Peter Wardell: The Magic Circle Stage Magician of The Year
Peter Wardell: The Magic Circle Stage Magician of The Year
PETER WARDELL
THE MAGIC CIRCLE
STAGE MAGICIAN
OF THE YEAR
THE MAGAZINE OF THE MAGIC CIRCLE Issue 1136 Volume 105 APRIL 2011
Features
106 Remembering Charles Reynolds – by John Fisher
Circular reasoning
here is sometimes
Page 99
108
Regulars
Peter Wardell: The Magic Circle Stage Magician
of the Year 2011 – by Matthew Field
T seen to be two
distinct and non-
overlapping pursuits in
98 President’s View magic, that of the close
98 News -up magicians and that
99 Memorials News of the stage magicians.
100 Letters to the Editor My recent conversation with Peter
100 The Magic Circle Cares – Rev. Peter Liddelow Wardell (in this issue), who has achieved
101 Obituaries the singular distinction of winning
Page 104 102 Adopt, Adapt and Improve – Walford Taylor both The Magic Circle Stage Magician
104 The Cecil Lyle Award – of the Year and Close-up Magician of
‘Centre Tear, Easy Opening’ by Mike O’Brien the Year competitions brought the
110 Circular Mentalism – by Ian Rowland subject to mind once again.
112 A Rich Cabinet of Magical Curiosities – I was taught an important lesson by
by Prof. Edwin A. Dawes
my friend, the late Patrick Page, who
116 Club Night Events – excelled in both of these areas. He
Mandy Davis Convenor of Reports
Page 107 said that any close-up magician will
119 Cheeky Dog Chicanery – David Tomkins
benefit by learning how to perform on
121 Magic in the Regions – by Elizabeth Warlock
a platform and stage. He explained
122 In Review
that stage work demands the ability to
126 Council Minutes
move gracefully and purposefully so
127 Circular Journeys – by Matthew Field
that one becomes the focus of the
128 Forthcoming Club Events –
Brian Sibley and Mandy Davis audience’s attention. It demands
Page 116 clarity of movement, clarity of voice
EDITORIAL 07910 317 902 DESIGN 020 8521 2631 and clarity of character. It demands
EDITOR Matthew Field ART DIRECTOR mastery of audience management and
[email protected] John Hawkins assisting-spectator management.
102 Priory Road [email protected]
Hastings 104d Grove Road I’m paraphrasing Pat, but I hope
East Sussex TN34 3JE Walthamstow E17 9BY I’ve made the point.
ASSISTANT EDITOR Tim Reed PHOTOGRAPHERS
John Ward
There are opportunities for magicians
ASSOCIATE EDITORS
Anthony Brahams, Dr Edwin Dawes, ADVERTISING 07767 336882 to perform in stage and platform
Scott Penrose, Ian Rowland, BUSINESS AND ADVERTISING MANAGER environments at our own Monday
David Tomkins Scott Penrose
Cover CONVENOR OF REPORTS [email protected]
night theatre shows, in local community
Peter Wardell Mandy Davis 17 Berkeley Drive, situations such as hospitals, homes
[email protected] Billericay for the aged and other events. These
OBITUARIES Alan Snowden, Essex CM12 0YP
5 Folkington Corner, Woodside Park, MISSING AND BACK ISSUES might not bring monetary remuneration,
London N12 7BH 01923 267 057 but the rewards will be of tremendous
020 8445 7607 Michael Candy
PROOFREADERS Sound of Music, Harthall Lane,
value to you.
Cheryl Bell, Hemel Hempstead, Conversely, stage performers can
Paul Bromley, Julie Carpenter, Herts HP3 8SE do close-up work for family and
Barry Cooper, Tim Reed, PRINTED BY
Lionel Russell, Mary Stupple Perfect Imaging Ltd 020 8806 6630 friends without the excuse that they
Copyright © 2011 by The Magic Circle. All rights reserved. No part of this publication may be reproduced, didn’t bring their Zig-zag Girl with
Published by The Magic Circle stored in any retrieval system or transmitted in any form or by any means, electronic, mechanical,
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them. That’s something I learned
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President’s view Circular news
2011 Close-up
There’s Always a Magic Angle refrigerator actually worked! Magician of the Year
The promotion was to take place following Contestants Announced
few years ago, magic in the corporate breakfast in the lounge of the Savoy Hotel, Katherine Rhodes has
Semi-Circles
Silvan is appearing in his
magic review, Sim Sala Bim, in
Rome, Italy at the Teatro
Vittoria from 20-30 April ...
Norm Nielsen has announced
a new magic poster devoted to
the late Patrick Page. More
info at www.nnmagic.com ...
Prof. Eddie Dawes was on
the cover of Genii magazine in Andrew Eborn being streamed live from the Theatre, and the website graphic preceding the show
March and was featured in an Olivier Awards including Best to the 100th birthday of the first in both the close-up and
article by Clay Shevlin ... Entertainment. The show legendary John Calvert and stage categories and hopes to
Ghost Stories, the West End opens in an international his wife and assistant Tammy. compete at the World Magic
show co-written and directed production in Toronto on 1 The New York event takes Festival in Melbourne later
by Member Andy Nyman, has April at the Panasonic Theatre. place on 24 and 25 June at this year.
just been nominated for two More info at New York City’s Hotel
www.ghoststoriestheshow.co. Pennsylvania. More info at
uk ... Russell Levinson and www.FantasmaMagic.com ...
Stephen Barry’s Conjuring at Safire Illusionists (Stuart and
the Court on 28 April features Jayne Loughland) are touring
Chris Lynam, a comedian with widely once again with the
magic themes, and Dafedas B Chuckle Brothers, this time
with an unusual, visual French in a show titled Barry Potty
manipulation act. Shows take and his Full Blood Brother Paul
place at the Drayton Court in – The Ghostly Shadows ...
West Ealing. More info at Member Chris Latham wanted
www.ConjuringAtTheCourt.com us to know that his grandson,
... Roger Dreyer’s Fantasma Dominic Chambers, who is a
Magic and Steve Rodman are YMC member, was named
presenting another edition of Australian Junior Champion in
Silvan Magic on Manhattan devoted July. The 17-year-old placed Magic on Manhattan
MEMORIALS NEWS
sheltering from an air raid
in Portsmouth during the
by Geoffrey Newton MIMC Registrar of Memorials Second World War. He is
and Heritage buried in a mass grave and
it is unmarked. The duty is
I have been furnished with their duties of performing the carried out yearly. On this
information from three of our Red Rose Ceremony. occasion it marked the 60th
‘adopters’ who have reported anniversary of Captain Kettle’s
Harry Reeve attended the death on 4 February 1951.
Reginald Scot Memorial in
Branbourne (Kent) in October Please keep sending your
2010. Scot died on 9 October details in and do remember
1599. His book The Discoverie the ashes of David Nixon were Memorial Cards are always
of Witchcraft was published in scattered on a small plot on available from me. All I need
1584 to demonstrate that the Luff Garden. David died on is an e-mail or phone call
witches did not exist by 1 December 1978 and I with your postal address and
exposing how feats of magic understand there is no actual they will be on their way.
were performed. marker on the place.
E GeoffreyNewton@TheMagic
Roy Marsh attended Brian Wright advises that Circle.co.uk
Streatham Crematorium where Captain Kettle was killed whilst T 0161 969 8222.
by Peter Liddelow AIMC The Magic Circle Chaplain and Welfare Officer
It is with regret that I have to report Alan Snowden MIMC (Woodside Park, Contact addresses:
two ‘Broken Wands’ with the recent London), whose wife, Kathy, sadly died
passing on of long-standing members recently, has sustained two fractures in his Jan Dacri (Steve’s wife) –
of The Magic Circle. shoulder following a fall. 5755 Las Vista Street, Las Vegas,
Alan Tall MMC (Stepney, London) is far NV 89113 USA.
Steve Dacri MIMC (Las Vegas, USA) was from well. He is frail and housebound and Tric Holmes (Nicky Ward’s partner) –
a widely known and greatly respected misses his Magic Circle friends. Flat 30, Falkner Court, South Street,
comedy close-up magician, inventor and Farnham, Surrey GU9 7RF.
author. He died peacefully following Together with these please continue to Bernard Juby and Pamela –
surgery and treatment for a tumour. remember other friends mentioned La Sincellerie, Armaille 49420 France.
Nicky Ward AIMC (Farnham, Surrey) previously for their ongoing treatment Barry Murray – Vine Cottage,
was a much-loved children’s magician in and care, namely: Bobby Bernard, 255 Lower Road, Gt. Bookham,
North London and Surrey and a regular Peter D’Arcy, David Haggarty, Leatherhead, Surrey KT23 4DX.
entertainer on cruise ships. A year ago Derek Hilton and Christopher Trollope. Alan Tall – Flat A, Sims House,
he was diagnosed with leukaemia from 420a Commercial Road, Stepney,
which he sadly passed away. Just a thought – This is a special year London E1 OLQ.
when we will experience four unusual Alan Snowden – 5 Folkington Corner,
Their loved ones can be assured of our dates: 1/1/11; 11/1/11; 1/11/11; 11/11/11. Woodside Park, London N12 7BH.
thoughts and prayers at this sad time. Added to this it is a special year for you!
Take the last two digits of the year you If you hear of a member or their
Bernard Juby MIMC (Armaille, France) were born plus the age you will be this families who are sick or facing hard
and his wife Pamela Yvonne have both year and it will equal 111. times please contact:
suffered from pneumonia. For some
time Pamela was in a critical condition Let us also make it special for the Peter Liddelow
but is now recuperating. members of our Magic Circle family who (Chaplain and Welfare Officer)
Barry Murray MIMC (Leatherhead, are bereaved, sick, or facing difficult times 23 Kings Road, Barnet, Herts., EN5 4EF
Surrey) continues to receive treatment by saying a prayer, sending a card or T 020 8441 2968
following hospitalisation for an giving a call. This can be a special way of E [email protected]
exploratory operation. showing that we care.
slight indeed in this case, even when the and Other Writings of William W. (such as a tense silence when you
until the top of the paper lines up with the bottom but do
not crease the paper at the top edge (Fig. 5). Still holding
the paper with your left hand, give the paper a quarter turn
clockwise with your right hand and then, with the right hand,
crease the new top of the paper (Fig. 6). Simulate creasing the
1 9 right edge of the paper, but do not actually crease it. Holding
the top left corner of the paper bring the right hand across to
grip the right top of the paper and then in one motion tear
the paper from top to bottom (Fig. 7). Now place the right
hand piece behind the left hand piece, i.e. nearest to you
(Fig. 8). Holding the pieces at the top by the right hand, with
2 10 the left hand give the pieces a quarter clockwise turn and
continue to hold them in your right hand (Fig. 9). If you look
at the left hand side of the pieces you will see that there is a
wide gap on the left hand side of the pieces that you tore off
with your right hand (Fig. 10). Insert your left thumb into the
gap and grip the pieces with your left thumb and fingers
(Fig. 11). Now give the pieces an anti-clockwise turn with
3 11 both hands (Fig. 12), and as you do so use your right thumb
and fingers to open up the back piece of paper (Fig. 13).
As soon as you open up the paper, holding all the pieces with
your left hand, tear the half-opened piece straight down with
your right hand (Fig. 14). The paper in your right hand
contains the name the person is thinking of.
4 12 Bring the piece in the right hand and place it behind the
pieces in the left hand (closer to you), but down jogged by
about 1/2 inch (Fig. 15). Gripping all the pieces in the right
hand, use your left hand to give the packet a quarter turn
clockwise. The piece of paper closest to you protrudes on the
left hand side and has the name written on it. Holding the
5 13 pieces with the right hand, bring the left thumb towards the
extreme left hand side of the pieces so it connects with the
back sheet of paper and pushes the back piece of paper half
open (Fig 16). The original fold makes this easy to do.
Gripping all the pieces with the left hand, use your right
thumb to open the back piece completely. Still holding the
pieces with your left hand, position your right index finger and
6 14
thumb so they are holding the top and bottom edges of the
pieces (Fig. 17). You will see that the name is now exposed to
your gaze. Ask the spectator to hold out his hand. As he does
so turn your head so that you can see where his hand is and
at the same time read the name. Immediately look away again
and then tear all the pieces up into smaller ones and hand
7 15 them to the spectator to hold tightly. Going into your best
trance state, you may then
reveal his thought-of name.
Photos: Matthew Field
Acknowledgements: This
method was inspired by the
centre tears of Lee Earl and
8 16 17 Richard Osterlind.
CHARLES REYNOLDS
By John Fisher MIMC. Photos by Levent Cimkentli
after the curtain had fallen and rather
than face the challenge of the autograph
hounds that persisted at the stage door
until late in the evening, would walk
straight off stage into the waiting vehicle.
On this occasion we sat and chatted in
harles Reynolds MIMC was for others to judge, but, if so, The Best of the back of the car for half an hour or so,
106 THE MAGIC CIRCULAR APRIL 2011 Regina and Charles Reynolds www.TheMagicCircle.co.uk
surpass them all and find the magical
equivalent of the cancer cure. None of
this halted his admiration for the intricate
subtleties of the likes of Stewart James,
Jerry Andrus and Martin Gardner. No one
was more fascinated by the philosophical
applications of ‘The Professor’, Dai
Vernon, or the psychological genius of
Slydini. He accepted that their
achievements were to a certain extent
separate from the commercial arena and
was astute enough not to get the two
cultures (there goes that word again)
mixed. And inevitably he had his pet
peeves, not least four Ace tricks lasting
forty-five minutes that tested the stamina
of audiences beyond endurance and,
away from the Selbit/Harbin oeuvre,
puzzles with boxes and what he
laughingly called the ‘refrigerator
showroom’ approach of
performing them.
I have said before that if some
enlightened seat of learning
were to have instituted a bona
fide chair of magical studies, they
need have looked no further than
with a majesty that no other magician contribution to magical invention. That Charles Reynolds. But the academic
could command, rode into view on a was never part of the job description. We approach he was capable of bringing to
magnificent Arab steed and – courtesy of tended to agree that in the world of the art he loved must not downplay his
Jim Steinmeyer – made the mount commercial conjuring there had been no impish sense of humour, his pervasive
dissolve into the balmy scented air. truly groundbreaking change in magical sense of fun. Charles and Regina’s
At heart, of course, Charles was never a creativity since Robert Harbin. The engaging home at Grove Court within
mere trickster, rather a man of the constant maw of television had for more Greenwich Village was an oasis of calm
theatre, who had Bachelor’s and Master’s than a quarter of a century been satisfied where my family and I were made
degrees in that discipline from the by an ingenious parade of magical welcome on innumerable occasions and
University of Michigan. He was always the adaptation. ‘But where is the new effect?’ some of my happiest moments were
first oracle to be consulted by Broadway he would ask, ‘More importantly, where is spent there as we shared our love of
producers anxious to create the impossible the new principle?’ That is why his variety, vaudeville and the circus,
or facilitate a special effect in one of their admiration for Uri Geller was so strong. swapping detail on acts we knew the
shows. Amongst the countless antiquarian ‘Forget what the books and the other couldn’t have seen. There was no
magic posters that lined the walls of his magazines tell you,’ he would say, ‘Geller one in the world of magic whose
home, nothing was more impressive than was the first person to stamp indelibly on company I enjoyed more, both for the
the vast wall that displayed a seeming the minds of the audience the idea of intellectual stimulus he provided and the
patchwork quilt of their modern seemingly impossible metal bending … it benevolence that underpinned his total
equivalents showcasing some of the many is the only original effect in ages.’ aura. He provided great joy, true wisdom
productions enhanced by his talents. No one was more alert to the fact that and the sanest point of view.
Amongst the shows represented were there were very few original concepts in It has taken me more than three
Pielmeier’s Sleight of Hand, Sondheim’s magic. He accepted that most big ideas months since he passed away to sit down
Into the Woods, Julie Taymor’s The Green were created between 1850 and 1920 to write these words. In truth, I still
Bird, Chess, Young Frankenstein, and when vaudeville enabled magic to take cannot accept he has gone. Can it really
important revivals of Pippin and Cole centre stage in large theatres on a regular be ten years since I interviewed him
Porter’s Jubilee in addition to the Henning basis for the first time. ‘We are all of us during The Magic Circle’s 2001 Heritage
musical, Merlin and Blackstone’s standing on the shoulders of giants,’ he Weekend? All performing magicians
triumphant Broadway season, Blackstone! would sigh with a resigned tone that would do well to heed his final thoughts
He was honoured in later years by an intimated ‘woe betide’ to anyone who on that occasion: ‘At one end magic is a
invitation to participate as a guest lecturer disregarded the fact. He would count the fairy tale, at the other it is a detective
© John Fisher 2011
at the Smithsonian Institution, where he true geniuses on his two hands – story! Almost all magic is about things
taught a class on ‘Magic as Theatre’. Maskelyne, Devant, De Kolta, Le Roy, that are puzzling and the good magician
An unfair criticism levelled at Charles by Selbit, Jarrett, Annemann and not too will always be able to transcend the
some with a narrower vision than his own many more – while always hoping that puzzle.’ He will remain part of my life
was that he never made a major one day Gaughan or Steinmeyer might for ever.
In the September 2009 Circular Peter P I don’t perform on the streets at all thought made it different. The mechanics
Wardell MIMC was featured on the cover as anymore, unless it’s out in Portugal or of the trick itself are not hard, but I
The Magic Circle Close-up Magician of the Spain, where I work a lot with Luis de always find tricks and look at them and
Year. Now here it is 2011 and Peter is on Matos. So I do sometimes work festivals think that there is not enough depth in
the cover again, for winning The Magic over there, but I don’t do any street there for me and I always like to work
Circle Stage Magician of the Year performing at all in the UK. more into it.
competition. We’ll skip the biographical
information this time around and get M Who are your clients? What types of M You also gave a talk at The Session.
down to how this busy professional clients do you work for? P I did my “Magic State of Mind” talk
became the first magician ever to win P Lots of private parties and, with which is something I’m working on now.
both awards, and what it means to him. corporate stuff, doing quite a lot of trade One of the points I make is that at some
We spoke via Skype. shows and some speaking work. I’m no point you’ve got to stop learning new
different, really, than any other jobbing stuff and focus on what you’ve already
close-upper or magician. The times when I got and learn how to make that better.
Matthew Field: The first word I would come into my own, I think, is when you At some point you’ve got to have
say to you is WOW! Close-up magician of have twelve people and you’ve got to do confidence in what you know.
the year and stage magician as well, the two hours. Even though I did the same
first magician to achieve this honour. How trick in the Stage Magician and Close-up M The tricks you perform – Cylinder and
does it feel? Magician competitions, I have quite a Coins, the Ramsay classic; the Salt Pour, a
Peter Wardell: It’s good. Actually, it was large repertoire which allows me to work Kaps classic; and the Cups and Balls –
my intention to be the first, so there was in any kind of environment. The kind of these are all classic tricks which you have
a carefully planned approach to it all. The jobs I’m trying to move away from now very much made your own. You say that
nice thing is that I will always be the first are the 500 people in a banqueting room, what you do with the Cups and Balls is
person to ever have done it. where I, or any magician, would make no basically the Vernon routine, but although
more impact on the event than anybody the moves may look like the Vernon
M You should be very proud of it. You else. I like to be booked for me, which is routine, it’s 100% Peter Wardell when
did two pieces in the Stage Magician of a tough one really, because people don’t you’re presenting it. Why are you
the Year competition. The first was really know who I am. (Laughs.) attracted to the classics and are there
basically your Cups and Balls routine, the other classics that you have looked at
one which won the Close-up Magician of M You surprised a lot of people at the performing?
the Year competition. Stage Magician of the Year competition P The reason I like the classics is that I
P Yes, that’s the Dai Vernon classic Cups when you performed an excellent version think that they are for the
and Balls routine. of the Salt Pour, an effect probably most most part overlooked. There
famously performed by Fred Kaps. What are some great tricks, some
M I know that is something that you’ve was your inspiration? brilliant tricks, and I look at
performed for a long time on the streets P In terms of performance, Fred Kaps is them and think I’d love to
and in many other locations, although the all-time great. He was an actor, which do them but they mean
you don’t perform much in the streets is one of the things that magic misses a absolutely nothing to me,
anymore. great deal. It was quite strategically so how am I going to
chosen because I relate that to people and
knew in the make it interesting to
competition there them? I think when
would be patter magic becomes just
acts but I also a demonstration of
knew there would skill you might as well
be silent be a juggler. You must
manipulation acts engage with people when
as well. What I you’re performing. It has to have
wanted to do was meaning for me or I can’t really
to compete with do it.
both of them on an
equal playing field. M I see that on your website you
I think it’s a great strongly promote the fact that you’re the
trick. It added only magician to have won The Magic
contrast to my act. Circle’s Close-up and Stage Magician of
I have a few little the Year awards. Does winning awards
Jack Delvin with Peter Wardell touches on it that I like this make a difference?
Special Request
For the particular gig, the client had phoned up about a week
beforehand with a special request. She told me there were
390: THE LIFE AND CREATIONS OF JAMES HENRY STEELE, ‘THE MAGICAL NOVELTICIAN’ Part Two
n 1944, while the Second World War
Magicians’ Circle, enthusiastically entering the heats of the Wraysbury, and they
Simpson Shield contest with their varied topics which gave him regularly traded ideas
ample scope for devising and developing novel ideas. Originality and tricks in the course
in magic was always his greatest hobby horse and one which led of their lengthy
to frequent arguments with fellow members of the club, correspondence. Jim
resulting in his resignation as a matter of principle on at least a was also a member of a
couple of occasions when he challenged the originality of effects small group organised
presented by some of his colleagues (though he subsequently by Freddie Firth called
returned to the fold each time). The principal focus for criticism the Union of Magicians,
inevitably was the annual contest for the Jasper Maskelyne a society that had no
Wand, which had been presented to the club by Jasper in 1938 headquarters, no
to encourage originality. The contest was in abeyance from 1940 subscriptions and no
until 1944 during the Second World War, resuming in 1945, and meetings, and also
Jim Steele was the winner in 1946 with ‘Doodles’, the included Jimmy Flowers
production of a clockwork animated greyhound to the and Henri DeSeevah Ventriloquism at a party
accompaniment of an amusing story. (Harry Hancock). It did, however, have a paper printed badge
He was runner-up in the following year’s Maskelyne Wand consisting of an annulus bearing the title of the club within
contest. Eric C. Lewis recalled this occasion in The Crowning which was a four-pointed star carrying points of the compass,
Miracles (1980) as he was one of the judges, together with N.E.S.W. Collecting printed images of magical society badges
Goodliffe Neale, in whose car he travelled from Birmingham to was another of Jim’s interests. And at one of the meetings of
Hull. He indicated he thought but wasn’t sure, the winner was the Zodiac Society Freddie Firth presented Jim’s ‘Doodles’
Steele, noted for his creations, and wrote “[I]t was indeed very effect.
original and the modus operandi completely fooled both Jim lectured on ‘Originality’ to the Gloucester Magical
Goodliffe and myself. He took a pint can of white paint which Society in July 1961, emphasising that personal specialities are
looked completely normal, opened it and showed by stirring it always better than stock items, exclusiveness being always a
with a spatula that it just contained white paint. He closed the great asset. He then showed several items entirely new to
lid, set it aside, obviously with no switch. A colour was chosen, everyone present. On another occasion, when he lectured for
and when the can was opened again, the white paint had the South Lincs Magical Society at Skegness, his pal Joe Jones
changed to the chosen colour – and it was genuine paint. I’m bicycled all the way from Watford to be there to see him.
still not sure how he did it, so there’s a nice little problem for In the post-war years, endeavouring to spread the gospel to
problem-solving readers to work out.” While this was a very neighbouring clubs, Jim presented a ‘Steele Trophy’ for
good description of the winning trick, and it seemed an Originality to the Leeds Magic Circle in 1962 and subsequently
appropriate theme for a painter to have originated, it was in fact to the York Society of Magicians, serving as a judge for their
the creation of President 1966 contest and presenting the trophy to winner Maurice
Ernest Connolly and not Deighton. And it was in October 1966 that he was delighted
Steele, the runner-up, to meet John Mulholland when the noted American magician
who, on this occasion had was visiting us and graciously agreed to present a lecture for
presented “an unusual Hull M.C. members at our home.
card effect” of which, For his 1967 entry to the Maskleyne Wand contest Jim
unfortunately, there seems transformed a block of wood into chopped sticks, but it was
to be no extant record. another of Jim’s later originalities titled ‘Twins’ that became
Good friends and one of his favourites. In this effect he exhibited a small cabinet
correspondents of Jim possessing two front doors. These doors were opened to
Steele included Jimmy display within two identical twin dolls, which were removed
Flowers, the well-known and passed for examination. After demonstrating the dolls’
children’s entertainer and arms and legs could be moved into different positions, Jim
prolific contributor to then returned the appendages into their normal positions and
Goodliffe’s Abracadabra in invited a lady to choose one of the dolls, the other being
its early years, C.H. ‘Joe’ returned to the cabinet and the doors closed. He explained
Jones of Watford and that, being twins, the dolls had a close rapport with each
Travis B. Wills of other and whatever happened to one invariably happened to
▲
REFERENCES
Bellman, D. & Lewis, E.C. 1937). Magic of 1937. Authors’
publication.
Lewis, E.C. (1944). Modus Operandi Part 1. London: Davenport.
(1944). Further Magical Studies. Davenport. (1980). The
Crowning Miracles. Sierra Madre, CA: Magical Publications.
Setterington, A. (1968). The Joe Smith Mysteries. Bideford:
Supreme Magic.
Nohain, J. & Caradec, F. (1967). Le Petomane. London:
Souvenir Press.
Steele, J.H. (1935). The Magic Wand 24, 119-120 (Oct-Nov);
(1936); 25, 33-34, 34-35 (Mar– May); 67-69 (June-Sept); (1938)
27, 23-24 (Mar-May).
ACKNOWLEDGEMENTS
I am grateful to Messrs Davenport for kind permission to
reproduce Laurie’s illustrations of Steele’s tricks from the
Eric C. Lewis books they published.
Monday 31 January 2011 Will Houstoun showed us the silent Rhodes performed a fun Just Chance
The Council Entertains appearance and disappearance of three piece under a theme of items she was
coins from a lit candle. Will’s performance getting rid of from home. Randomly
Reported by Tim Barnes was, as ever, perfectly executed. Andrew chosen numbers revealed packets of
Tonight was a double first – the Eborn followed with a routine using an sweets under the first four covers before
first show by the recently odd-backed single card that ultimately finally leaving her with £500.
elected Council – and the first proved to match two different selections. Rob Cox entertained with a hilarious
Monday Night Event live A reasonably well known trick, but in and manic ESP routine where a sat-upon
streamed via the Internet. Andrew’s hands, great to watch! symbol was ‘read’ by peering down the
First on stage, and Mandy Davis took us through some throat of a volunteer with a torch. Martyn
introduced by Chairman of the random dealing of cards into piles that Rowland followed with two items – an
Council Brian Sibley, was our mysteriously led to her divining three entertaining prediction of an animal and a
Brian Sibley President Jack Delvin. With two previous and unseen selections. Chris drawing pad card rise.
helpers from the audience he took us Wood then performed Pat Page’s version Fay Presto was the penultimate act,
through a Linking Rings routine and a of Find the Lady with the Queen with the vanish of a finger ring, streamer
Six Card Repeat using a jumbo card repeatedly moving before revealing just and money, all reappearing inside a pack
torn into six pieces and then restored. three Fours. of savoury snacks. The final act of the
Next up was James Freedman who Michael Vincent performed using both night was Richard Pinner who had an
performed a Confabulation-style routine a borrowed assistant and a borrowed and audience member nominate his favourite
predicting a sum of money, numbers on shuffled deck! With ‘intuitive insight’ he film star – in this instance Christopher
a credit card and a favourite film used spelt the name of a card to show it was at Reeve of Superman fame. After some
as an on-line password. a pre-determined position. Katherine byplay, Richard revealed a Superman tee
shirt under his top.
And with that, he and your Council
were gone!
Around 100 Circle Members, from ten
countries, also watched via the Internet.
This will hopefully be the prelude to much
greater access to proceedings for our global
membership, and thanks are offered to
those who enabled this to
Jack Delvin James Freedman Will Houstoun Andrew Eborn
happen, in particular, Bob
Hamilton leading the
theatre technical support
and Andrew Eborn for the
services of Octopus Media
Technology.
[The Pre-Show Hands-On
in the Devant Room
featured Alan Maskell.] Alan Maskell
react, when it all goes wrong, and Matt’s Steve provided an interlude with a
I appreciated as children’s
entertainers? Are we just seen as
glorified babysitters? I often wonder if a
We were busy in the kitchen! (Mmmm!)
Or, “I THINK the children enjoyed it.”
(After all that hard work and effort
entertained them and getting them on
my side, I would invite the children to
all stand up and come forward in a
client realises the amount of work and keeping them entertained, would the group. Next, I’d play some suitable
preparation that goes into presenting client really have to think about it?) music and begin the dancing. A good
an entertainment show. Our profession Or, “Weren’t the children well- idea would be to bring in “Statues” or
is not always seen as a “serious” job behaved!” (Was that just coincidence or “Bumps.” Whilst they may be a bit
and I believe some people in the public could it have been the entertainer did a young to play it properly, it would help
domain, from time to time, do not view darn good job!!) to keep them occupied. Incorporate the
the job quite so sincerely. As examples, I recall sometimes in the past, before popular well known game of “Simon
how often has a client asked you, websites took over, I would get clients Says!” Maybe afterwards include a
“What do you do for a proper job?” who called me as a result of my Yellow short simplified dancing competition,
Or jokingly at the end of the show, “Do Pages ad. (The ad, because of its size, with you as the judge. If there weren’t
we have to pay you as well?” Or, “Oh! would only give very brief descriptions of too many children there, they could
I thought this was your charity bit!” the various show options I offered, i.e. all be “winners”, giving everyone a
Recently I was booked to do a two- puppets, magic, mini disco etc., but not suitable little prize (allowed for within
hour magic and disco party package age specific.) Odd times a client would your fee.)
(two 45-minute sessions plus half an hour ring and say they were having a party for It’s really a matter of feeling the way
interval in the middle). First part was the their three-year-old and they wanted the and being aware. If the disco part only
magic and puppets. The children had disco package. (They may have recently runs for about ten minutes or so, Mum
been great throughout the show and come back from a holiday centre which and Dad will see that you’ve made the
thoroughly enjoyed themselves. Tea time had run family discos, where their “little effort to include what they’ve requested
arrived so off they went to eat. About one” had had a great time “running” and will be happy for you to revert back
fifteen minutes later, Mum strolled over around most of the time.) I would then try to an age-appropriate entertainment.
and “reminded” me that the children and convince the client that there was a I am not saying that under-5s don’t
hadn’t done any dancing yet and could big difference between a holiday family enjoy dancing to music. Sometimes they
I make sure they have plenty of music disco environment and attempting the do! What I’m trying to say is, if I have
after they’ve eaten. (I did assure her that same format for a group of, say, just option “A” in my list of packages, which
the disco part was coming up later.) twenty three-year-olds at a birthday party. is ideal for under-5s, but the client is
Obviously being the client, no problem It wouldn’t work. pushing for option “B”, which is
in her asking. However, on this occasion It’s amazing how occasionally some clients specifically designed for older children,
I seemed to get the impression that had call up an entertainer, claiming they know you have to be careful how you handle
the children been just “dancing around better than you what their child will enjoy the situation. If other parents see you
to music” most of the time, with the the most, over and above the professional struggling with a group of children,
odd bit of magic thrown in here and advice given by you, the performer! with age-unsuited material, it certainly
there, that she would have been equally The dilemma can be if a booking is won’t do your reputation any good.
as happy. The fact that the children had bordering on being lost, based on your As far as websites are concerned, of
just had a great time being thoroughly apparent unwillingness to provide what course there is ample scope to lay out
entertained watching a professional they are asking for. (Strictly speaking, I your various show packages, along with
puppet and magic show seemed wouldn’t offer or suggest mini disco for the recommended age groups that they
irrelevant to her. Of course we have to under-5s.) Obviously I wouldn’t want to are suitable for, so hopefully this would
give the customers what they want. lose the booking, so firstly I would go a long way to eliminating the above
Fortunately when most clients hire an suggest a suitable 45-minute situation arising.
entertainer they leave the party content entertainment geared for that age group With enquires relating to older
to you and rely on you to make sure (puppets and magic), but including a children, the message I try and get
the children have a great time! disco/dance session for the little ones across to a client is first and foremost,
At the end of a birthday party show, somewhere within the show. I wouldn’t “I am an entertainer who is happy to
I’m sure we ask a client if everything specify how long the disco part would be, include disco/dancing within that
was okay from their point of view? but would say it would last as long as the entertainment. I’m not a DJ who just
Popular replies can be: children were happy to dance around and performs a few tricks”.
ne of the most exciting Monday clients with his very clever card and coin Magic Circle Supper in 2002. He
APRIL 2011
Monday 4
BILL ABBOTT
One of Canada’s foremost magicians – as a creator, performer
and lecturer – Bill Abbott will be sharing some of his best known
and widely used effects including his ‘Five Card Opener’; ‘The
Thing’, his anywhere, anytime levitation; ‘Smart Ass’ and a guest
appearance from Chico the mind-reading puppet.
Monday 11
YMC ENTERTAINS – Hosted by Mandy Davis, MIMC
Members of Young Magicians’ Club bring their magical skills to Wednesday, 31 August 2011
the stage of The Magic Circle. (The day before the EUROCOL Convention starts!)
Saturday 16
A large assortment of rare posters, books, props
ALI BONGO SATURDAY SHOW
and ephemera from The Magic Circle Collection
Great close-up and stage magic. Doors open: 5:15. Show finishes
will be offered for sale; as well as choice lots
8:30. All invited. £8 from TMC Box office in advance.
from other vendors.
Monday 18 An illustrated catalogue will be available soon.
MAGIC’S ROOM 101 – Roy Marsh, MIMC WATCH THIS SPACE!
Find out what magical people, props, patter and paraphernalia Roy
Marsh’s guests would consign to the darkest recess of Room 101!
Auction Manager: Tim Reed AIMC
Tuesday 26
MAKING MAGIC MEANINGFUL – Todd Landman, MMC
Founder of Psycrets: The British Society of Mystery Entertainers
presents a lecture combining performance, music and images, as
well as insights into the development of personae, scripting and
using multimedia to create a kind of ‘theatrical mentalism’ that
addresses life’s deeper questions.
Looking forward…
MAY 2011
Monday 2
CLUB ROOM CLOSED