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Compiler Construction 20th International Conference Cc 2011 Held As
Part Of The Joint European Conferences On Theory And Practice Of
Software Etaps 2011 Saarbrcken Germany March 26april 3 2011
Proceedings 1st Edition Martin Odersky Auth
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Table of Contents
Preface
C++ Compiler Construction: Mastering Language Processing
Module 1: Introduction to Compiler Construction
Overview of Compiler Architecture
The Role of Compilers in Software Development
Understanding the Compilation Process
Setting Up Development Environment
Review Request
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C++ Compiler Construction: Mastering Language Processing
Preface delves into the intricate realm of compiler design and
implementation, offering readers a comprehensive guide to
understanding and building compilers for the C++ programming language.
Authored by Theophilus Edet, this book serves as a roadmap for
developers, educators, and enthusiasts alike, navigating through the
complexities of compiler construction with clarity and precision. In this
preface, we explore the significance of building compilers with C++, its
importance to developers, the programming models and paradigms it
encompasses, and the pedagogical style of presentation adopted in this
book.
Why Build Compilers with C++?
C++, renowned for its power, flexibility, and performance, serves as an
ideal choice for building compilers. As a high-level programming language
with low-level capabilities, C++ offers developers a robust set of features
and abstractions for expressing complex ideas and solving a diverse range
of problems. Its rich standard library, support for various programming
paradigms, and efficient memory management make it well-suited for
implementing the intricate logic and optimizations required in compiler
construction. Moreover, leveraging C++ for compiler development enables
developers to write compilers that are not only efficient and reliable but also
portable across different platforms and architectures.
Importance to Developers
Understanding compiler construction is invaluable for developers, as
compilers play a pivotal role in the software development lifecycle.
Whether developing applications, libraries, or systems software, developers
rely on compilers to translate their high-level code into executable machine
instructions. By delving into the intricacies of compiler design and
implementation, developers gain a deeper understanding of programming
languages, memory management, optimization techniques, and system
architecture. This knowledge equips them with the tools and insights
necessary to write more efficient, reliable, and scalable software systems,
enhancing their capabilities as software engineers.
Programming Models and Paradigms
C++ encompasses a wide range of programming models and paradigms,
making it a versatile language for compiler construction. From procedural
programming to object-oriented programming, generic programming, and
metaprogramming, C++ provides developers with a plethora of tools and
abstractions for expressing complex ideas and solving diverse problems.
Compiler construction enables the implementation of these programming
models and paradigms, ensuring that high-level language constructs are
translated into efficient machine code. By mastering C++ compiler
construction, developers gain a deeper insight into the inner workings of the
language, enabling them to leverage its features more effectively and write
code that is both expressive and performant.
Pedagogical Style of Presentation
C++ Compiler Construction: Mastering Language Processing adopts a
pedagogical approach to presenting complex concepts and techniques in
compiler construction. Through a combination of clear explanations and
illustrative examples, this book guides readers through each stage of
compiler development, from lexical analysis and parsing to optimization
and code generation. Real-world examples, code examples, and case studies
provide context and practical insights for active learning and
experimentation. Whether you're a novice seeking to understand the
fundamentals of compiler construction or an experienced developer looking
to deepen your knowledge, this book serves as a comprehensive resource
for mastering the art and science of building compilers with C++.
Theophilus Edet
C++ Compiler Construction: Mastering
Language Processing
C++ Compiler Construction: Mastering Language Processing is a
comprehensive guide to understanding and building compilers for the C++
programming language. Authored by Theophilus Edet, this book delves into
the intricacies of compiler design and implementation, providing readers
with a thorough understanding of the underlying principles and techniques
involved in constructing a C++ compiler from scratch. Through detailed
explanations, practical examples, and hands-on exercises, this book equips
readers with the knowledge and skills necessary to embark on their journey
into compiler construction.
Relevance in the World of ICT
In today's rapidly evolving landscape of information and communication
technology (ICT), the role of compilers cannot be overstated. Compilers
serve as the bridge between high-level programming languages and
machine code, translating human-readable code into instructions that can be
executed by computers. As one of the most widely used programming
languages in the world, C++ plays a crucial role in software development
across a diverse range of domains, including systems programming, game
development, embedded systems, and more. A deep understanding of C++
compiler construction is essential for software engineers, compiler
developers, and anyone involved in the creation of efficient and reliable
software systems.
Programming Models and Paradigms
C++ is renowned for its versatility and flexibility, offering support for
various programming models and paradigms. From procedural
programming to object-oriented programming (OOP), generic
programming, and metaprogramming, C++ provides developers with a rich
set of tools and abstractions for expressing complex ideas and solving a
wide range of problems. Compiler construction plays a critical role in
enabling these programming models and paradigms by providing the
necessary infrastructure for translating high-level language constructs into
executable machine code. By mastering C++ compiler construction,
developers gain a deeper insight into the inner workings of the language,
enabling them to leverage its features more effectively and write code that is
both efficient and expressive.
Procedural Programming: Procedural programming, characterized by the
use of procedures or functions to organize and structure code, forms the
foundation of C++ programming. In procedural programming, the focus is
on writing procedures that perform specific tasks, with data shared between
procedures using global variables or parameters. C++ compilers are
responsible for translating procedural code into machine instructions,
optimizing performance and resource usage along the way.
Object-Oriented Programming (OOP): Object-oriented programming
(OOP) is a programming paradigm based on the concept of "objects," which
encapsulate data and behavior. C++ is known for its robust support for OOP
principles, including classes, inheritance, polymorphism, and encapsulation.
Compiler construction plays a crucial role in implementing these OOP
features, ensuring that objects are properly instantiated, methods are
dispatched efficiently, and inheritance hierarchies are correctly handled.
Generic Programming: Generic programming is a programming paradigm
that emphasizes code reusability and type safety through the use of
templates. C++ templates allow developers to write generic algorithms and
data structures that can operate on different types without sacrificing type
safety or performance. Compiler construction enables the instantiation and
specialization of template classes and functions, ensuring that generic code
is translated into efficient machine code tailored to specific types.
Metaprogramming: Metaprogramming is a programming technique where
programs manipulate other programs as data. C++ provides support for
metaprogramming through features such as templates, constexpr functions,
and variadic templates. Compiler construction is essential for interpreting
and evaluating metaprogramming constructs at compile time, enabling
developers to generate code dynamically and achieve powerful compile-
time optimizations.
C++ Compiler Construction: Mastering Language Processing offers a deep
dive into the world of compiler design and implementation, exploring the
intricacies of building compilers for the C++ programming language. With
its relevance in the ICT industry and its support for various programming
models and paradigms, C++ compiler construction is a vital skill for
developers looking to create efficient, reliable, and scalable software
systems.
Module 1:
Introduction to Compiler Construction
int main() {
int num1 = 10;
int num2 = 20;
int sum = num1 + num2;
std::cout << "The sum is: " << sum << std::endl;
return 0;
}
struct Token {
TokenType type;
std::string lexeme;
};
class Lexer {
public:
Lexer(const std::string& input) : input(input), position(0) {}
Token getNextToken() {
while (position < input.length() && std::isspace(input[position])) {
// Skip whitespace
position++;
}
if (std::isalpha(input[position])) {
// Identifier
return scanIdentifier();
} else if (std::isdigit(input[position])) {
// Integer literal
return scanIntegerLiteral();
} else {
// Invalid character
return { TokenType::Invalid, std::string(1, input[position++]) };
}
}
private:
std::string input;
size_t position;
Token scanIdentifier() {
size_t start = position;
while (position < input.length() && (std::isalnum(input[position]) ||
input[position] == '_')) {
position++;
}
return { TokenType::Identifier, input.substr(start, position - start) };
}
Token scanIntegerLiteral() {
size_t start = position;
while (position < input.length() && std::isdigit(input[position])) {
position++;
}
return { TokenType::IntegerLiteral, input.substr(start, position - start) };
}
};
int main() {
std::string input = "int num1 = 10;";
Lexer lexer(input);
Token token;
while ((token = lexer.getNextToken()).type != TokenType::Invalid) {
std::cout << "Token type: ";
switch (token.type) {
case TokenType::Identifier:
std::cout << "Identifier, Lexeme: " << token.lexeme << std::endl;
break;
case TokenType::IntegerLiteral:
std::cout << "Integer Literal, Lexeme: " << token.lexeme << std::endl;
break;
default:
std::cout << "Invalid, Lexeme: " << token.lexeme << std::endl;
break;
}
}
return 0;
}
Identifiers:
Identifiers are user-defined names for variables, functions, classes,
etc. They consist of letters, digits, and underscores, and must start
with a letter or an underscore. Identifiers are case-sensitive.
// Example of identifiers in C++
int calculateSum(int num1, int num2) {
return num1 + num2;
}
Literals:
Literals represent constant values in the source code. They can be of
various types such as integer literals, floating-point literals, character
literals, string literals, boolean literals, etc.
// Example of literals in C++
int num = 42; // Integer literal
double pi = 3.14159; // Floating-point literal
char letter = 'A'; // Character literal
std::string message = "Hello"; // String literal
bool isValid = true; // Boolean literal
Operators:
Operators perform operations on operands. They include arithmetic
operators (+, -, *, /, %), relational operators (==, !=, <, >, <=, >=),
logical operators (&&, ||, !), etc.
// Example of operators in C++
int result = 5 + 3; // Addition operator
bool isEqual = (result == 8); // Relational operator
bool isValid = (result > 0 && result < 10); // Logical operators
Punctuation Symbols:
Punctuation symbols are special characters used for syntactic
purposes. They include parentheses (), braces {}, brackets [], commas
,, semicolons ;, periods ., colons :, etc.
// Example of punctuation symbols in C++
int array[] = {1, 2, 3, 4}; // Braces
for (int i = 0; i < 4; ++i) { // Parentheses and semicolon
std::cout << array[i] << ", "; // Output comma
}
int main() {
std::string input;
if (isIntegerLiteral(input)) {
std::cout << "The input string is an integer literal." << std::endl;
} else {
std::cout << "The input string is not an integer literal." << std::endl;
}
return 0;
}
int main() {
std::string input;
if (isIntegerLiteral(input)) {
std::cout << "The input string is an integer literal." << std::endl;
} else {
std::cout << "The input string is not an integer literal." << std::endl;
}
return 0;
}
bool parse() {
return expression();
}
private:
std::string input;
size_t position;
bool expression() {
return term() && (match('+') || match('-')) && term();
}
bool term() {
return factor() && (match('*') || match('/')) && factor();
}
bool factor() {
if (match('(')) {
bool result = expression();
return match(')') && result;
} else {
return match('0') || match('1') || match('2') || match('3') || match('4') || match('5') ||
match('6') || match('7') || match('8') || match('9');
}
}
int main() {
std::string input = "3 + (4 * 5)";
Parser parser(input);
if (parser.parse()) {
std::cout << "Input is syntactically correct." << std::endl;
} else {
std::cout << "Input contains syntax errors." << std::endl;
}
return 0;
}
In this example, the recursive descent parser recursively applies
parsing procedures for each non-terminal symbol in the grammar.
The grammar describes arithmetic expressions composed of addition,
subtraction, multiplication, and division operators, as well as
parentheses for grouping.
Syntax analysis is a critical phase of the compilation process
responsible for analyzing the structure of the source code according
to the rules of the programming language's grammar. Parsing
techniques, context-free grammars, and parsers play integral roles in
this phase, ensuring that the input adheres to syntactic rules. By
implementing parsers capable of handling complex grammatical
constructs, compiler developers can construct robust compilers
capable of processing diverse source code effectively. Understanding
syntax analysis is essential for mastering compiler construction and
language processing.
class Parser {
public:
Parser(const std::string& input) : input(input), position(0) {}
bool parse() {
return expression();
}
private:
std::string input;
size_t position;
bool expression() {
return term() && (match('+') || match('-')) && term();
}
bool term() {
return factor() && (match('*') || match('/')) && factor();
}
bool factor() {
if (match('(')) {
bool result = expression();
return match(')') && result;
} else {
return match('0') || match('1') || match('2') || match('3') || match('4') || match('5') ||
match('6') || match('7') || match('8') || match('9');
}
}
int main() {
std::string input = "3 + (4 * 5)";
Parser parser(input);
if (parser.parse()) {
std::cout << "Input is syntactically correct." << std::endl;
} else {
std::cout << "Input contains syntax errors." << std::endl;
}
return 0;
}
In this example, the grammar defines arithmetic expressions
composed of addition, subtraction, multiplication, and division
operators, as well as parentheses for grouping. The recursive descent
parser recursively applies parsing procedures for each non-terminal
symbol in the grammar, verifying if the input adheres to the syntax
rules.
Context-free grammars provide a formal framework for defining the
syntactic structure of programming languages, guiding the parsing
process to analyze and understand source code accurately. By
leveraging parsing techniques such as top-down and bottom-up
parsing, compilers can effectively process input strings and construct
parse trees representing the syntactic structure of the program.
Understanding context-free grammars and parsing techniques is
crucial for mastering syntax analysis and compiler construction.
LL Parsing and Recursive Descent Parsing
LL parsing is a top-down parsing technique used in compiler
construction to analyze the syntactic structure of a programming
language. It stands for "Left-to-right, Leftmost derivation," indicating
the parsing strategy employed. LL parsing is based on a predictive
parsing table derived from the grammar, which guides the parsing
process by predicting the next production rule to apply based on the
current input symbol. Recursive descent parsing is a specific
implementation of LL parsing, where each non-terminal symbol in
the grammar is associated with a parsing function that recursively
invokes other parsing functions to handle subexpressions.
LL Parsing Algorithm:
The LL parsing algorithm consists of the following steps:
class Parser {
public:
Parser(const std::string& input) : input(input), position(0) {}
bool parse() {
return expression() && position == input.length();
}
private:
std::string input;
size_t position;
bool expression() {
return term() && expressionPrime();
}
bool expressionPrime() {
if (position < input.length() && (input[position] == '+' || input[position] == '-')) {
position++;
return term() && expressionPrime();
}
return true;
}
bool term() {
return factor() && termPrime();
}
bool termPrime() {
if (position < input.length() && (input[position] == '*' || input[position] == '/')) {
position++;
return factor() && termPrime();
}
return true;
}
bool factor() {
if (isdigit(input[position])) {
position++;
return true;
} else if (input[position] == '(') {
position++;
bool result = expression();
if (input[position] == ')') {
position++;
return result;
}
}
return false;
}
};
int main() {
std::string input = "3 + (4 * 5)";
Parser parser(input);
if (parser.parse()) {
std::cout << "Input is syntactically correct." << std::endl;
} else {
std::cout << "Input contains syntax errors." << std::endl;
}
return 0;
}
%%
%%
#include <iostream>
int main() {
if (yyparse() == 0) {
std::cout << "Input is syntactically correct." << std::endl;
} else {
std::cout << "Input contains syntax errors." << std::endl;
}
return 0;
$ bison -d grammar.y
$ g++ -o parser grammar.tab.c –lfl
Author: T. S. Eliot
Language: English
T. S. Eliot
Methuen & Co. Ltd.
36 Essex Street W.C.
London
1920
For
H. W. E.
“Tacuit Et Fecit”
Certain of these essays appeared, in the same or a more primitive
form, in The Times Literary Supplement, The Athenæum, Art and
Letters, and The Egoist. The author desires to express his obligation
to the editors of these periodicals.
INTRODUCTION
We quite agree that poetry is not a formula. But what does Mr.
Gosse propose to do about it? If Mr. Gosse had found himself in the
flood of poetastry in the reign of Elizabeth, what would he have
done about it? would he have stemmed it? What exactly is this
abyss? and if something “has gone amiss with our standards,” is it
wholly the fault of the younger generation that it is aware of no
authority that it must respect? It is part of the business of the critic
to preserve tradition—where a good tradition exists. It is part of his
business to see literature steadily and to see it whole; and this is
eminently to see it not as consecrated by time, but to see it beyond
time; to see the best work of our time and the best work of twenty-
five hundred years ago with the same eyes.[2] It is part of his
business to help the poetaster to understand his own limitations.
The poetaster who understands his own limitations will be one of
our useful second-order minds; a good minor poet (something which
is very rare) or another good critic. As for the first-order minds,
when they happen, they will be none the worse off for a “current of
ideas”; the solitude with which they will always and everywhere be
invested is a very different thing from isolation, or a monarchy of
death.
Introduction ix
Imperfect Critics—
Swinburne as Critic 15
A Romantic Aristocrat 22
The Local Flavour 29
A Note on the American Critic 34
The French Intelligence 39
Blake 137
Dante 144
The Perfect Critic
I
“Eriger en lois ses impressions personnelles, c’est le grand effort
d’un homme s’il est sincère.”—Lettres à l’Amazone.
and Mr. Symons reflects that Cleopatra is the most wonderful of all
women:
The queen who ends the dynasty of the Ptolemies has been the
star of poets, a malign star shedding baleful light, from Horace
and Propertius down to Victor Hugo; and it is not to poets
only....
Presented in this rather unfair way, torn apart like the leaves of an
artichoke, the impressions of Mr. Symons come to resemble a
common type of popular literary lecture, in which the stories of plays
or novels are retold, the motives of the characters set forth, and the
work of art therefore made easier for the beginner. But this is not Mr.
Symons’ reason for writing. The reason why we find a similarity
between his essay and this form of education is that Antony and
Cleopatra is a play with which we are pretty well acquainted, and of
which we have, therefore, our own impressions. We can please
ourselves with our own impressions of the characters and their
emotions; and we do not find the impressions of another person,
however sensitive, very significant. But if we can recall the time
when we were ignorant of the French symbolists, and met with The
Symbolist Movement in Literature, we remember that book as an
introduction to wholly new feelings, as a revelation. After we have
read Verlaine and Laforgue and Rimbaud and return to Mr. Symons’
book, we may find that our own impressions dissent from his. The
book has not, perhaps, a permanent value for the one reader, but it
has led to results of permanent importance for him.
The question is not whether Mr. Symons’ impressions are “true” or
“false.” So far as you can isolate the “impression,” the pure feeling, it
is, of course, neither true nor false. The point is that you never rest
at the pure feeling; you react in one of two ways, or, as I believe Mr.
Symons does, in a mixture of the two ways. The moment you try to
put the impressions into words, you either begin to analyse and
construct, to “ériger en lois,” or you begin to create something else.
It is significant that Swinburne, by whose poetry Mr. Symons may at
one time have been influenced, is one man in his poetry and a
different man in his criticism; to this extent and in this respect only,
that he is satisfying a different impulse; he is criticizing, expounding,
arranging. You may say this is not the criticism of a critic, that it is
emotional, not intellectual—though of this there are two opinions,
but it is in the direction of analysis and construction, a beginning to
“ériger en lois,” and not in the direction of creation. So I infer that
Swinburne found an adequate outlet for the creative impulse in his
poetry; and none of it was forced back and out through his critical
prose. The style of the latter is essentially a prose style; and Mr.
Symons’ prose is much more like Swinburne’s poetry than it is like
his prose. I imagine—though here one’s thought is moving in almost
complete darkness—that Mr. Symons is far more disturbed, far more
profoundly affected, by his reading than was Swinburne, who
responded rather by a violent and immediate and comprehensive
burst of admiration which may have left him internally unchanged.
The disturbance in Mr. Symons is almost, but not quite, to the point
of creating; the reading sometimes fecundates his emotions to
produce something new which is not criticism, but is not the
expulsion, the ejection, the birth of creativeness.
The type is not uncommon, although Mr. Symons is far superior to
most of the type. Some writers are essentially of the type that reacts
in excess of the stimulus, making something new out of the
impressions, but suffer from a defect of vitality or an obscure
obstruction which prevents nature from taking its course. Their
sensibility alters the object, but never transforms it. Their reaction is
that of the ordinary emotional person developed to an exceptional
degree. For this ordinary emotional person, experiencing a work of
art, has a mixed critical and creative reaction. It is made up of
comment and opinion, and also new emotions which are vaguely
applied to his own life. The sentimental person, in whom a work of
art arouses all sorts of emotions which have nothing to do with that
work of art whatever, but are accidents of personal association, is an
incomplete artist. For in an artist these suggestions made by a work
of art, which are purely personal, become fused with a multitude of
other suggestions from multitudinous experience, and result in the
production of a new object which is no longer purely personal,
because it is a work of art itself.
It would be rash to speculate, and is perhaps impossible to
determine, what is unfulfilled in Mr. Symons’ charming verse that
overflows into his critical prose. Certainly we may say that in
Swinburne’s verse the circuit of impression and expression is
complete; and Swinburne was therefore able, in his criticism, to be
more a critic than Mr. Symons. This gives us an intimation why the
artist is—each within his own limitations—oftenest to be depended
upon as a critic; his criticism will be criticism, and not the
satisfaction of a suppressed creative wish—which, in most other
persons, is apt to interfere fatally.
Before considering what the proper critical reaction of artistic
sensibility is, how far criticism is “feeling” and how far “thought,” and
what sort of “thought” is permitted, it may be instructive to prod a
little into that other temperament, so different from Mr. Symons’,
which issues in generalities such as that quoted near the beginning
of this article.
II
“L’écrivain de style abstrait est presque toujours un sentimental,
du moins un sensitif. L’écrivain artiste n’est presque jamais un
sentimental, et très rarement un sensitif”—Le Problème du Style.
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