haats are male dominated
Personalised Media
Point of Purchase Displays low size of shops are a serious limitation; retailers prefer to push spurious/fake brands and hence do not display POP Demonstrations Direct Mailers Personalised with audience selectivity used for testing and measuring of results
RURAL MASSES
The ideal media model is to influence the opinion leaders before targeting the rural consumer Press and direct marketing are most effective for this
product itself demonstrations and use of opinion leaders. Examples Hair dye, jeans Launch of a new brand creating awareness and promoting brand shift. Efforts also need to be made for retailers to stock the brand Existing reminder advertising and sales promotion
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