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The document discusses the evolution of regional dance forms in India, highlighting their historical, religious, and socio-cultural roots as outlined in the Natya Shastra. It categorizes Indian dance into classical forms like Bharatanatyam and Kathak, and folk dances such as Bhangra and Garba, detailing their unique characteristics and regional significance. The document also addresses the challenges and contemporary relevance of these dance forms in the context of globalization and preservation efforts.

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0% found this document useful (0 votes)
15 views4 pages

Iks 2

The document discusses the evolution of regional dance forms in India, highlighting their historical, religious, and socio-cultural roots as outlined in the Natya Shastra. It categorizes Indian dance into classical forms like Bharatanatyam and Kathak, and folk dances such as Bhangra and Garba, detailing their unique characteristics and regional significance. The document also addresses the challenges and contemporary relevance of these dance forms in the context of globalization and preservation efforts.

Uploaded by

pandablue901
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We take content rights seriously. If you suspect this is your content, claim it here.
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Kalyani Charitable Trust’s

Late G. N. Sapkal College of Engineering


Kalyani Hills, Anjaneri, Trimbakeshwar Road, Nashik – 422 213

Department of Applied Science


Sub : Indian Knowledge System
Study No. 02

Title : Evolution Of Regional Dance Forms

Theory : The evolution of regional dance forms in India is deeply rooted in various
historical, religious, and socio-cultural influences. According to the Natya Shastra, dance
originated as a divine art form created by Lord Brahma to combine expression, movement, and
music for both entertainment and spiritual enlightenment. This led to the development of
classical dance forms such as Bharatanatyam, Odissi, and Kathak, which were initially
performed in temples as offerings to deities.

1.Introduction
India has a rich and diverse cultural heritage, with dance being an integral part of its traditions.
The evolution of regional dance forms in India can be traced back to ancient times, where they
were deeply connected to religious, social, and cultural aspects of society. These dance forms
have evolved through various historical phases, influenced by dynasties, socio-political
changes, and modern adaptations.

2. Classical Dance Forms


India’s classical dances are deeply rooted in Natya Shastra, an ancient Sanskrit treatise on
performing arts. Each dance form is linked to a particular region and has distinct styles,
costumes, and musical accompaniments. The eight recognized classical dance forms are:

• Bharatanatyam (Tamil Nadu): Originating from temple dances, it is known for its
expressive movements and devotion to deities.
• Kathak (North India): Influenced by Persian and Mughal culture, it blends storytelling
with intricate footwork and spins.
• Odissi (Odisha): Recognized for its lyrical movements and strong association with Lord
Jagannath.
• Kuchipudi (Andhra Pradesh): A blend of dance and drama, performed with both
expressional and rhythmic sequences.
• Kathakali (Kerala): A highly stylized dance-drama with elaborate costumes and face
makeup.
• Mohiniyattam (Kerala): A graceful, feminine dance dedicated to Lord Vishnu's
incarnation as Mohini.
• Manipuri (Manipur): Characterized by smooth and delicate movements, often narrating
stories of Radha-Krishna.
• Sattriya (Assam): Originating from Vaishnavite monasteries, it combines drama and
dance.

3. Folk Dance Forms


Folk dances are deeply tied to regional traditions, social customs, and agricultural cycles. These
dances are performed during festivals, harvest celebrations, and rituals. Some major regional
folk dances include:

• Bhangra (Punjab): An energetic dance celebrating harvest and Punjabi culture.


• Garba & Dandiya Raas (Gujarat): Performed during Navratri, these dances involve
rhythmic circular movements.
• Ghoomar (Rajasthan): A graceful dance by Rajput women, characterized by twirls and
colorful attire.
• Lavani (Maharashtra): A powerful folk dance with fast-paced rhythms, often performed
in theatrical settings.
• Yakshagana (Karnataka): A traditional dance-drama with elaborate costumes and
mythological storytelling.
• Bihu (Assam): Celebrating Assamese New Year, it involves fast-paced movements and
vibrant music.
• Chhau (Odisha, Jharkhand, West Bengal): A tribal martial art dance with stylized
movements and masks.

4. Evolution and Influence


• Ancient Period: Dance was primarily performed in temples as an offering to gods, with
themes from Hindu epics.
• Medieval Period: The introduction of Persian and Mughal influences led to the fusion of
dance forms, especially in Kathak.
• Colonial Period: Many traditional dances saw a decline due to British suppression, but
revival efforts emerged in the early 20th century.
• Post-Independence: Classical and folk dances gained national recognition, with
institutions like Kalakshetra and Sangeet Natak Akademi preserving and promoting them.
• Modern Era: Fusion with contemporary styles, Bollywood, and global exposure has
made Indian dances popular worldwide.

5. Contemporary Relevance and Challenges


• Globalization and Commercialization: While dance forms have gained international
fame, purists fear the loss of traditional elements.
• Technology and Digital Platforms: Online platforms like YouTube and Instagram have
helped regional dance forms reach global audiences.
• Preservation Efforts: Government initiatives and dance academies are working to
safeguard and document regional dance traditions.
6. Conclusion
The evolution of regional dance forms in India reflects the country’s cultural dynamism and
adaptability. From temple rituals to global stages, these dances continue to evolve while
preserving their rich heritage. Sustained efforts are required to ensure these art forms remain an
essential part of India’s cultural identity for future generations.

Name of the Student: Bharat Sharvan Yadav


Roll No.: 1173

Prof. Seema.H.Tanpure

Subject In-charge

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