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Introduction to Software
Development
“Not only are there no silver bullets now in view, the very nature of software
makes it unlikely that there will be any—no inventions that will do for soft-
ware productivity, reliability, and simplicity what electronics, transistors,
and large-scale integration did for computer hardware. We cannot expect
ever to see twofold gains every two years.”
—Frederick J. Brooks, Jr.1
So, you might be asking yourself, why is this book called Software Development, Design,
and Coding? Why isn’t it called All About Programming or Software Engineering? After
all, isn’t that what software development is? Well, no. Programming is a part of software
development, but it’s certainly not all of it. Likewise, software development is a part of
software engineering, but it’s not all of it.
Here’s the definition of software development that we’ll use in this book: software
development is the process of taking a set of requirements from a user (a problem
statement), analyzing them, designing a solution to the problem, and then implementing
that solution on a computer.
But isn’t that programming? Well, no. Programming is really just the implementation
part, or possibly the design and implementation part, of software development.
Programming is central to software development, but it’s not the whole thing.
Well, then, isn’t it software engineering? Again, no. Software engineering also
involves a process and includes software development, but it also includes the entire
management side of creating a computer program that people will use. Software
1
Brooks, F. 1987. “No Silver Bullet.” IEEE Computer 20 (4): 10–19. www.inst.eecs.berkeley.
edu/~maratb/readings/NoSilverBullet.html.
1
© John F. Dooley and Vera A. Kazakova 2024
J. F. Dooley and V. A. Kazakova, Software Development, Design, and Coding,
https://doi.org/10.1007/979-8-8688-0285-0_1
Chapter 1 Introduction to Software Development
Despite the fact that software development is only part of software engineering,
software development is the heart of every software project. After all, at the end of the
day what you deliver to the user is working code. A team of developers working in concert
usually creates that code. So to start, maybe we should look at a software project from the
outside and ask, what does that team need to do to make that project a success?
In order to succeed at software development, you need the following:
To realize that you don’t know everything you need to know at the
beginning of the project. Software development projects just don’t
work this way. You’ll always uncover new requirements; other
requirements will be discovered to be not nearly as important
as the customer thought; still others that were targeted for the
next release are all of a sudden requirement number one. This is
known as churn. Managing requirements churn during a project
is one of the single most important skills a software developer
can have. If you are using new development tools (say a new
web development framework), you’ll uncover limitations you
weren’t aware of and side effects that cause you to have to learn,
for example, three other tools to understand them (e.g., that
web development tool you want to use is Ruby-based, requires a
specific relational database system to run, and needs a particular
configuration of Apache to work correctly.)
3
Chapter 1 Introduction to Software Development
2
Note that teams that are distributed geographically can also be closer to clients and thus have
better communication with them. Also, the advent of easy and fast conferencing software can
mitigate the disadvantages of remote work.
4
Chapter 1 Introduction to Software Development
To know where you are at all times. It’s that communication thing
again. Most projects have regular status meetings so that the
developers can “sync up” on their current status, get a feel for the
status of the entire project, and to create a sense of camaraderie
within the team. This works very well for smaller teams (say, up
to about 20 developers, many of which will have daily “stand-
up” meetings to sync up at the beginning of each day. Different
process models handle this “stand-up” meeting differently. For
instance, plan-driven models don’t require these meetings,
depending on the team managers to communicate with each
other. Agile processes often require all-hands daily meetings
to facilitate constant team communication in a highly dynamic
project environment.
5
Chapter 1 Introduction to Software Development
The right tools and the right practices for this project. One of the
best things about software development is that every project is
different. Even if you’re doing version 8.0 of an existing product,
things change. One implication of this is that, for every project,
you need to examine and pick the right set of development tools.
Picking tools that are inappropriate is like trying to hammer nails
with a screwdriver; you might be able to do it eventually, but is
sure isn’t easy or pretty or fun, and you can drive a lot more nails
in a shorter period of time with a hammer than with a screwdriver.
Even if you have to first obtain a hammer and then learn how
to use it for the very first time, you are leveling up your toolkit
and your skills in the process, investing in your ability to work
more efficiently going forward. The three most important factors
in choosing tools are the application type you are writing, the
target platform, and the development platform. You usually can’t
do anything about any of these three things, so once you know
what they are, you can pick tools that improve your productivity.
A fourth and nearly as important factor in tool choice is the
composition and experience of the development team. If your
6
Chapter 1 Introduction to Software Development
Conclusion
Software development is the heart of every software project, and it is the heart of
software engineering. Its objective is to deliver excellent, defect-free code to users on
time and within budget—all in the face of constantly changing requirements. This makes
development a particularly hard job to do. But finding a solution to a difficult problem
and getting your code to work correctly is just about the coolest feeling in the world.
“[Programming is] the only job I can think of where I get to be both an engi-
neer and an artist. There’s an incredible, rigorous, technical element to it,
which I like because you have to do very precise thinking. On the other
hand, it has a wildly creative side where the boundaries of imagination are
the only real limitation. The marriage of those two elements is what makes
programming unique. You get to be both an artist and a scientist. I like that.
I love creating the magic trick at the center that is the real foundation for
writing the program. Seeing that magic trick, that essence of your program,
working correctly for the first time, is the most thrilling part of writing a
program.”
—Andy Hertzfeld (designer of the first Mac OS)3
References
Brooks, F. 1987. “No Silver Bullet.” IEEE Computer 20 (4): 10–19. www.inst.eecs.
berkeley.edu/~maratb/readings/NoSilverBullet.html.
Lammers, Susan. 1986. Programmers At Work. Redmond, WA: Microsoft Press.
3
Lammers, Susan. 1986. Programmers At Work. Redmond, WA: Microsoft Press.
7
CHAPTER 2
1. Conception
2. Requirements gathering/exploration/modeling
3. Design
5. Testing
6. Release
7. Maintenance/software evolution
8. Retirement
Your development process may combine multiple steps or iterate over a subset of steps
repeatedly between releases, but, in one form or another, all development should encompass
all of the above life cycle steps in order to create high-quality software. The two most
common variations are plan-based models1 and the newer agile development models.2
1
Paulk, Mark C. 1995. The Capability Maturity Model: Guidelines for Improving the Software
Process. The SEI Series in Software Engineering. Reading, Mass.: Addison-Wesley Pub. Co.
2
Martin, Robert C. 2003. Agile Software Development, Principles, Patterns, and Practices. Upper
Saddle River, NJ: Prentice Hall.
11
© John F. Dooley and Vera A. Kazakova 2024
J. F. Dooley and V. A. Kazakova, Software Development, Design, and Coding,
https://doi.org/10.1007/979-8-8688-0285-0_2
Chapter 2 Software Process Models
With plan-based development, the project team will generally do a complete life
cycle (at least steps 2 through 7) before going back in the SDLC to start working on the
next version of the product. In plan-driven models, the methodology tends to be stricter
in terms of process steps and when releases happen. Plan-driven models have more
clearly defined phases and more requirements for sign-off on completion of a phase
before moving on to the next phase. Plan-driven models require more documentation at
each phase and verification of completion of each work product. They tend to work well
for large contracts for new software with well-defined deliverables.
In agile development, which is more prevalent now, the project team will usually
iterate over a partial life cycle (usually steps 3 through 5) several times before proceeding
to the release step. The agile models are inherently incremental and operate under the
assumption that small, frequent releases produce a more robust product than larger, less
frequent ones. Phases in agile models tend to blur together more than in plan-driven
models, and there tends to be less documentation of work products required, the basic
idea being that code is what is being produced and so developer efforts should focus
there. See the Agile Manifesto web page at https://agilemanifesto.org to get a good
feel for the agile development model and goals.
There is no one best process for developing software. Each project must decide on
the model that works best for its particular application and base that decision on the
project domain, the scope of the project, the experience of the team, and the timeline
of the project. In this chapter, we begin by reviewing the shared variables of software
development projects, followed by a discussion of the different broadly defined
approaches, and finally we take a look at several prominent specific software model
implementations as well as how they can be hybridized together.
3
Project Management Institute. 2021. A Guide to the Project Management Institute Body of
Knowledge. 7th ed. Project Management Institute, Inc. www.pmi.org.
12
Chapter 2 Software Process Models
• Scope (a.k.a. features) is what the product actually does. This is what
developers should always focus on. It’s the most important of the
variables from the customer’s perspective and it is also the one you
as a developer have the most control over. Controlling scope allows
you to provide managers and customers control over quality, time,
and cost. If the developers don’t have control over the feature set for
each release, then they are likely to blow the schedule. This is why
developers should do the estimates for software work products.
Together, cost, time, and scope form the Iron Triangle of software development, in
which specifying two of the variables defines the third. In the real world, a customer will
often specify timeframe and budget for the task, which will then be your constraints to
estimate a realistic scope within the broader task.
Occasionally, a fourth variable is added (usually as the center of the triangle).
13
Chapter 2 Software Process Models
is enormous. It will take more time to fix the next release and your
credibility will be pretty well shot. More commonly, there is an
expected minimum expected quality for the product, fixing this
“variable”.
As shown in Figure 2-1, all constraints need to be balanced. Altering one will require
adjusting others to compensate.
4
https://ronjeffries.com/xprog/articles/practices/pracfourvariables/
5
Siegelaub, J. M. 2007. “Six (Yes Six!) Constraints: An Enhanced Model for Project Control.” In
Proceedings of the PMI Global Congress 2007. Atlanta, GA: Project Management Institute, Inc.
www.pmi.org/learning/library/six-constraints-enhanced-model-project-control-7294.
See also https://prince2.wiki/.
14
Chapter 2 Software Process Models
6
Atkinson, Roger. 1999. “Project Management: Cost, Time, and Quality, Two Best Guesses and
a Phenomenon, It’s Time to Accept Other Success Criteria.” International Journal of Project
Management 17 (6): 337–42.
7
www.smartsheet.com/content/project-constraints
15
Chapter 2 Software Process Models
project. Below we discuss planning, reducing waste with lean methodologies, and
adapting by remaining agile.
16
Chapter 2 Software Process Models
Rather loosely, we can devise a series of iterations, where each iteration is a complete
Minimum Viable Product (MVP), working and robust, albeit with fewer features than
the final goal product. For each iteration, we will select a set of the next highest priority
requirements (including some you or the customer may have discovered during the
previous iteration), develop, test, and demo the MVP, and gather feedback. This feedback
may drastically alter our initial plan, which is why our initial plan is only a loose sketch of
future development iterations.
8
Cockburn, A. 2002. Agile Software Development. Boston, MA: Addison-Wesley.
9
DeMarco, Tom. 1983. Controlling Software Projects: Management, Measurement and Estimation.
Yourdon Press.
17
Chapter 2 Software Process Models
So what happens if you estimate wrong? What if you decide to include too many new
features in an iteration? What if there are unexpected delays? Well, if it looks as if you
won’t make your iteration deadline there are only two realistic alternatives: move the
deadline or remove features. We’ll come back to this problem later when we talk about
estimation and scheduling. The key to iterative development is “live a balanced life—
learn some and think some and draw and paint and sing and dance and play and work
every day some,”10 or in the software development world, analyze some and design some
and code some and test some every day. We’ll revisit this idea when we talk about the
agile development models later in this chapter.
Overall, agile is composed of ongoing short-term experiments, iteratively reviewed
to evaluate product and practices, and to find processes that work for the team and the
client. In other words, some good old-fashioned trial and error. While some failure is
inevitable, it is more informative and less costly to fail on small increments, to fail early,
and to learn from it quickly. Thus, we reduce the pressure of needing our intermediates
to be right, requiring only that these decision are useful in helping us learn more about
what was actually needed.
Agile development works from the proposition that the goal of any software
development project is working code. Consequently, the development team should spend
most of their time writing code, not documentation. As opposed to the heavyweight plan-
driven models mentioned above and espoused by groups like the Software Engineering
Institute (SEI) at Carnegie Mellon University,11 this new process model was lightweight,
requiring less documentation and fewer process controls. Lightweight methodologies
tend to emphasize writing tests before code, frequent product releases, significant
customer involvement in development, common code ownership, and refactoring
(rewriting code to make it simpler and easier to maintain). Lightweight methodologies do,
unfortunately, suffer from several myths, the two most pernicious being that lightweight
processes are only good for very small projects and that lightweight projects lack process
discipline. Both of these are incorrect. The truth is that lightweight methodologies have
been successfully used in many small and medium-sized projects (say up to about 500K
lines of code), as well as in very large projects. Larger projects can nearly always be
organized as a set of smaller projects, which together provide services to the single larger
10
Fulghum, Robert. 1986. All I Really Need to Know I Learned in Kindergarten. New York, NY:
Ivy Books.
11
(Paulk 1995)
18
Chapter 2 Software Process Models
12
https://agilemanifesto.org/
19
Chapter 2 Software Process Models
The following four main Agile Activities (although originally defined as part of the
Agile variant called eXtreme Programming) are applicable for all Agile methodologies:
Design while you code. In real world domains, all the requirements aren’t
typically known or correctly understood in advance. Mistakes and oversights will
be made in architectural design, detailed design, and coding. Additionally, during
product development, requirements and constraints may change, as no project
exists in a vacuum, away from real world events such as turnover in the development
team, updates to customer needs due to market changes, the development of new
technologies, and so on. Agile software development models build products a piece
at a time, with each product increment allowing for several crucial events to happen
earlier and more frequently: delivery of value to the customer, feedback gathering,
and adaptation to changes. Designing while coding allows more developer freedom to
choose how to deliver on the tasks, promoting developer agency while increasing their
responsibility to self-manage.
20
Chapter 2 Software Process Models
Direct communication is best, although what “direct” means has shifted greatly in
recent years. We see “direct communication” as happening in real time, with direct
exposure to both verbal and non-verbal cues, which would encompass in-person
discussions, video conferencing, and even advanced virtual environments. In any given
software development project, there are two types of knowledge: 1) the customer has
domain knowledge and what understanding of what the system is supposed to do and
2) the developers have technical knowledge about the target platform, programming
language(s), and possible implementation issues. The customer doesn’t know the
technical side and the developers don’t have the domain knowledge, so effective
communication—on both sides—is a key activity in developing the product. Frequent
communication means everyone is learning from everyone’s process, creating a more
well-rounded shared understanding faster.
Code is the main deliverable. The fundamental difference between plan-driven
models and agile models is this emphasis on the code, as code is where system
knowledge resides. In a plan-driven model, the emphasis is on producing a set of work
products that together represent the entire work of the project with code being just one
of the work products. In agile methodologies, the emphasis is placed squarely with code
as the deliverable; in addition, by structuring the code properly and keeping comments
up to date, the code itself becomes documentation for the project.
Test-driven development. Test cases for the required features are written before
development takes place and should all initially fail. Once all tests for a feature pass,
the feature implementation is completed. Test-driven development is instrumental for
managing change, as continuous testing tells you when a new feature is completed and
integrated into the system without breaking any of the pre-existing functionality.
Womack, James P., Daniel T. Jones, and Daniel Roos. 1990. The Machine That Changed the
13
World: The Story of Lean Production -- Toyota’s Secret Weapon in the Global Car Wars That Is Now
Revolutionizing World Industry. New York, NY: Simon and Schuster.
21
Chapter 2 Software Process Models
(Womack et. al.). Just-in-time manufacturing evolved first into lean manufacturing and
then into lean product management systems throughout the 1990s. The publication of
Poppendieck & Poppendieck’s Lean Software Development: An Agile Toolkit14 in 2003
marked the movement of lean into the agile development community.
Lean software development is a set of principles designed to eliminate waste in
order to improve productivity, quality, and customer satisfaction. Waste is anything that
does not add value to the product. Thus, lean emphasizes that the team should only be
focusing on activities that add immediate value to the product.
The Poppendiecks14 transformed the lean principles that started at Toyota into seven
key principles for software development:
• Eliminate waste
• Build quality in
• Create knowledge
• Defer commitment
• Deliver fast
• Respect people
We will go through each of these principles briefly to illustrate how they apply to
software development.
Poppendieck, Mary, and Tom Poppendieck. 2003. Lean Software Development: An Agile Toolkit.
14
22
Another Random Scribd Document
with Unrelated Content
This book was produced in EPUB format by the Internet Archive.
■;
CASTES AND TRIBES OF SOUTHERN INDIA
Digitized by the Internet Archive in 2007 with funding from
Microsoft Corporation
http://www.archive.org/details/castestribesofso02thuriala
CASTES AND TRIBES OF SOUTHERN INDIA BY EDGAR
THURSTON, c.i.e., Superintendent, Madras Government Museum ;
Correspondant Etranger, Socigte' d'Anthropologie de Paris ; Socio
Corrispondante, Societa Romana di Anthropologia. ASSISTED BY K.
RANGACHARI, m.a., of the Madras Government Museum. VOLUME II
— C to J GOVERNMENT PRESS, MADRAS 1909.
College Library 450 T4^c CASTES AND TRIBES OF
SOUTHERN INDIA. VOLUME II. j^pftANJI (gruel). — An exogamous
sept of Padma m|||^ Sale. Canji is the word " in use all over India
for the water, in which rice has been boiled. It also forms the usual
starch of Indian washermen."* As a sept of the Sale weavers, it
probably has reference to the gruel, or size, which is applied to the
warp. Chacchadi.— Haddis who do scavenging work, with whom
other Haddis do not freely intermarry. Chadarapu Dhompti (square
space marriage offering).— A sub-division of Madigas, who, at
marriages, offer food to the god in a square space. Chakala.— See
Tsakala. Chakkan.— -Recorded in the Madras Census Report, 1 90 1,
as " a Malabar caste of oil-pressers (chakku means an oil-mill).
Followers of this calling are known also as Vattakkadans in South
Malabar, and as Vaniyans in North Malabar, but the former are the
higher in social status, the Nayars being polluted by the touch of the
Vaniyans and Chakkans, but not by that of the Vattakkadans.
Chakkans and Vaniyans may not enter Brahman temples. Their
customs and manners are similar to those of the Nayars, who will
not, however, * Yule and Burnell. Hobson-Jobson. 2005010
CHAKKILIYAN 2 marry their women." Chakkingalavan
appears as a synonym for Chakkan. Chakkiliyan.— " The
Chakkiliyans," Mr. H. A. Stuart writes,* "are the leather-workers of
the Tamil districts, corresponding to the Madigas of the Telugu
country. The Chakkiliyans appear to be immigrants from the Telugu
or Canarese districts, for no mention is made of this caste either in
the early Tamil inscriptions, or in early Tamil literature. Moreover, a
very large proportion of the Chakkiliyans speak Telugu and
Canarese. In social position the Chakkiliyans occupy the lowest rank,
though there is much dispute on this point between them and the
Paraiyans. Nominally they are Saivites, but in reality devil-
worshippers. The avaram plant {Cassia auriculata) is held in much
veneration by them,t and the tali is tied to a branch of it as a
preliminary to marriage. Girls are not usually married before puberty.
The bridegroom may be younger than the bride. Their widows may
remarry. Divorce can be obtained at the pleasure of either party on
payment of Rs. 1 2-1 2-0 to the other in the presence of the local
head of the caste. Their women are considered to be very beautiful,
and it is a woman of this caste who is generally selected for the
coarser form of Sakti worship. They indulge very freely in
intoxicating liquors, and will eat any flesh, including beef, pork, etc.
Hence they are called, par excellence, the flesh-eaters (Sanskrit
shatkuli)." It was noted by Sonnerat, in the eighteenth century, J
that the Chakkiliyans are in more contempt than the Pariahs,
because • Manual of the North Arcot district. t The bark of the
avaram plant is one of the most valuable Indian tanning agents. %
Voyage to the East Indies, 1774 and 1781.
3 CHAKKILIYAN they use cow leather in making shoes. "
The Chucklers or cobblers," the Abbe" Dubois writes,* "are
considered inferiors to the Pariahs all over the peninsula. They are
more addicted to drunkenness "and debauchery. Their orgies take
place principally in the evening, and their villages resound, far into
the night, with the yells and quarrels which result from their
intoxication. The very Pariahs refuse to have anything to do with the
Chucklers, and do not admit them to any of their feasts." In the
Madura Manual, 1868, the Chakkiliyans are summed up as " dressers
of leather, and makers of slippers, harness, and other leather
articles. They are men of drunken and filthy habits, and their morals
are very bad. Curiously enough, their women are held to be of the
Padmani kind, i.e., of peculiar beauty of face and form, and are also
said to be very virtuous. It is well known, however, that zamindars
and other rich men are very fond of intriguing with them, particularly
in the neighbourhood of Paramagudi, where they live in great
numbers." There is a Tamil proverb that even a Chakkili girl and the
ears of the millet are beautiful when mature. In the Tanjore district,
the Chakkiliyars are said t to be " considered to be of the very lowest
status. In some parts of the district they speak Telugu and wear the
namam (Vaishnavite sect mark) and are apparently immigrants from
the Telugu country." Though they are Tamil-speaking people, the
Chakkiliyans, like the Telugu Madigas, have exogamous septs called
gotra in the north, and kilai in the south. Unlike the Madigas, they do
not carry out the practice of making Basavis (dedicated prostitutes).
* Hindu Manners, Customs and Ceremonies, t Manual of the Tanjore
district, 1883. II— I B
CHAKKILIYAN 4 The correlation of the most important
measurements of the Madigas of the Telugu country, and so-called
Chakkiliyans of the city of Madras, is clearly brought out by the
following figures : — Thirty Fifty Madigas. Chakkiliyans. cm. cm.
Stature ... ... ... ... 163*1 162*2 Cephalic length 18*6 18" 6 „
breadth ... ... 13*9 13*9 » index 75* 75* Nasal height 4*5 4*6 „
breadth 3*7 3*6 „ index ... ... ... 8o*8 78*9 The Chakkiliyan men in
Madras are tattooed not only on the forehead, but also with their
name, conventional devices, dancing-girls, etc., on the chest and
upper extremities. It has been noticed as a curious fact that, in the
Madura district, ''while the men belong to the righthand faction, the
women belong to and are most energetic supporters of the left. It is
even said that, during the entire period of a faction riot, the Chakkili
women keep aloof from their husbands and deny them their marital
rights." # In a very interesting note on the leather industry of the
Madras Presidency, Mr. A. Chatterton writes as follows.t " The
position of the Chakkiliyan in the south differs greatly from that of
the Madiga of the north, and many of his privileges are enjoyed by a
' sub-sect' of the Pariahs called Vettiyans. These people possess the
right of removing dead cattle from villages, and in return • Manual of
the Madura district. f Monograph of Tanning and Working in Leather,
1904.
5 CHAKKILIYAN have to supply leather for agricultural
purposes. The majority of Chakkiliyans are not tanners, but
leatherworkers, and, instead of getting the hides or skins direct from
the Vettiyan, they prefer to purchase them readytanned from
traders, who bring them from the large tanning centres. When the
Chuckler starts making shoes or sandals, he purchases the leather
and skin which he requires in the bazar, and, taking it home, first
proceeds with a preliminary currying operation. The leather is
damped and well stretched, and dyed with aniline, the usual colour
being scarlet R.R. of the Badische Anilin Soda Fabrik. This is
purchased in the bazar in packets, and is dissolved in water, to which
a little oxalic acid has been added. The dye is applied with a piece of
rag on the grain side, and allowed to dry. After drying, tamarind
paste is applied to the flesh side of the skin, and the latter is then
rolled between the hands, so as to produce a coarse graining on the
outer side. In making the shoes, the leather is usually wetted, and
moulded into shape on wooden moulds or lasts. As a rule, nothing
but cotton is used for sewing, and the waxed ends of the English
cobler are entirely unknown. The largest consumption of leather in
this Presidency is for water-bags or kavalais, which are used for
raising water from wells, and for oil and ghee (clarified butter) pots,
in which the liquids are transported from one place to another. Of
irrigation wells there are in the Presidency more than 600,000, and,
though some of them are fitted with iron buckets, nearly all of them
have leather bags with leather discharging trunks. The buckets hold
from ten to fifty gallons of water, and are generally made from fairly
well tanned cow hides, though for very large buckets buffalo hides
are sometimes used. The number of oil and ghee pots in use in the
country is very large.
CHAKKILIYAN 6 The use of leather vessels for this purpose
is on the decline, as it is found much cheaper and more convenient
to store oil in the ubiquitous kerosine-oil tin, and it is not improbable
that eventually the industry will die out, as it has done in other
countries. The range of work of the country Chuckler is not very
extensive. Besides leather straps for wooden sandals, he makes
crude harness for the ryot's cattle, including leather collars from
which numerous bells are frequently suspended, leather whips for
the cattle drivers, ornamental fringes for the bull's forehead, bellows
for the smith, and small boxes for the barber, in which to carry his
razors. In some places, leather ropes are used for various purposes,
and it is customary to attach big coir (cocoanut fibre) ropes to the
bodies of the larger temple cars by leather harness, when they are
drawn in procession through the streets. Drum-heads and tom-toms
are made from raw hides by Vettiyans and Chucklers. The drums are
often very large, and are transported upon the back of elephants,
horses, bulls and camels. For them raw hides are required, but for
the smaller instruments sheep-skins are sufficient. The raw hides are
shaved on the flesh side, and are then dried. The hair is removed by
rubbing with wood-ashes. The use of lime in unhairing is not
permissible, as it materially decreases the elasticity of the
parchment." The Chakkiliyans beat the tom-tom for Kammalans,
Pallis and Kaikolans, and for other castes if desired to do so. The
Chakkiliyans do not worship Matangi, who is the special deity of the
Madigas. Their gods include Madurai Viran, Mariamma, Muneswara,
Draupadi and Gangamma. Of these, the last is the most important,
and her festival is celebrated annually, if possible. To cover the
expenses thereof, a few Chakkiliyans dress up
7 CHAKKIYAR so as to represent men and women of the
Marathi birdcatching caste, and go about begging in the streets for
nine days. On the tenth day the festival terminates. Throughout it,
Gangamma, represented by three decorated pots under a small
pandal (booth) set up on the bank of a river or tank beneath a
margosa (Melia azadirachta), or pipal (Ficus reli%iosa) tree, is
worshipped. On the last day, goats and fowls are sacrificed, and
limes cut. During the first menstrual period, the Chakkiliyan girl is
kept under pollution in a hut made of fresh green boughs, which is
erected by her husband or maternal uncle. Meat, curds, and milk are
forbidden. On the last day, the hut is burnt down. At marriages a
Chakkiliyan usually officiates as priest, or the services of a Valluvan
priest may be enlisted. The consent of the girl's maternal uncle to
the marriage is essential. The marriage ceremony closely resembles
that of the Paraiyans. And, at the final death ceremonies of a
Chakkiliyan, as of a Paraiyan, two bricks are worshipped, and thrown
into a tank or stream. Lean children, especially of the Mala, Madiga,
and Chakkiliyan classes, are made to wear a leather strap, specially
made for them by a Chakkiliyan, which is believed to help their
growth. At times of census, some Chakkiliyans have returned
themselves as Pagadaiyar, Madari (conceit or arrogance), and
Ranaviran (brave warrior). Chakkiyar. — The Chakkiyars are a class
of Ambalavasis, of whom the following account is given in the
Travancore Census Report, 1901. The name is generally derived from
Slaghyavakkukar (those with eloquent words), and refers to the
traditional function of the caste in Malabar society. According to the
Jatinirnaya, the
CHAKKIYAR 8 Chakkiyars represent a caste growth of the
Kaliyuga. The offence to which the first Chakkiyar owes his position
in society was, it would appear, brought to light after the due
performance of the upanayanasamskara. Persons, in respect of
whom the lapse was detected before that spiritualizing ceremony
took place, became Nambiyars. Manu derives Suta, whose functions
are identical with the Malabar Chakkiyar, from a pratiloma union, i.e.,
of a Brahman wife with a Kshatriya husband.* The girls either marry
into their own caste, or enter into the sambandham form of alliance
with Nambutiris. They are called Illottammamar. Their jewelry
resembles that of the Nambutiris. The Chakkiyar may choose a wife
for sambandham from among the Nambiyars. They are their own
priests, but the Brahmans do the purification (punyaham) of house
and person after birth or death pollution. The pollution itself lasts for
eleven days. The number of times the Gayatri (hymn) may be
repeated is ten. The traditional occupation of the Chakkiyans is the
recitation of Puranic stories. The accounts of the Avataras have been
considered the highest form of scripture of the non-Brahmanical
classes, and the early Brahmans utilised the intervals of their Vedic
rites, i.e., the afternoons, for listening to their recitation by castes
who could afford the leisure to study and narrate them. Special
adaptations for this purpose have been composed by writers like
Narayana Bhattapada, generally known as the Bhattatirippat, among
whose works Dutavakya, Panchalisvayamvara, Subhadrahana and
Kaunteyashtaka are the most popular. In addition to these, standard
works like Bhogachampu and Mahanataka are often • Pratiloma, as
opposed to an anuloma union, is the marriage of a female of a
higher caste with a man of a lower one.
9 CHAKKIYAR pressed into the Chakkiyar's service.
Numerous upakathas or episodes are brought in by way of
illustration, and the marvellous flow of words, and the telling
humour of the utterances, keep the audience spell-bound. On the
utsavam programme of every important temple, especially in North
Travancore, the Chakkiyarkuttu (Chakkiyar's performance) is an
essential item. A special building, known as kuttampalam, is
intended for this purpose. Here the Chakkiyar instructs and regales
his hearers, antiquely dressed, and seated on a threelegged stool.
He wears a peculiar turban with golden rim and silk embossments. A
long piece of cloth with coloured edges, wrapped round the loins in
innumerable vertical folds with an elaborateness of detail difficult to
describe, is the Chakkiyar's distinctive apparel. Behind him stands
the Nambiyar, whose traditional kinship with the Chakkiyar has been
referred to, with a big jar-shaped metal drum in front of him called
milavu, whose bass sound resembles the echo of distant thunder.
The Nambiyar is indispensable for the Chakkiyarkuttu, and sounds
his mighty instrument at the beginning, at the end, and also during
the course of his recitation, when the Chakkiyar arrives at the middle
and end of a Sanskrit verse. The Nangayar, a female of the Nambiyar
caste, is another indispensable element, and sits in front of the
Chakkiyar with a cymbal in hand, which she sounds occasionally. It is
interesting to note that, amidst all the boisterous merriment into
which the audience may be thrown, there is one person who has to
sit motionless like a statue. If the Nangayar is moved to a smile, the
kuttu must stop, and there are cases where, in certain temples, the
kuttu has thus become a thing of the past. The Chakkiyar often
makes a feint of representing some of his audience as his characters
CHAKKIYAR lO for the scene under depictment. But he does
it in such a genteel way that rarely is offence taken. It is an
unwritten canon of Chakkiyarkuttu that the performance should stop
at once if any of the audience so treated should speak out in answer
to the Chakkiyar, who, it may be added, would stare at an admiring
listener, and thrust questions on him with such directness and force
as to need an extraordinary effort to resist a reply. And so realistic is
his performance that a tragic instance is said to have occurred when,
by a cruel irony of fate, his superb skill cost a Chakkiyar his life.
While he was explaining a portion of the Mahabharata with
inimitable theatrical effect, a desperate friend of the Pandavas rose
from his seat in a fit of uncontrollable passion, and actually knocked
the Chakkiyar dead when, in an attitude of unmistakable though
assumed heartlessness, he, as personating Duryodhana, inhumanely
refused to allow even a pin-point of ground to his exiled cousins.
This, it is believed, occurred in a private house, and thereafter kuttu
was prohibited except at temples. It is noted, in the Gazetteer of
Malabar, that " Chakkiyars or Slaghyar-vakukar are a caste following
makkattayam (inheritance from father to son), and wear the punul
(thread). They are recruited from girls born to a Nambudiri woman
found guilty of adultery, after the date at which such adultery is
found to have commenced, and boys of similar origin, who have
been already invested with the sacred thread. Boys who have not
been invested with the punul when' their mother is declared an
adulteress, join the class known as Chakkiyar Nambiyars, who follow
marumakkattayam (inheritance in the female line), and do not wear
the thread. The girls join either caste indifferently. Chakkiyars may
1 1 CHALIYAN marry Nangiyars, but Chakkiyar Nambiyars
may not marry Illotammamar." Chaliyan.— The Chaliyans are a caste
of Malayalam cotton weavers, concerning whom Mr. Francis writes as
follows*: — " In dress and manners they resemble the artisan castes
of Malabar, but, like the Pattar Brahmans, they live in streets, which
fact probably points to their being comparatively recent settlers from
the east coast. They have their own barbers called Potuvans, who
are also their purohits. They do not wear the sacred thread, as the
Sale weavers of the east coast do. They practise ancestor worship,
but without the assistance of Brahman priests. This is the only
Malabar caste which has anything to do with the right and left-hand
faction disputes, and both divisions are represented in it, the left
hand being considered the superior. Apparently, therefore, it settled
in Malabar some time after the beginnings of this dispute on the east
coast, that is, after the eleventh century A. D. Some of them follow
the marumakkatayam and others the makkatayam law of
inheritance, which looks as if the former were earlier settlers than
the latter." The Chaliyans are so called because, unlike most of the
west coast classes, they live in streets, and Teruvan (teru, a street)
occurs as a synonym for the caste name. The right-hand section are
said to worship the elephant god Ganesa, and the left Bhagavati.
The following account of the Chaliyans is given in the Gazetteer of
the Malabar district : " Chaliyans are almost certainly a class of
immigrants from the east coast. They live in regular streets, a
circumstance strongly supporting this view. The traditional account *
Madras Census Report, 1901.
CHALIYAN 12 is to the same effect. It is said that they were
originally of a high caste, and were imported by one of the
Zamorins, who wished to introduce the worship of Ganapathi, to
which they are much addicted. The latter's minister, the Mangatt
Acchan, who was entrusted with the entertainment of the new
arrivals, and was nettled by their fastidiousness and constant
complaints about his catering, managed to degrade them in a body
by the trick of secretly mixing fish with their food. They do not, like
their counterparts on the east coast, wear the thread ; but it is
noticeable that their priests, who belong to their own caste, wear it
over the right shoulder instead of over the left like the Brahman's
punul, when performing certain pujas (worship). In some parts, the
place of the regular punul is taken by a red scarf or sash worn in the
same manner. They are remarkable for being the only caste in
Malabar amongst whom any trace of the familiar east coast division
into right-hand and left-hand factions is to be found. They are so
divided ; and those belonging to the right-hand faction deem
themselves polluted by the touch of those belonging to the left-hand
sect, which is numerically very weak. They are much addicted to
devil-dancing, which rite is performed by certain of their numbers
called Komarams in honour of Bhagavathi and the minor deities
Vettekkorumagan and Gulikan (a demon). They appear to follow
makkatayam (descent from father to son) in some places, and
marumakkatayam (inheritance in the female line) in others. Their
pollution period is ten days, and their purification is performed by
the Talikunnavan (sprinkler), who belongs to a somewhat degraded
section of the caste." The affairs of the caste are managed by
headmen called Uralans, and the caste barber, or Pothuvan, acts as
13 CHALIYAN the caste messenger. Council meetings are
held at the village temple, and the fines inflicted on guilty persons
are spent in celebrating puja (worship) thereat. When a girl reaches
puberty, the elderly females of Uralan families take her to a tank,
and pour water over her head from small cups made of the leaves of
the jak (Artocarpus integrifolia) tree. She is made to sit apart on a
mat in a room decorated with young cocoanut leaves. Round the
mat raw rice and paddy (unhusked rice) are spread, and a vessel
containing cocoanut flowers and cocoanuts is placed near her. On
the third evening, the washerman (Peruvannan) brings some newly-
washed cloths (mattu). He is presented with some rice and paddy,
which he ties up in a leaf, and does puja. He then places the cloths
on a plank, which he puts on his head. After repeating some songs
or verses, he sets it down on the floor. Some of the girl's female
relations take a lighted lamp, a pot of water, a measure of rice, and
go three times round the plank. On the following day, the girl is
bathed, and the various articles which have been kept in her room
are thrown into a river or tank. Like many other Malabar castes, the
Chaliyans perform the tali kettu ceremony. Once in several years, the
girls of the village who have to go through this ceremony are
brought to the house of one of the Uralans, where a pandal (booth)
has been set up. Therein a plank, made of the wood of the pala tree
(Alstonia scholaris), a lighted lamp, betel leaves and nuts, a measure
of raw rice, etc., are placed. The girl takes her seat on the plank,
holding in her right hand a mimic arrow (shanthulkol). The
Pothuvan, who receives a fanam (coin) and three bundles of betel
leaves for his services, hands the tali to a male member of an Uralan
family, who ties it on the girl's neck.
CHALLA 14 On the day before the wedding-day the
bridegroom, accompanied by his male relations, proceeds to the
house of the bride, where a feast is held. On the following day the
bride is bathed, and made to stand before a lighted lamp placed on
the floor. The bridegroom's father or uncle places two gold fanams
(coins) in her hands, and a further feast takes place. In the seventh
month of pregnancy, the ceremony called puli kudi (or drinking
tamarind) is performed. The woman's brother brings a twig of a
tamarind tree, and, after the leaves have been removed, plants it in
the yard of the house. The juice is extracted from the leaves, and
mixed with the juice of seven cocoanuts. The elderly female relations
of the woman give her a little of the mixture. The ceremony is
repeated during three days. Birth pollution is removed by a barber
woman sprinkling water on the ninth day. The dead are buried. The
son carries a pot of water to the grave, round which he takes it
three times. The barber makes a hole in the pot, which is then
thrown down at the head of the grave. The barber also tears off a
piece of the cloth, in which the corpse is wrapped. This is, on the
tenth day, taken by the son and barber to the sea or a tank, and
thrown into it. Three stones are set up over the grave. Chaliyan also
occurs as an occupational title or subdivision of Nayars, and
Chaliannaya as an exogamous sept of Bant. In the Madras Census
Report, 1901, Chaliyan is given as a sub-caste of Vaniyan
(oilpressers). Some Chaliyans are, however, oilmongers by
profession. Challa. — Challa, meaning apparently eaters of refuse,
occurs as a sub-division of Yanadis, and meaning buttermilk as an
exogamous sept of Devanga. Challakuti,
15 CHANDRA meaning those who eat old or cold food, is an
exogamous sept of Kapus. Chamar.— Nearly three hundred members
of this Bengal caste of tanners and workers in leather were returned
at the census, 1901. The equivalent Chamura occurs as the name of
leather-workers from the Central Provinces. Chandala.— At the
census, 1901, more than a thousand individuals returned themselves
as Chandala, which is defined as a generic term, meaning one who
pollutes, to many low castes. "It is," Surgeon- Major W. R. Cornish
writes,* " characteristic of the Brahmanical intolerance of the
compilers of the code that the origin of the lowest caste of all (the
Chandala) should be ascribed to the intercourse of a Sudra man and
a Brahman woman, while the union of a Brahman male with a Sudra
woman is said toi have resulted in one of the highest of the mixed
classes." By Manu it was laid down that " the abode of the Chandala
and Swapaca must be^out of the town. They must not have the use
of entire vessels. Their sole wealth must be dogs and asses. Their
clothes must be the mantles of the deceased ; their dishes for food
broken pots ; their ornaments rusty iron ; continually must they
roam from place to place. Let no man who regards his duty, religious
and civil, hold any intercourse with them, and let food be given to
them in potsherds, but not by the hand of the giver." Chandra
(moon). — An exogamous sept of Kuruba. The name
Chandravamsapu (moon people) is taken by some Razus, who claim
to be Kshatriyas, and to be descended from the lunar race of kings
of the Mahabharata. * Madras Census Report, 1871.
CHANIPOYINA 1 6 Chanipoyina (those who are dead). —
An exogamous sept of Orugunta Kapu. Chapa (mat). — An
exogamous sept of Boya. Chappadi (insipid). — An exogamous sept
of Jogi. Chapparam (a pandal or booth). — An exogamous sept of
Devanga. Chappar band.— The Chapparbands are manufacturers of
spurious coin, who hail from the Bombay Presidency, and are
watched for by the police. It is noted, in the Police Report, 1904,
that good work was done in Ganjam in tracing certain gangs of
these coiners, and bringing them to conviction. For the following
note I am indebted to a report * by Mr. H. N. Alexander of the
Bombay Police Department. The name Chapparband refers to their
calling, chapa meaning an impression or stamp. " Among themselves
they are known as Bhadoos, but in Hindustan, and among Thugs
and cheats generally, they are known as Khoolsurrya, i.e., false
coiners. While in their villages, they cultivate the fields, rear poultry
and breed sheep, while the women make quilts, which the men sell
while on their tours. But the real business of this class is to make
and pass off false coin. Laying aside their ordinary Muhammadan
dress, they assume the dress and appearance of fakirs of the
Muddar section, Muddar being their Pir, and, unaccompanied by their
women, wander from village to village. Marathi is their language,
and, in addition, they have a peculiar slang of their own. Like all
people of this class, they are superstitious, and will not proceed on
an expedition unless a favourable omen is obtained. The following
account is given, showing how the false coin is manufactured. A *
Madras Police Gazette, 1902.
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