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End of The Line - Shot List

The document provides details for 37 shots in a film, including the location, actors, shot description, rig, and script notes for each shot. The shots include various locations like the MTR platform, a restaurant, streets, and the protagonists' home. The shots follow the protagonists and other characters like the manager and new waitress May. They depict scenes like the protagonists talking at the restaurant, running to catch a train, sleeping on the train, and arriving home together.

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0% found this document useful (0 votes)
51 views4 pages

End of The Line - Shot List

The document provides details for 37 shots in a film, including the location, actors, shot description, rig, and script notes for each shot. The shots include various locations like the MTR platform, a restaurant, streets, and the protagonists' home. The shots follow the protagonists and other characters like the manager and new waitress May. They depict scenes like the protagonists talking at the restaurant, running to catch a train, sleeping on the train, and arriving home together.

Uploaded by

justiy
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
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Shot no.

1 2

Location MTR platform MTR platform

Actors Protagonist Protagonist

Restaurant

Protagonist, manager Protagonist, manager Protagonist, Ching

4 5

Restaurant Restaurant

Shot description Close up of protagonists face, then pan to train as it arrives. Medium tracking shot, following in front of protagonist walking into the train. He walks off frame and the doors close. Medium tracking shot, following behind protagonist as he walks into the restaurant. Manager walks out to greet him. Wide shot from side of characters, wall in foreground Wide shot of Ching. Protagonist out of focus in foreground.

Rig Fig rig Fig rig

Script notes

Fig rig

Manager: Hey lover boy! The usual? Protagonist and managers dialogue Ching sweeps the floors, looks up and smiles. Protagonist: Its ok Begin flashback He gets a call. Phone call dialogue.

Fig rig / tripod Fig rig

6 7 8 9 10

Restaurant Street (near MTR exit) Street (near MTR exit) Alley MTR platform

Protagonist Protagonist Protagonist Protagonist Protagonist, Ex

Close up of eating noodles. Medium shot (from far away) from the side as cars pass Close up of phone dropping. Protagonists feet run away in background. Medium of lower body going down alleyway. Object in foreground if possible. Tracking behind protagonist as he runs to train. Focus on ex with protagonist out-offocus in foreground. Track camera round to almost parallel with glass, she pulls away.

Fig rig Fig rig / tripod Fig rig Fig rig / tripod Fig rig

Begin flashback in undercrank They put their hands on MTR glass

11 12 13 14

Alley Alley MTR platform MTR platform

Protagonist Protagonist Protagonist, Ex Protagonist, Ex

He falls onto the ground, into the frame (same shot as previous) Close up of protagonists face (skewed angle) Close up of octopus card and feet, pan up to protagonist as he slowly picks it up. Behind protagonist, showing the Ex on the other side of the glass.

Fig rig / tripod Fig rig / tripod Fig rig Fig rig

Single tear slides down his cheek Protagonist picks up Exs octopus card. She thumps on the window, gestures to meet at the next stop, he nods and gestures to calm down.

15 16 17

MTR next station / train MTR train MTR train

Protagonist, Ex Protagonist, Ex Protagonist, Ex

Medium still as he gets on the train. Then turn to track behind him as he walks to sit with Ex. Medium of two characters talking. Object in foreground if possible. Shot of night sky. Pan down to see the two characters.

Fig rig Fig rig Fig rig Dialogue fades out They are asleep on each others shoulders. Protagonist wakes up, begin dialogue.

18 19 20 21 22

MTR train MTR station Home Home Home

Protagonist, Ex Protagonist, Ex Protagonist, Ex Protagonist, Ex Protagonist, Ex

Tracking behind/beside as they piggyback. Tracking behind/beside as they piggyback. Tracking in front of characters piggybacking. Shot of a mirror, showing them piggybacking past Tracking closely at waist height as they go towards the bed. Camera pulls out and pans

Fig rig Fig rig Fig rig Tripod Fig rig

Opens door, hits light switch with elbow

He lays her down on the bed, then tucks her

23 24 25 26 27

Home Home Home Home Restaurant

Protagonist, Ex Protagonist, Ex Protagonist, Ex Protagonist, Ex Protagonist, manager Protagonist, manager, May

up at skewed angle as he tucks her in. Still shot of a clock. If possible, pan to see a mirror or desktop mirror showing them. Tracking sideways along a wall or other object to catch glimpses of the characters. Still shot of a clock. Tracking sideways along a wall, then reveals the characters. Medium tracking shot, following behind protagonist as he walks into the restaurant. Manager walks out to greet him. Shot-reverse-shot, behind manager. Objects/wall in foreground. May moving around in foreground. Camera shuffles about. Shot-reverse-shot, behind protagonist. May in background.

Fig rig / tripod Fig rig Fig rig / tripod Fig rig Fig rig

in Clock shows a very late time. Protagonist gazes at sleeping Ex Clock shows an early time Ex opens her eyes and sits up, they hold hands. Manager: Whatll it be today? Protagonist: You know what?... May glances up, goes back to her work. Manager: How about curry? May looks up again, keeps looking. Protagonist: That sounds great, ok. He looks up midsentence, she looks away. Manager: Hey, we have a new waitress

28

Restaurant

Fig rig

29

Restaurant

Protagonist, manager, May

Fig rig

30

Restaurant

Protagonist, manager, May

Shot-reverse-shot, behind manager. Objects/wall in foreground. May moving around in foreground.

Fig rig

31

Restaurant

Protagonist, manager, May

Shot-reverse-shot, behind protagonist. May working in background. She walks up next to

Fig rig

32 33 34 35

Restaurant Restaurant Restaurant

Protagonist, , May Protagonist, May Protagonist, May

manager. He leaves. Shot-reverse-shot, behind May. Shot-reverse-shot, behind protagonist. Shot-reverse-shot, behind May Medium shot, tracking in front of characters as they walk. As soon as protagonist sees Ex, camera reflexively swings around (quickly panning) to show her. Swings back to protagonist. Same shot of the phone lying on the ground Medium shot, in front of characters.

Fig rig Fig rig Fig rig Fig rig

Outside restaurant Protagonist, May, (night) Ex

May: Hello. Protagonist: When does your shift end? May: Right now actually. Protagonist: Cool. Lets go. Scene 8 dialogue.

36 37

Street MTR train

Protagonist, Ex

Fig rig / tripod Fig rig / tripod

Exs sister Protagonist VO, Ex looks up at him, Ex VO, protagonist looks at her as their eyes meet and they smile at each other

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