Vibrant Quilt Collage BLAD

Fall 2012
Vibrant Quilt Collage
A Spontaneous Approach to Fused Art Quilts

by bethan ash
Explore this groundbreaking book that shows how to

create unique and expressive quilts by going beyond
conventional patchwork using improvisational collage
techniques and fusing.
Author Bethan Ash, known for her rich and colorful quilt
designs, shows how to use hand and machine stitching
as a final embellishment to the quilted piece. Learn to
instinctively cut fabric shapes without the use of rulers
or templates, layer them on a prepared background, and
attach them with fusible web.
In clear, easy-to-follow text, discover invaluable
information on methods, materials, techniques, and
composition. Illustrated with many of Bethans quilts
and additional examples of state-of-the-art fused
quilts from around the world, this book is a visual feast
of color and pattern. Artistic influences are evident
throughout, from Matisses bright paper cutouts to pop
art and mid-century design. Vibrant Quilt Collage will
help you expand the boundaries of art quilting through
imagination, inspiration, and fusion.
Bethan Ash is a professional quiltmaker and teacher with a
background in fashion design. A member of the international
Quilt Art group, her work appears in museum collections in
the United Kingdom and United States, including New Yorks
Museum of Arts and Design. She lives in Cardiff, Wales.
ISBN: 978-1-59668-860-5
Page Count: 128
Format: Paperback
Trim Size: 8 10
US Price: $26.95
Release Date: October
Canada: $26.95
Season: Fall 2012
Vibrant Quilt Collage
Interweave books are sold and distributed to the book trade by Perseus distribution in the U.S. and Canada.
(800) 343-4499 | [email protected]
3 Inspiration and intuition
Exercise 3: using solid and painted fabrics

This exercise is to create an improvised
block based on the Any Color You Like
deconstructed quilt (shown opposite).
These instructions are for a basic
12" 12" (30.5 30.5 cm) block.
Becoming a quilt artist

As a quilt artist you need to have technical
skills, painting skills, artistic skills, and
expressive skills. Together these form the
nucleus of any artistic process, regardless
of style. A great number of quiltmaking
courses are on offer, but artistic skills are
seldom specifically included in the teaching
program. The abstract method of
improvised quiltmaking is therefore
specifically directed towards the activation,
stimulation, development, and broadening
of our artistic qualities and our internal
emotions. To learn to work from within
yourself, from your inner nature, is
therefore the first step.
Creativity, expression, color, and
individuality are key elements when
working with improvisation. These four
qualities are the essential practice of
creating art and are therefore also the
starting point and the aim of abstract
improvisation. In other words your goal is
not to make a magnificent work of art
immediately, but to first study and develop
your artistic skills the most important
requirement in order to be able to
accomplish art. The stimulus for
designing this alternative method was the
realization that qualities such as ones own
contribution and artistic appreciation are
often neglected. Because of this, many
works give the impression of being clumsy
or crude, which need not happen if we
were less concerned about a satisfactory
result and paid more attention to the
essential skills and qualities we require as
quilt artists. So, if your goal is to
46
experience new ways of making quilts,

then embrace the improvised process by
using your intuition and work
spontaneously. The quilt Spotaholic
(opposite) is a good example of this.
Motivations for improvisation

Improvisation stimulates
experimentation, discovery, creativity and
the activation of your talent.
Improvised abstraction is the ideal
opportunity not to follow the traditional
and accepted, but instead to strike out
entirely on your own path and to develop
your own style. It paves the way for
originality and individuality.
To work instinctively invokes abilities
such as feeling, intuition, inventiveness,
spontaneity, feeling for shape, color,
composition, harmony These abilities
form the basis of every pure, creative, and
artistic expression.
Even if you do not have any drawing,
painting, or stitching experience you can
learn the expressive abstract method without
knowing any complicated techniques.
If you prefer to continue working
representatively, abstraction remains the
ideal way to reproduce reality according to
your own interpretation.
Improvisation allows you to escape from
merely reproducing pictures or
examples, and having total freedom of
action adds an extra dimension to your
experience of quiltmaking.
In order to make your own judgement,
you simply have to try and experience.
Materials and equipment
12" 12" (30.5 30.5 cm) each of black cotton, iron-on

medium-weight interfacing, batting, or interlining, and
muslin for the backing
A selection of pre-fused solid-color and painted fabrics (use
your own painted fabrics)
Sharp scissors
Iron and ironing board
Waxed paper to protect your iron and board when fusing
fabrics
Pressing cloth and spray bottle
Sewing machine
Assorted machine embroidery threads
Method
Spotaholic
20" x 20" (51 x 51 cm)
One of a series made by
using randomly cut small
circles of hand-painted
cotton to create a textured
surface. The pieces are
enhanced by adding
appliqu spots to the
background of each circle,
creating a multitude of
colored circles in various
combinations.
vibrant quilt collage
1. Prepare your background panel by

ironing the rough side of the interfacing
to the wrong side of the black fabric.
2. Select a collection of pre-fused fabrics.
Take your scissors and free cut these
into assorted large-size squares and
oblongs, smaller spirals, circular cutouts,
and other stylized shapes. Cut enough
to cover the background panel.
3. Place your background panel, right side
up, on an ironing board or working
surface. Arrange and scatter the shapes
until you find a layout you like,
allowing the black background to
show through in places. Peel the backing
paper from the shapes and layer them
right side up, rough side down. Add
spirals, circular cutouts, and other
stylized shapes on top.
4. Periodically cover the design with waxed
paper, and press to anchor the shapes as
you work.
5. Once you are satisfied with the
placement, cover with a cloth, spray, and
60
press with a hot iron so that the design

is firmly anchored into position.
6. To prepare for stitching, place the
muslin backing right side down, add the
layer of batting or interlining and then
place the collage on top, right side up.
Pin the layers together.
7. Stitch randomly through the layers a
multitude of times, using a straight
stitch and a variety of colored threads,
and taking the pins out as you go.
Repeat this process until the background
is stitched to your satisfaction, making
sure you have covered any raw edges.
8. Finally, press again and trim any thread
ends. The panel is now ready for
stretching onto a wooden frame.
9. To make a deconstructed quilt like Any
Color You Like, repeat the process to
make five more panels, merging the
panels by carrying and repeating
individual shapes across the surface.
composition,
4 Color,
and surface effects
The impact of color
Both in improvised and abstract work the
element of color is a major component and
source of inspiration and expression. Color
is more than a superficial observation
registered by the eye, since receiving color
signals triggers the creation of a special
kind of communication in which our
emotions play a major role. Color does
something to us. Because we instinctively
accept and value certain colors and reject
and dismiss others, it is often our feeling
for color that determines whether a work
of art affects us or not. For an artist color
is, as it were, the messenger of a certain
emotion, mood, atmosphere, aim, or
involvement. Color speaks, tells our story,
seeks contact with the onlooker, and gives
atmosphere and character to our work.
The impact of color is therefore far wider
than just registering attractive color planes
and shapes, so it is important to develop
our feeling for color in order to make full
use of this expressive pictorial element.
Most artists are aware of color theory
and the color wheel, a useful visual aid
that explains variations of hue and tone.
Knowing what complementary colors are,
and also how to use color, is useful for
everyone, whether you are making art or
just looking at it, and can enable us all to
appreciate more fully the effect of color in
both art and daily life. Be adventurous in
your choice of colors by putting
unexpected combinations together. I often
add black and white and combine vivid
62
Any Color You Like

(detail)
Each block 12" x 12"
(30.5 x 30.5 cm)
In this deconstructed art
quilt the blocks (only one
of which is shown here)
have been made from freecut shapes using fabric
offcuts from other
projects. A madcap
assortment of shapes
randomly applied form the
basis for this quilt.
inspiration and intuition
61
design and creative play
97
Shape
Shapes are created when lines are
connected and the contrast of negative
space around a shape gives it meaning.
Pattern is created by repeating shapes.
There are two types of shape:
Geometric shapes: squares, rectangles,
triangles, and so on.
Organic shapes: rocks, trees, flowers, and
other natural shapes.
color with pastel arrangements, as seen in

the Yin and Yang quilt (below and
opposite) yin is black and yang white.
The quilt was inspired by Chinese
philosophy and the concept that the yin is
feminine, earth, water, coldness, and so on,
and is related to fate. The yang is
masculine, heaven, fire, heat, and so on,
and is connected to free will. Neither is
good or bad according to Taoism,
everyone contains both yin and yang.
Whenever there is less of one there is more
of the other. We need to strive to keep
them both in balance.
Yin and Yang

48" x 48" (122 x 122 cm)
Inspired by the traditional
Chinese philosophy of yin
and yang. According to
legend, the Chinese
emperor Fu Hsi claimed
that the best state for
everything in the universe
is a state of harmony
represented by a balance
of yin and yang.
Scale
The size of a shape in relationship to the
size of other shapes in a composition is
known as scale. A variety of sizes will
make a design more interesting. Larger
shapes will feel closer, and smaller ones
will feel further away. An area with smaller,
detailed shapes can create a center of
interest, inviting the viewer to come closer
and take a look. Scale can also refer to the
character of shapes and lines in fabric.
96
Chrysanthemum
48" x 48" (122 x 122 cm)
A partner to Sunflowers, made during a break from
working with strong, bright colors.
Sunflowers
55" x 42" (140 x 120 cm)
Every so often I take a break from using strong, bright
colors. Even so I still could not resist using a touch of
citric yellow and turquoise blue in this piece the colors
go so well with grey

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Fall 2012

Vibrant Quilt Collage

A Spontaneous Approach to Fused Art Quilts

Explore this groundbreaking book that shows how to

Page Count: 128

Release Date: October

Season: Fall 2012

Vibrant Quilt Collage

3 Inspiration and intuition

Exercise 3: using solid and painted fabrics

Becoming a quilt artist

experience new ways of making quilts,

Motivations for improvisation

Materials and equipment

12" 12" (30.5 30.5 cm) each of black cotton, iron-on

vibrant quilt collage

1. Prepare your background panel by

press with a hot iron so that the design

vibrant quilt collage

vibrant quilt collage

Any Color You Like

inspiration and intuition

design and creative play

color with pastel arrangements, as seen in

Yin and Yang

vibrant quilt collage

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